Thứ Năm, 6 tháng 4, 2017

Waching daily Apr 6 2017

Hi!

And Welcome to Uniti Update Episode 8.

In the last few weeks we've had a lot of attention from all over the world.

People supporting us after they heard about the deal we had with Siemens.

And now we're growing as a company and there are people coming in every day to join us.

We're building this first prototype that's gonna be done this summer and we're also

planning out the production of the vehicle.

And this means that we are already growing out of this place.

And I know that it feel like we just moved in here and we think so to.

But we will need the place where we would put our production facility in the near future.

And we've been looking for places in Malmö and Landskrona and the key thing with this

new facility is that it needs to be a good logistics hub.

So you can acctually transport goods into the factory, you can produce it and then distribute

easily by seaways or by train.

And that's why we've been looking at Landskrona where there's a harbour and there's big

machinery and facilities where we could build a factory from the ground up.

Because Uniti isn't just a car of traditional production methods, it's a whole new way

of thinking of production and how to do it and how you can actually optimize the whole

process.

While we go around Skåne and Sweden to look at different places people are also coming

to our building.

We've had the honour to receive Isabella Lövin, the Vice Prime Minister of Sweden.

And she was here talking to us about the future of Sweden and the future of green energy and

we also discussed the possibility of using Lund as a testbed for autonomous vehicles.

And that's because we as a company can't just change the way the world works, thats

that's why they visit us.

So that we can get some support and help to change policy to make the future more sustainable

and the world we live in more green.

From a policy level, obviously autonomous driving is going to be interesting.

We can have them on the road within three years.

What do you say?

It sound fantastic!

At Sony you could use them resources to do something good in the world.

Basically the freakin' opportunity that you guys have laying at your feet right now.

I think it's a super exiting time on the planet right now.

I like the idea of, you know, seeing what's feasible and being bold and going for something

exciting!

I need to have such a complex company because I'm switching all the time between different

things and that's a state where I thrive.

I don't work very good if I just have one thing.

I think everyone should find what their strengths are and then accelerate those strengths.

And all these contacts haven't just come out of the blue.

It's our team that has built this.

Our team is the one most important thing in our company.

And team Uniti also need to grow.

By hiring more real, competent people, but we also see the need to grow our team externally

by creating more partnerships with different companies all around the world.

And we're not in it alone, we have these collaborations so that we can grow quicker

and faster and get this car on the road as soon as possible!

And in order to become pioneers we really need to stand on the shoulders of giants and

use all the different innovations that different people have come up with.

Combine all the existing technologies into the one perfect product that we strive for.

Because we can't just as a company work alone to bring a more sustainable world and

a more sustainable form of transportation to market.

And we haven't only been meeting companies and policy makers, we've also met the

Prince of Sweden, Prins Daniel.

So we were at his Entrepreneurship day and got to speak with members of the Royal Family

as well as high industry officials.

And this gives us great confindece because we get so much support from so many different

people and institutions that see us as a future in Swedish industry.

And this video goes out to all the supporters that we have globally, our own team members,

all our investors and all the people that have been believing in us since day one.

Together we can make this happen if continue with this great momentum that we've created.

And all we wanna say its: Thank you!

For more infomation >> Episode 8 - Prince & Vice Prime Minister - Duration: 5:01.

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Soy Luna 2: Spoiler Alert 4 (CZ tit) - Duration: 0:41.

For more infomation >> Soy Luna 2: Spoiler Alert 4 (CZ tit) - Duration: 0:41.

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IT'S OFFICIAL MYSTERIOUS FRB SIGNALS ARE COMING FROM OUTER SPACE - Duration: 3:47.

IT�S OFFICIAL MYSTERIOUS FRB SIGNALS ARE COMING FROM OUTER SPACE

Scientists have finally confirmed the mysterious energy signals are coming from galaxies far

away.

Ten years ago, astronomers intercepted a strange signal.

Then another.

And another.

To the present day, around 30 have been detected but scientists suspect hundreds could be happening

each day and go on undetected.

Known as Fast Radio Bursts, these highly energetic transmissions occur on a random basis and

last only a short period of time.

You have to have a radio telescope pointing towards the region of space where an FRB occurs

in order to see or hear it, right?

