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PUT YOUR VOLUME UP ME WAS QUIET SINCE ITS ALMOST 10PM

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LEARN COLORS with MINIONS CAR ! Best Learning Colors Video For Children Colored Minion & Car So Fun - Duration: 1:45.

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10 Best Places to Visit in Germany - Travel Video - Duration: 11:39.

Best known for its famous Oktoberfest and World War II history, Germany is also home

to some of Europa's most beautiful scenery, fairytale castles, important historic sites

and lively party scenes.

Located in the heart of Europe, Germany maintains the continent's most powerful economy.

Here's a look at the best places to visit in Germany.

Number 10.

Leipzig.

The largest city in the federal state of Saxony, Leipzig is known for its vibrant arts and

culture scene shaped by famous music composers like Bach, Richard Wagner and Felix Mendelssohn.

Tourists today can enjoy performances of Bach's music at the St. Thomas Church where Bach

once served as choir leader and is now buried.

In addition to historic sites like the Old Town Hall, the city boasts several impressive

structures such as the Napoleonic Monument to the Battle of the Nations and the former

high court of the Reich.

One of Europe's largest town squares is situated at the central campus Germany's

second-oldest university.

Number 9.

Rugen Island.

Located in the Baltic Sea, Rugen Island is the largest island in Germany, connected to

the mainland by a bridge and causeway.

Charming villas, romantic seaside resorts and beautiful beaches all draw tourists to

Rugen Island, but the star attraction is the Jasmund National Park, famous for its unique

chalk cliffs rising 528 feet over the sea.

Another notable feature of Rugen Island is Cape Arkona, East Germany's northernmost

tip, where tourists can visit an old lighthouse, remnants of a Slavic castle and a picturesque

fishing village.

Number 8.

Romantic Rhine.

Stretching between the cities of Bingen and Bonn, Germany, the Middle Rhine flows through

a dramatic geological formation called the Rhine Gorge.

This region features a spectacular landscape dotted with some 40 medieval castles, picturesque

villages and terraced vineyards.

The region's most famous natural attraction is the Lorelei, the deepest and most narrow

section of the Rhine Gorge, which features a large, treacherous rock that caused several

boating accidents prior to the 19th century.

The best way to experience the Romantic Rhine is by a riverboat cruise.

Number 7.

Cologne.

Situated on the Rhine River in the German federal state of North Rhine-Westphalia, Cologne

is one of the most popular places to visit in Germany.

The city offers a vibrant array of attractions, buzzing nightlife and a stellar arts and culture

scene.

Cologne also packs impressive landmarks such as the city's informal symbol, the Cologne

Cathedral, a stunning Gothic church.

Moreover, the Twelve Romanesque Churches are magnificent examples of medieval architecture.

Number 6.

Dresden.

Before it was severely damaged from World War II bombings, Dresden was known as the

Jewel Box because of its lavish collection of stunning art and architecture.

After many years, the city has restored much of its former glory.

The capital of the federal state of Saxony, Dresden offers a number of historic sites

like the stunning Frauenkirche cathedral.

The city also boasts many cultural institutions of which the Semper Opera is most widely esteemed.

Number 5.

Lubeck.

As one of the largest Baltic seaports in Germany, Lübeck is located in the country's northern-most

state, Schleswig-Holstein.

Founded in 1143, Lübeck served for several centuries as the capital seat of the Hanseatic

League.

Although it was the first German city to be bombed and damaged during World War II, Lübeck

still retains much of its medieval architecture, making it a popular tourist destination.

A walk through the narrow streets of the Altstadt offers views of historic sites like the stunning

cathedral, the 12th century Town Hall and the old city gates of which the Holstentor

is the most famous.

Number 4.

Heidelberg.

With historic treasures like the medieval Old Bridge, the Heidelberg Castle, the Church

of the Holy Spirit and the Knight St. George House, it is no wonder that Heidelberg is

a popular tourist attraction.

The city center's main street is packed with pubs, restaurants, museums, art galleries,

shops and markets selling the likes of beer steins, cuckoo clocks and German sausages.

Home to Germany's oldest university, Heidelberg's long academic history can be retraced along

the Philosopher's Walk, a scenic footpath often walked by many earlier philosophers

and professors.

Number 3.

Neuschwanstein.

The most photographed building in Germany, Neuschwanstein Castle, is also one of Europe's

most popular tourist destinations.

Nestled among the breathtaking beauty of the Bavarian Alps near the town of Fussen, this

fairy-tale castle served as the inspiration behind Walt Disney's Sleeping Beauty Castle.

Constructed in the late 1800s, Neuschwanstein Castle was never built for defense purposes

as most castles.

Instead, this castle was created as a fanciful retreat King Ludwig II of Bavaria who had

a reputation for abiding in daydreams instead of reality.

Number 2.

Munich.

