How to edit videos by using adobe premiere pro tips cc for beginners tutorials
pisac is you on the greaseball I'm a slimeball but I love teaching so do it
means less because you're learning the game from a slimeball should you learn
from a professor should you pay a professor twenty thirty forty thousand
dollars to learn exactly which I wish I could sound like Luther Vandross
I can't sound like Luther man cuz I'm brand kids I sound like a horse meet the
Sun like a saxophone you almost can tell I'm drunk
excuse me but I'm far from drunk I'm very normal I'm very down-to-earth
I'm very I'm I'm together y'all so stop trippin Danny oh man we bout to learn
some manners I'm we're gonna get from the silliness and we're gonna get very
professional and I'm going to teach you guys how to shoot a video shoot a
professional quality music video under any condition i'ma show you how to
properly light it and if you can't light it I'm sure you how to use natural
lighting to get the best quality footage as you possibly can this particular
video we're gonna be doing and and we shot in under natural lighting so imma
show you how to not only shoot it but edit it and not only edit it but color
grading so without further ado please gonna get straight to it fam so buckle
your seatbelts you know I mean get your Yahoo's could you know how we do get the
kool-aid get your look off get your nigga your
sigil and whatever you like to do when you sit back watch these videos cuz this
one by three and a half hours long alright so it's your home the grand
chisel thank you for watching and get your pump on the side note on the for
real for real get your pencil your pen in your notebook so make sure you take
notes grab out your camera's if you don't get the camera guess what
you got an iPhone you got a Samsung just shoot for you can shoot 4k or 1080p on
your doggone phones the same rule applies alright home is a home ass it's
your home agree ztz and we're gonna move on to the next chapter and begin this
true training we're gonna do it with fun ain't gonna be all uptight and stuck-up
now I mean and you ain't paying $100,000 for no cars you're paying your homie
grant is about fashion dollars an hour geez - homies so let's move on all right
welcome back round now we're gonna work on edit
and I'm gonna answer a few questions general questions a lot of people want
to know the timing of a edit when the cut will break you know do you do it to
the rhythm you're not do it to the rhythm is there a particular rule well I
want to say no that's not a particular rule that there is as a fundamental or
principle the principle is not to leave your audience bored
so with that principle you're going to add it according to that
so let's hypothetically say you use another you get a a very slow slow R&B
song or a very slow piano song and you're cutting in your edit in nature
hypothetically there's just hypothetical so you got a slow loving peaceful piano
song and you're showing flowers and birds and trees and water and birds lion
and butterflies you're not gonna use at the Rupp edits you're not gonna use fast
clips you're gonna tip they're reasonably realistically you're gonna
use soft transitions soft transitions peaceful transitions sometimes you might
cut but it depends on the audio and the more tutorials you watch the more you
understand I'll have you do homework assignments and watch other videos and
things like that so if you're doing a nice smooth slow R&B song and the mood
is candle lick the scene is low low light you know just you're basically
working with shadows a lot of shadows with just a few person Luminator you
know like few body parts or maybe close-up so champagne bubbling candle
you're going to use slow fades you then you may have a medium like this was
this won't be kind of medium so this can kind of work with fades or just cuts but
the tempo of the song is going to determine the speed of your cuts so
pretty much like a upbeat you're going to almost kind of edit the video
according to the beat spirit tempo in favor of the song if I could put that
all in the nutshell for you you know I can't put nothing in a nutshell for
y'all because you know I talk too much so for the most part that's how you
would do it alright so with that in mind we're going to go in here and attempt to
start editing now what you're looking at right now is what I did this is a just
kind of a pre pre color grading and color correction and I'm not going to
tell you down with all of the ins and outs of that right now because that's a
tutorial all in itself a lot of times you just plug and play and you edit and
you give the video back to the client this is much more advanced so we're
definitely digging to this because you remember and that's what you know that's
just an for you paying for it you know advanced knowledge but what I did was
sometime I kind of do like a free color gray pre color correction and just if I
can give it to you in a nutshell this is raw coming straight from the from the
camera and this would be considered me I apply a coloration to it that will be
considered correction because this is obviously not the correct look so this
will be considered correction so that's me bringing back the huge the saturation
the curves you know using using these master tools here using exposure
bringing exposure up because it was underexposed obviously bringing the
density up bringing the saturation up so I can bring some color back into his
skin some videos are oversaturated so I my under it depends on what vibe I'm on
right now I'm trying to pump it up a little and then curves as you see we
have the s-curve and you give it a thin film you know film stock use s curve s
curves so that's why they call it s curve and what it does is it it fades
shadows and highlights the way film does so it takes that edge off of that video
look so that's that's pretty much it there we're gonna get back into this and
then of course I that's that's that's some correction and then this would be
considered grading I had a mojo to it and the Mojo is like give it a family
look because what it does is it adds certain blues or certain heels to
shadows so as you see here you know like is it's kind of kind of gotta like a
reddish type of hue to it but if I cut on the Mojo it chants it blue or like a
teal and we're gonna talk about that later on I got some tutorials and I'm
gonna try to check out and help you how to appreciate certain color wheels and
things like that goes very deep very deep and then we add the sharpen and I
can actually add more sharpening than that but we get back into that layer now
the reason why I don't color correct first and then edit is because as you
see if we try to play it back here this won't play real choppy well it's not now
but it's going to playing a little choppy but it's not
gonna play as smooth i fixed on my mistakes wasn't confident in my struggle
and I tried the round plays with and that's okay so right now to make editing
easier I'm just gonna take all of that off all right so now with now let's work
on editing so we're going to move on to the next chapter just the introduction