The strange nature of these signals has led some open minded folks into believing their

nature is artificial, therefore suggesting they are intelligent signals sent out by extraterrestrials.

The same strangeness has also led to speculation that they might have an internal, misunderstood

source, a terrestrial interference, if you will.

Remember the Parkes Observatory in Australia and the presumably alien messages it received?

Yeah, that turned out to be interference from a microwave oven.

Astronomy is sometimes dealt some blows under the belt and they come from the unlikeliest

of sources.

This is not the case of Fast Radio Bursts though, as scientists recently received confirmation

that the strange signals really originated in outer space.

�PERHAPS THE MOST BIZARRE EXPLANATION FOR THE FRBS IS THAT THEY WERE ALIEN TRANSMISSIONS.�

� CONTRIBUTING PROFESSOR MATTHEW BAILES, SWINBURNE UNIVERSITY OF TECHNOLOGY IN MELBOURNE

With the help of the Molonglo radio telescope near Canberra, researchers from the Australian

National University were able to identify not one but three FRBs and also pinpoint their

likely locations.

The Molonglo radio telescope has a huge focal length and this unique architecture allowed

astronomers to conclude the FRBs originated in outer space and even localize one of them

to a specific galaxy.

�Conventional single dish radio telescopes have difficulty establishing that transmissions

originate beyond the Earth�s atmosphere,� said Dr Chris Flynn.

A collecting surface nearly four time larger than a football field (193,750 square feet,

to be precise) allows the Molonglo telescope to gather 1,000 Terabytes of data each day.

In order to single out the FRBs out of the multitude of cosmic events recorded, the researchers

had to develop a software that could sift through the data.

The researchers are now confident that in the near future, the telescope will provide

much-needed information about these strange signals.

For more infomation >> IT'S OFFICIAL MYSTERIOUS FRB SIGNALS ARE COMING FROM OUTER SPACE - Duration: 3:47.

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The Craziest Video Games Ever Made! Part One - Duration: 7:46.

I swear there must be a department in the Japanese Government dedicated to finding the

weirdest shit their country can make and exporting it to The West.

The Ministry Of The See-What-The-Giajin-Can-Lap-Up-Next or something.

Uuuuuh!

Saying this, the Parodius series was never actually exported to The West - must have

been deemed too weird even for their standards!

This old-school side-scrolling shooter forces you to take on a hulking ballerina pandas,

pirate cat submarines, giant subtitle-shooting mermaids, and something that looks like the

bastard progeny of what would happen if Grace Jones defiled an Easter Island statue.

I think the designers just took a shit-ton of nouns, put them into a bag, and created

bosses based on whatever combination of words came out.

Godzilla-esque burlesque dancer anyone?

Back in the old Atari days, when most of the current internet population was barely an

itch in their daddies crotch, the video games industry was still trying to find itself.

This resulted in a lot of experimentation, which could be a blessing or a curse.

In this instance, some bright spark decided that playing hide & seek was too much of a

chore, and so decided that LET'S MAKE IT A VIDEO GAME INSTEAD!

Sneak'n'peek was born.

A two-player game where one has the option of hiding in a room, or sneaking out the door

to - wait for it - Another room!

The other person stumbles around looking for the person who is hiding until the timer runs out.

Considering the archaic graphics that look like someone gave themselves five minutes

on MS Paint to make it and STILL gave up half-way through, it wasn't the easiest of games to play.

This is one of those games best saved for actually playing IN REAL LIFE, like frisbee,

or dog-walking, or whale-axing Wait, what?

Zombies!

Well, these days they're ubiquitous with all forms of modern entertainment.

They're blending themselves into interesting ways and other genres, such as drama, or comedy,

hell, they've even invaded a Jane Austen period drama.

It's a business that many take seriously, even going so far as to holding zombie auditions

for The Walking Dead!

Seriously, how do they even score points for this?

Sorry!

We're still detecting presence of life and a soul inside you.

Please go back to working retail for a few more weeks, and come back to us.

See you soon!

But one genre mix-up you definitely haven't seen, is:

Zombies, alien disease, and disembodied-head-of-ghost-samurai-named-Namakubi-going-on-vomit-rampage-to-destroy-buildings-and-save-survivors-falling-from-buildings.