Best known as the origin of the world famous Oktoberfest, Munich is one of the best places

to visit in Germany with a great culture scene.

Munich is home to several sophisticated opera houses and theaters like the National Theatre.

The city center is an attractive blend of classic and modern architecture, teeming in

historic churches, medieval walls and royal palaces as well as bustling shopping centers

and nightlife venues.

Munich's Oktoberfest began in 1810 with a royal wedding celebration.

Today, this famous festival draws millions of visitors every year to take part in the

revelry that involves several gigantic beer tents, delicious Bavarian food and millions

of gallons of beer.

Number 1.

Berlin.

The capital city of Germany, Berlin is widely associated with its World War II history and

former division of East and West Germany by the Berlin Wall during the Cold War.

Since the fall of the historic wall in 1989, Berlin today is now a vast, unified city diverse

in ethnic groups and abundant in sightseeing attractions, culture and nightlife.

Many tourists are drawn to Berlin's famous historic structures, which include the Brandenburg

Gate and the Reichstag.

Although most of the Berlin Wall was demolished, there are some portions still standing near

Checkpoint Charlie and the Reichstag.

For more infomation >> 10 Best Places to Visit in Germany - Travel Video - Duration: 11:39.

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Using Ghost Notes to Improve Your Shuffle Groove | Video Drum Lesson - Duration: 19:28.

Hello everyone. Welcome to this live video with Liberty Park Music. Today we're going to look at how you can do what I was doing there which

is fleshing out your shuffle groove using ghost notes

so there's a few ways you can do this

a lot of stuff I was doing there was was combining all the things

we're going to talk about today into one sort of pattern or one sort of exercise

but the first thing that let's look at it's just like what I'm talking about

when I say a shuffle groove so a shuffle groove is effectively where you've got

eighth notes in your hi-hat but you're going to swing those eighth notes so

sort of dividing each beat by two and having one and two and three and four and

you're gonna divide each beat into three

and miss the middle note so if we have like a basic Rock groove for example on

the hi-hats with the bass and the snare if we play a groove which isn't the

shuffle groove just a basic rock groove it will sound like this

but then if we start to swing it to make make into a shuffle groove it will sound

like this

so that's what I'm talking about when I'm talking about a shuffle groove so

the first thing that I want to talk about and when we're talking about

accents and ghost notes is the hi-hat so I personally when I'm playing a shuffle

groove really liked to articulate the hi-hat with accents on every downbeat

and then ghost notes on the upbeats so the first note of each beat accents and

the third note of each beat ghost notes and I'm also while doing that I can hit

the on the beat with the accents with the edge of the stick on the side of the

cymbals not sure if you can see that so I'll show you on the crash cymbal

instead sort of like that and on the ghost notes I'm going to use the tip of

the stick on top of the cymbal like that okay so instead of having just this flat feel

you're gonna have this feel

it's got a really solid feel to it so that's one thing you can do is to really

think about accenting your hi-hat in a in a very particular way to create

emphasis to your shuffle groove and you can do what I'd recommend doing is is

trying this idea while varying the bass drum because inevitably you'll find it

difficult to do a ghost note in your hi-hat while doing a bass drum so don't

just practice this groove with just the bass on one and three try varying the

bass drum across the bar like so

yeah so try it try varying the base

the difficulty will be to play as I say the bass drum with your ghost notes and also try this, sort of different tempo

you can go from quite a steady slow plodding tempo like I was playing there or you can go much faster

Hung-chang Wei saying I'm never gonna be able to coordinate my hands and foot like that

so that's a good point whenever you're trying this groove you

need to try a really slow tempo otherwise you won't be able to coordinate it

try a really slow tempo and then gradually work your way up and

trying to imagine it try and learn these grooves the same way that you would have

learned basic rock and pop cruise without swing you know go through all

the bass drum permutations across the bar and then once you can do that try

swinging it I wouldn't recommend trying these grooves

until you've gone through all those basic bass and snare permutations when

playing an eighth note rock or pop groove so that's one thing we can do is

articulate the hi-hat in a particular way the good one as I said is varying the

bass drum that so the way it can flesh out your groove the main thing that won't

stop us today is adding ghost notes in the snare drum to help really flesh out

your shuffle groove so like I said before we were doing we were playing the

first dividing each beat into three and

playing the first and the third note of each beat now that middle note that

we're missing out we can fill in with the snare drum, okay

so if we stretch that back and go back to just the hands what was

right right both, right right, right both, right

would now become

right left right, both left right

right left right, both left right

so we still have the snare on beat two and to start us now on beat four

we still have this

in the hi-hat but in those gaps so the middle triplet of each beat we're

putting a ghost note in the snare drum

try and avoid this

It just sounds really flat, there's no momentum there, there's no groove there

so really make sure that the middle triplet the snare that's in between your high