we will move on to the next chapter and actually start literally doing some edit
and we're gonna walk you through the thought process of it
alright so let's run let's move on and start working
all right if I'm ulema check it out so right now the subject matter is he's
saying that his career is kind of on the stand still in the standstill
because his team is kind of doing a few other things and he's contemplating on
if he should move on without the team or wait on the team if you went on the team
his career kinda understand sterile if he if he if he move on he want to make
sure that he you know keeps his integrity with his team his loyalty to
his team but at the same time you don't want his team to hinder his progress so
if all that you know it's a lot weighing on his mind so sort of tempo ain't gonna
be like we Crump anybody get in Crump just survive I'm just speaking my mind
right now I'm you know I'm kind of feeling things right now so you know
that's kind of what I'm working with so of that we go over here we looked at the
sources the other sources the other b-roll footage and we listen to the
tempo and the speed and the pace of the music we also listen to the core
progressions how does it make you feel yes all those thoughts goes into editing
well a good video director with it would consider all of these thoughts so keep
that in mind so with that gonna play it and we want
to get a feel for it
I crept up on the competition niggas in trouble when they was calling Nancy I
was working doubles that does excuse a please excuse this hustle be carrying my
own weight and I haven't pulled a muscle I fixed on my mistakes wasn't confident
in my struggle and I tried the round plays without pitching into the huddle
with that always resorting to fumble knives gametime Fratellis other niggas
they in trouble the underdog with them Rises on day see it come alright so
we're gonna work with that a little bit so I'm listening to what he's saying
and keep in mind - this was all guerrilla shot see so we kind of
improvise in here on you know the elements and what we're going to move on
and what we're going to be editing so right now with the little bit what he's
saying here and I should have sat down with him a little longer and got a
little bit a little bit more detail but you know work with what we got
so um what we're going to do here is we're gonna start showing some of the
elements representing what he may be feeling or that's gonna come up to that
point so as you see here got like flags I got like you know sports arena I got
the lights I got him standing you know you know little things like that so what
I'm gonna do is let's do it again waves again I crept up on the competition
niggas in trouble when they was calling Nancy I was working doubles okay so we
we kind of established some shots where he's that right here so what we're gonna
do is let me go in here and normally normally I would separate all these
windows I got two monitors I would put this over to the right and I would use
all this as editing but um but we can use this for now alright so we're gonna
first the flag and we're not gonna use the flag first because we don't want
this to be patriotic here right there's not we're not trying to do that we're
not trying to no type of subliminal message the flags
mean absolutely nothing in this video it's just the element that's at this
park you see so keep that in mind here and we're not gonna raise those elements
into the second half so all right so let me find some elements here
see so right there so that's a good establishing shot so we can go from that
and we won't spend too much time on that cuz we don't want anybody think that
we've been you know we try to keep it as unpatriotic you know keep it neutral as
possible so that establishes something that establishes the location where are
they at where are they so we'll put that there and as far as these here keep in
mind all of those assist performance strikes so I'm gonna slide them back
we're gonna bring them in as needed but right now we're going to establish some
other things all right and keep in mind remember too that this is shot in 4k so
um I could play around with pushing things here
I crept up on the competition and by the way I'm I apologize I should have let
y'all know what I just did this is a fade in here and I created this fade in
by holding ctrl and clicking on the timeline here and you can you can pull
them down you can you know you can adjust it if you hold ctrl you can
create a bevel and I'm gonna get more detail about what these things are but
what that does is allow you to apply a little curve to it so that this is a
linear fade and linear means a straight line it's just lying that's what's
called linear line so it's a straight line it's rigid this little curve gives
it more of a softer man as opposed to a solid fade in anyway you know use those
a whole lot when it comes to just editing video like this we use this and
like special effects something like After Effects or something like that but
for the most part we just use that and that's a simple fade in not the
beginning of the tutorial I want to make sure you know I reiterate this you
cannot Adobe allow you to I think it's a 15 or a 30 day free trial before you can
start using it there's other ways obviously you can get it you can there's
different ways that you can get Adobe Premiere but I like to I like working
with the Adobe Premiere and the reason why is because of After Effects and
Photoshop they are work hand-in-hand now we're gonna get into all that later
that's more advanced I just just follow me just stick with me and you're gonna
learn all all of those different things and techniques so anyway I just wanted
to lay that down to you because there's a there's a variety of transitions so
right here we're going to use phase and cuts all right so let's fade it in first
okay
now now right here and it's it now movement and feel got a lot to do with
things too so we're gonna keep that in mind movement and feel so it I'm gonna
feel how long this should be before we cut to something else I will cut here
cuz you don't want it to be too long you gotta keep in mind yet yeah you
entertain it you don't want to bore bore your viewers so you got to be careful
how long you keep things there's a lot of random shots here so they work
walking to practice I want to cut we're not gonna cut here cuz this is like the
same shot you got to give it a little bit of variety so we're cut over here
this is a different angle and they're doing something different here so I stay
I'll make sure I don't pick nothing wobbly oh sorry about that I don't pick
anything wobbly or unsteady unless I did it on purpose so for example here I'm
still established for my camera see you saw the camera shaking and this is
wobbling okay it look like it's established right here and you're
standing ok now we're not see none of those right now I'm just establishing my
camera you don't need so I would immediately take it from there
so now we get a sense of what's going on okay he's that he's at the field all
right so now let's see how these two clips play
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