This is Zombie Nation.

A 1990 NES game that also includes fighting an evil statue of liberty, and confuses as

much as it confounds.

I mean, why do you have to destroy the buildings during a zombie-alien apocalypse?

And if you're already a ghost, why do you give a fuck?

A case of the already-dead being jealous of the un-dead?

A who gives a shit, I'm going to shoot this plane down with eye-balls coming out of my

mouth for no reason.

Who needs to drop acid and go to a rave when you have Space Giraffe!

When you're not worrying that you're having a seizure, the aim of the game is to... shoot

stuff...

I guess?

I don't know - you're a weird pulsating piece of light, shooting pieces of light, at other

pieces of light, while the background is made of pulsating pieces of light.

Although the music does occasionally pause to make way for a cow-being-slaughtered sound

effect to indicate you've a power-up for surviving another sixty seconds without developing epilepsy.

Ah, the game that started as a joke but thanks to going viral became the real deal!

Likened to a skate-boarding style game, except you're a goat, and instead of doing tricks,

the main goal is to wander a sandbox-style environment and wreck stuff.

Using strategically placed trampolines to fling your cloven-hoofed avatar to... well...

just up...

I suppose.

In fact, I don't even think they're strategically placed at all!

The game creators admit to this being a broken and stupid game, and have kept the bugs in

intentionally to add to the humor of the situation.

Some critics have claimed that the game only garners its praise thanks to social media,

allowing a buggy and incomplete product to appear on the market.

But I don't think that those people get it, as being able to fling my long tongue on to

any item I choose and swing it around in an ever-widening circle to cause mayhem and panic

wins over the occasional graphics clipping.

And if nothing else, is a lot cheaper than anger management therapy.

Speaking for replacements for therapy, here we have yet another weird crazy Japanese one:

This surreal arcade experience puts you in the position of an angry father, who upon hearing some unwanted news

literally flips.

The game comes with a built-in table that you, unsurprisingly, flip at the perfect moment,

terrifying your on-screen family with a sudden outburst of furniture violence.

Who knew that a domestic-abuse simulator could be such stress relief!

Forget Resident Evil, THIS is the stuff of video game nightmares.

This virtual pet simulator was a huge hit in Japan.

Typical...

So it was released in The West, on the Dreamcast, even getting Spock himself - yes Leonard Nimoy

- to narrate.

Most illogical.

The aim of the game is to talk to Sea Man He he he, seamen

A talking fish-man hybrid, using the at-the-time revolutionary voice-recognition technology,

through the microphone peripheral, players would ask questions posed by the anthropomorphic

oddity on topics such as: The players' personal life, science, and even

politics.

Encouragingly, Seaman would soon get bored of you, stop talking to you, and would typically

tell the player to go away.

Great!

This has gone from a pet-simulator to my very own personal relationship-simulator.

WHY WON'T YOU LOVE MEEEEEH!

Okay, I'm gonna try and say this one correctly: Hatoful Boyfriend Pigeon High-School Dating Simulator.

No - I didn't just fluff up my lines.

I really did just say Pigeon High-School Dating Simulator.

This game is the mash-up of some hugely popular genres in Japan.

A dating-sim stroke visual-novel stroke must actually be having a stroke.

The title is a play on the English word "hateful" which is also a fucking big indicator as to

the emotions the following gameplay will cause to bubble up from inside you.

You play the only human student attending the St. PigeoNations Institute, which is - as

the name suggests - a school for pigeons.

Think Hogwarts with less magic and more fowl.

You engage in conversations with static images of birds that must have taken all of five

seconds to google search and paste into the game, flirting with them, and even getting

to solve a mystery, with persistent interruptions from male pigeons who just want to be your

boyfriend.

I'm laughing just thinking about this one.

Japan World Cup 3 starts off as a typical horse-racing game, but the Japanese being...

well... the Japanese, they couldn't leave well-enough alone.

They decided that horses on their own are just BORING.

I can imagine the creative design meetings that the game-makers had, asking: What can

I put into the game to make it more interesting?

A zebra!

A giraffe!

A walrus!

A yeti!

A whatever the hell that thing is!

No suggestion was too crazy, or as it appears, turned down.

It doesn't have to make sense, it just has to make you question what was in your breakfast

this morning.