hats is really soft

and in the snare that's with the high hats is really

accented like so

and when we combine the idea of using the high hat articulates

and the high hat with ghost notes and accents with that snare drum idea

it can sound great

And also vary the base drum like I was doing there

that's one idea for you filling in that middle triplet with snare drum

snare drum ghost notes

the other thing is to try when you're doing accents in this

groove try using rim shots on your snare drum

so a rim shot is where you're hitting the rim of the snare the hoop of the

snare and the head the snare drum head at the same time so I'm sort of this

yeah hitting the hoop and the head at the same time that's a rim shot and it

makes your accents feel stronger and more powerful

I will demonstrate that slowly for you

as opposed to this without rim shots

still sounds good you've still got a strong accent there

but the rim shot I think helps to articulate it in a stronger more dynamic

way but it's also a variation in tone you're getting a different tone from the

drum okay so that's the next thing I'd recommend

so these are ideas to use when

you're playing just a standard regular time shuffle grooves and with the snare

on 2 & 4 vary your base run

another way you can

add ghost notes to flesh out your shuffle grooves

it's been playing at unison shuffle so at unison shuffle is what I call a

groove where your hands are playing the same pattern as each other

so they're both doing this

they're both doing that rhythm like so

okay, but the emphasis here needs to be on really strong accents on the back beat so 2 & 4

your bass is gonna play 1 & 3

so the end product should be this

okay but to get to that stage you'd have to just learn the coordination so both

hands at the same time base on one like so

and really focus on again the hi-hat is gonna do

and the snare is going to have

it's all about the contrast between your ghost notes and your

accents your ghost notes need to just be a whisper and your accents need to be a

roar really powerful really powerful sound like so

I have got a comment from Hung-chang Wei, what kind of music do you usually use this for

so these generally triplets

and this is not exclusively but generally they weren't really well in

blues music or jazz music swing music

so anything like that you can check out

grooves similar to this one if you type into use YouTube the Purdy shuffle the

grooves that I'm playing now are all inspired by Bernard Purdie who was a

very famous drummer played a lot of blues records and this is the purdy shuffle

and there's other examples you can hear of this is a actually lesson going on

Liberty Park soon

where I show you how to play A Fool in the Rain by Led Zeppelin

in which John Bonham plays a groove which is very similar

to the first groove that I did

so yeah that's another idea so you've got the

the idea of articulating the hi-hat accents and ghost notes you've got the

snare drum in the middle triplet playing ghost notes you've got rim shots on the

snare drum for the accents and you've got that unison shuffle where your hands

are in the you know in unison with each other but you're really articulating

ghost notes off the beat sorry accents on beat two and four and ghost

notes everywhere else

the next the next type of groove I want to look at is

similar to the first groove that we did so that shuffle where you're adding the

snare in the middle triplet but gonna make it into a halftime groove so what

that means is the snare drum is no longer they're going to play on beat two

and beat four

it's going to play just on beat three so it's going to feel as

though our musics slowed down by half the speed you know it's half the speed

that it was before but it's not it's just that we're placing the snare drum

in a different place

so if we apply this to like a straight Rock groove instead

and to mix that with shuffle groove we'd have

now can you the same thing with this groove that we did with the previous

groove in that we can fill that middle triplet of each beat with a snare drum

so that instead of having

and fill that middle triplet beat in so it goes well with a snare drum

so our hands would go something like this

right left right, right left right, BOTH left right, right left right

another thing I like to do is to

in the first beat instead of playing right left right

we're going to play right left both

okay so, right left both, right left right, both left right, right left right

like so

and then we can take this halftime groove and start varying the bass drum with it as well like so

and then at half the tempo

and then again you can play this on the right, you can play this on the crash cymbal

when you're doing so I suggest maybe trying to keep your your left foot

ticking over so maybe on every beat or on two and four try use the bell of the

ride cymbal so having just

so yeah those are those are the things I suggest doing to flesh out your your

shuffle group try thinking about accents thinking about ghost notes try thinking

about taking that that that grid that you're creating with the shuffle groove

I'm filling that middle triplet of each beat with ghost notes in the snare drum it

can really give some real momentum to your grooves before we go

Liberty Park Music have kindly offered a discount coupons anyone who has watched this

video which is which I believe gets you 30% off subscription to Liberty Park

Music so if you want to note that down please do so

just got a question

question here from Angelo Kelvakis is there a way to incorporate the hi-hat

when playing on right just yeah of course there is yeah so if you're

playing this this this pad on the right cymbal instead

you could either keep the hi-hat going on every beat

you could keep it going on the middle triplet

and get your don't just add ghost notes with your snare or

your base or your right cymbal where your right hand try and add ghost notes with you

know with or embellish your shuffle groove with your left foot as well you

know that's a really good good thing you can do is a great question Angelo

so thanks for watching everyone remember again if you want that discount

coupon then there it is and I'll see you very soon, take care