So, have YOU ever wanted to be a middle-aged lecherous Japanese man, creeping up on young

girls when they're not looking in order to cop a feel?

Well then, you're in luck!

As The Houchi Play - yes...

Houchi - allows you to embrace your inner pervert, as you sneak up on the unaware girl,

staying still when she's looking your way so she doesn't suspect you sneaking up on her.

As, for some reason, her visual acuity is the same as a t-rex's.

Dotted along your path are bottles of booze, acting as liquid-courage power-ups to enable

you to complete your path to cop-a-feel heaven.

A totally abhorrent game that should not be endorsed by anyone.

Grab 'em by the--

Thanks for watching!

Please subscribe if you liked, and don't forget to let me know what you thought in the comments.

If you thought that there were any weird and wonderful gaming experiences that I should

have mentioned on the list, let me know!

Until then, I'll see you next time!

Through the microphone periph- Ugh, microphone per- per-iferf-fffffffuuu

Per-iff-err-all Peripheral

Try saying THAT five times fast.

For more infomation >> The Craziest Video Games Ever Made! Part One - Duration: 7:46.

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Musicoterapia Per Rilassarsi E Dormire Bene - Musica Calmante Per Dormire Dolcemente - Duration: 2:10:58.

For more infomation >> Musicoterapia Per Rilassarsi E Dormire Bene - Musica Calmante Per Dormire Dolcemente - Duration: 2:10:58.

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The One - The Chainsmokers (by SaxPinelin) Sax Cover - Duration: 3:57.

You know, I'm sorry I won't make it to your party

Got caught up in my own selfishness It won't let me be a part of this

And I know I've started Drifting off every second

I can't wait to leave As soon as I arrive I count the seconds

Down and down we go We'll torch this place we know

Before one of us Takes a chance and breaks this

I won't be the one No, I won't be the one

I know it's pathetic F*ck it, yeah, I said it

Tried to tell it like it is There's a chance that I'll regret it

So let's go, let's end this I delete before I send it

And we can play pretend Like we haven't reached the end yet

Down and down we go We'll torch this place we know

Before one of us Takes a chance and breaks this

I won't be the one No, I won't be the one

For more infomation >> The One - The Chainsmokers (by SaxPinelin) Sax Cover - Duration: 3:57.

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What to Wear on a Royal Caribbean Cruise - Duration: 12:07.

Hey Cruisers, today we're going to answer a very popular question.

Yes, you know what it is because you saw the video's title, but first we have something

even more important to share.

We want to tell you where you can find you can find reviews, photos, and tips from real,

VERIFIED, everyday cruisers.

It's our sponsor, cruiseline.com.

It's a very cool site, and if you love cruising you'll want to get familiar with it as a

pre AND post cruise resource.

Check them out directly by clicking the link the notes below.

Alrighty, "what should I wear on my Royal Caribbean cruise" is a question we get quite

often, and while we've briefly addressed the question in the past, we realized it is

still source of concern and even controversy, particularly when it comes to formal night.

Maybe you don't like to dress up, and wonder what is acceptable for admittance to the dining

room.

Or, perhaps you love to dress up, but don't want to be the only one in an evening gown

or tuxedo on formal night.

Well, we are going to try and clear that all up for you, AND we have pictures!

Royal Caribbean lists it's suggested dinner attire on it's website, but come on, that's

just boring, and maybe even a little confusing.

Still, if you'd rather head over to their site you can find a lot of this information

there… but you won't see our photos.

So let's get a couple of standard questions out of the way for those of you that just

want me to cut to the chase.

Do I have to wear an evening gown, or tuxedo on formal night – No.

Can I wear an evening gown or tuxedo on formal night – Yes.

Okay, now let's get into some of the finer details of dress code.

First off, Royal Caribbean doesn't go into a lot of detail when it comes to their dress

code.

They simply say "When you're onboard, the right look will vary by venue", And they

go on to offer a few types of suggested attire, which we'll cover shortly.

Since they don't specify what items are not permissible, the guidelines they do provide

are subject to interpretation.

The dress code for the main dining room has been trending toward a more relaxed style

lately, but Royal Caribbean does maintain a tiny bit of traditional cruise formality

and breaks the suggested attire into three separate categories.

Casual, Smart Casual, And Formal.

Let's take a look at these categories starting with "casual".

Casual clothes are what you'll wear around the ship in public areas during the day and

evening for anything from meals in the dining rooms, to activities.

For casual attire, Royal Caribbean says, and this is a quote from the website, "You're

on vacation – relax!

Jeans, shorts, tees, tank tops, polos, sundresses and blouses are all the right amount of laid

back.

Please keep swimwear to the Pool Deck."

During the day on most warm weather cruises, casual clothes, swimsuits, swimsuit cover

ups and even active wear can be seen all over the ship.

Now, Royal Caribbean doesn't want you to try to show up for lunch in the buffet or

main dining room in a dripping wet swimsuit, but the vibe is really casual, so pack those

flip flops, hats, and your favorite casual wear, and focus on comfort.

If you're cruising with kids, don't forget to pack sun protective clothing if you can-

rash guards and cool hats are everywhere these days, and you'll be less concerned with

re-applying SPF if your kids are more covered up.

Here's a look at a couple of outfits we would typically pack for casual dinners and

even for sea days around the ship.

Think of something you'd wear to an every-day restaurant back home.

For men, casual pants, even jeans, and more casual collared shirts are great.

For women, it's the same idea.

I like to think of my dinner outfits as "Resort wear" type outfits, including casual dresses,

or maybe even nicer jeans, especially on the first night of the cruise, when everyone tends

to be more casual after a long day of travel.

For kids, there's tons of options and flexibility.

We just keep our little guy in clean clothes that aren't considered swimwear, and we're

good to go.

Here are a few photos we snapped at the mall of common casual wear.

Let's move on to the smart casual category.

What the heck is "smart casual" and when would you dress that way.

We hear this one a lot on cruises, so let's see how RCL defines it.

Royal Caribbean says "Think of this as a step up from your typical dinner wear.

Dress to impress with jackets, sports coats, blazers, collared shirts, dresses, skirts

and blouses, or pantsuits."

This is probably the category you'll see the widest range of interpretation and the

most confusing to people.

We kind of think of this as being similar what you might wear in a more formal office

environment or perhaps as wedding guest.

Think back to the last wedding you attended.

The majority of men were likely in slacks, a collared shirt with tie and perhaps a suit

coat, but there were probably a handful in polos or Hawaiian shirts as well.

Women were in a variety of outfits from full-fledged cocktail dresses, to sundresses and pantsuits.

You'll probably see same when it comes to the Smart casual category on a cruise.

"smart casual" usually applies when you go to one of the upscale specialty restaurants

onboard, if that helps.

Here are some examples for what could pass as smart casual onboard.

For the formal category, we'll quote Royal Caribbean's website again- it says' "Make

it a night out in your best black-tie look – suits and ties, tuxedos, cocktail dresses

or evening gowns."

Formal night is usually the biggest area of concern for most new cruisers.

We think the idea with formal night is pretty obvious.

It's a chance breakout your finest clothes and experience the traditional grandeur and

elegance of a traditional cruise dinner, whatever that means to YOU.

Personally we love this tradition.

I used to shop months in advance for the perfect formal night dresses, and my husband would

pack or rent a tuxedo onboard.

There are a lot less tuxedos on formal nights these days, and my husband was getting tired

of people asking him where the bathroom was (ya know, cus he looked like a crew member),

so now we are a bit less formal.

I usually wear cocktail dresses, or a longer evening gown type s style.

Here's a look at a couple of examples.

When it comes to formal nights, we say common sense should be your guide.

If you want to go all out and dress up, by all means, please do so.

That's the whole idea.

On the other hand, if you just don't like dressing up, there are options for you too

on formal night.

You could skip the main dining room and head to the buffet, order room service, or you

can dress the way you want and take your chances in the main dining room.

Royal Caribbean says they will enforce the dress code, but the reality is it's tough

for the staff to manage.

Of course there is another option, and that is the specialty restaurants, but those have

their own dress code, (not to mention additional fees).

Royal Caribbean recommends Smart Casual for Specialty Restaurants & Mystery Dinner Theater.

So, yeah, expect to dress up a little if you explore those options.

Formal wear onboard might look something like this...

And speaking of dressing up a little, what about the kidlets?

Well, the same rules apply to the little ones as well.

But, if you have kids you probably already know how to handle this one, and how there

might be just a little bit more flexibility when it comes to children.

On formal nights we typically deck our little man out with a nice slacks, shirt, tie, vest

ensemble, and he looks sharps … for about ten minutes.

Oh here's a secret, instead of trying to force him into painful dress shoes we usually

put him in some nice clean all black sneakers, and works pretty well for us.

Nobody's ever kicked us out of the dining room because he wasn't wearing dress shoes.

Catch my drift?

To wrap this all up, you'll notice that Royal Caribbean calls this suggested attire,

and they don't list everything you can't wear.

So, of course we don't want you to feel like we are saying "you have to wear this

or you can't wear that".

We are only trying to provide a little guidance for people who are truly looking for help

with an often confusing topic.

That's it for this episode, thank you for watching.

Be sure to follow us on social media @CruiseTipsTV, and click the link in the description if you

want to check out our awesome sponsor http://www.cruiseline.com.

Thank you all so much for the massive amount of thumbs up on the last video, and until

next time, we'll see you on the high seas.

For more infomation >> What to Wear on a Royal Caribbean Cruise - Duration: 12:07.

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Melodic Comping - Stronger than voice leading! - Jazz Guitar Lesson - Duration: 10:49.

(gentle guitar music)

- Voice leading is a great tool,

but the strongest musical principle is probably melody.

And that's also true when you're comping.

Melody will tie things together and overrule voice leading

just as it does

when you're making a chord melody arrangement.

I get asked a lot about how I think about

the different extensions and alterations

that are used when I'm comping.

In this video I'll show you some examples of how I comp,

thinking of the melody and harmonizing at the same time.

I think this approach is really similar to

how you also play chord solos,

but it's a very a nice way to sort of

tie everything together

and make your comping a complete musical statement

rather than just a bunch of chords next to each other.

In this video I'm gonna take a turn around

in the key of G Major, so A minor 7,

D7, G Major, E7.

And then I'm gonna get you some exercises so that you can

play melodies with all those chords.

And I'm gonna give you some examples of some simple melodies

that I wrote on that progression.

So the first thing we need to do

is just to have some exercises

to be able to play melodies with these chords.

And the first chord is A minor.

In this exercise, I'm actually just playing

the G Major scale on the high E string.

So.

And then harmonizing that with A minor chords.

And I'm only using the drop2 chords in this lesson.

And that's because if you know where you drop2 inversions

then you already have most of the notes covered.

And if you wanna change a melody note on a drop two voicing,

then they are quite flexible for that.

So they are easy to use for this.

The only chord voicing that really needs explanation

in the A minor set is probably this one,

which is an A minor 13th.

The F sharp is a melody note

that you probably won't be using that much

when you're trying to comp a II Valt I in the key of G,

because the whole point of the A minor

is actually to delay the F# for the D7.

But just to have it in there,

I just put it in like this,

which is an okay voicing to use.

But chances are you won't be using it that much.

Let's go to the D7 voicings.

The D7 voicings don't really ask for much of an explanation.

What I'm using for the D7

is these F sharp half diminished voicings.

Because that gives us a D7 with a 9.

If you wanna check more out

on how to add extensions in drop2 voicings

and how that works, then you can check out

some of my drop2 lessons.

I have three of them and they cover this quite thoroughly.

So the only thing

that probably needs a little bit of explanation

is that I have the 2nd chord is this,

which is actually an A minor chord.

The reason why I'm using this

is because when we have the G in the melody,

then it's better to change the chord to a sus chord.

So essentially this is just a D7 sus with a 9.

And that's a better option than having this interval

in your chord.

The G Major 7 voicings sound like this.

So there are two places

that I need to explain a little bit here.

And the first one is when we have the root in the melody.

When you have the root in the melody,

you don't necessarily wanna have the Major 7 under it,

because then again you get this sound.

And since we're probably gonna be playing

sort of really slow melodies with sustained chords,

then it's probably better to do something about that.

And what I did was I changed the 7th here into a 6.

So this is actually a G6 voicing.

That's a very common thing to do

when you come across a Major 7 chord

with the root in the melody, that you change the

Major 7 into a 6.

And then for the rest, when we come up to the melody note C,

this is a similar thing because the C melody note

doesn't actually sound nice on a G Major 7.

If I play it, a G Major 7 with a C in the melody,

it sounds like this.

So it's better to just change the chord again,

like the D7.

And what I changed to here is actually an A minor 7,

because that's just sort of a diatonic passing chord

that we can put in there.

You will probably not have to sort of comp

a G Major 7 with a C in the melody

for any sort of longer period of time.

So it's always gonna be a passing chord, a passing note.

And therefore you can always just use a passing chord,

which is here why I'm using the A minor 7.

The last chord is an E7.

And of course there is no real E7 in G Major.

But the point of the E7 is to take us back to A minor

so the scale we would use on it

is an A harmonic minor scale.

And that will be this.

So all the G7 voicings are sort of based on this

diminished type voicing, which gives us an E7

with a flat 9.

And I think the only one that really needs any mention

is when we have A in the melody.

So again, when we have A in the melody,

it's gonna clash with the 3rd, so I change the chording

to a sus chord.

And in this case that actually turns into an E7 sus4 flat 9,

which you can also think of as being B half diminished

with an E in the bass.

So now we have the chord voicings

so that we can play some melodies through the duration.

The first example of that, it sounds like this.

The kind of melody you wanna use for something like this

is probably gonna be mostly step wise

or maybe using the occasional 3rd.

And there's not gonna be a lot of movement

because the point of this

is that it has to sit behind somebody playing a solo

or somebody playing the theme.

And it shouldn't take all the attention.

So when you practice this, you wanna make it

make some small melodies that have one or two notes per bar

or one note per chord.

And we're gonna let that, that's gonna make the most sense.

And that's also gonna help you develop something

that you can actually use when you're comping.

And that's what I'm doing here.

So I'm using two notes per chord.

The first one is just using this melody, so.

And that's then harmonized with A minor,

F sharp half diminished, which is D7.

And then G Major.

And then the E7, which is just two voicings.

The next example sounds like this.

So here's a good example of how you can use a motif

when you're doing this.

So the motif is essentially just moving stepwise

up the scale, so.

And the same thing up here.

And then a variation where we're moving down.

And on the A minor 7, that's fairly obvious

that it's just.

And the D7's otherwise simple.

Here you can also tell that I can easily,

because I'm using this sort of melodic idea,

I can easily skip up to the G Major 7 up here

without having to worry about the voice leading.

And then this variation with the E7

kind of fits with the voicing as well

so that doesn't really matter.

And then of course also this A minor 7 with a 9.

But of course you can also use great passing notes

in your melodies.

And most of the time they're gonna end up as passing chords

or as alterations.

And that's what's happening in the last example.

So in this example, the melody that I'm playing

is this, so.

And that's then harmonized with A minor voicings,

fairly straight forward.

D7 voicing and then we get the passing note,

which is this E flat.

And this is harmonized with a D7 altered voicing.

Then up to G6.

And then we get this E7 altered,

that's then resolved to this A minor with a 9.

That was three examples of how I might apply this

to a turnaround in the key of G.

I think that if you wanna work on this,

then you probably want to try it

just on the turnaround first,

and then quickly move it to an entire standard

and maybe do it so that it play first

one note per chord.

So whole notes first and then move it to half notes.

And once you've done that a few times,

then find apply it to a real playing situation

where you can change the rhythm as well.

I think that's gonna help get that kinda thinking

into your playing.

If you wanna download a PDF of the examples and exercises

I went over in this video, then go to the article

on my website, there's a PDF download on that.

And there you can of course also subscribe to my newsletter

and if you do that you will get a free ebook

with 15 II Valt I licks with some altered dominants

and some other interesting melodic ideas.

If you have any questions or suggestions

for my videos, then leave a comment on this video

or connect with me on social media.

I'm on Facebook, Twitter, Google+, Instagram.

So there are a lotta places you can reach out to me

and it's always nice to get some feedback from you guys.

If you wanna check out some of this stuff

that I went over in this lesson a little bit further,

then you could also consider signing up for supporting me

on Patreon.

If you do that, then it's not the lowest tier,

I think it's the 2nd lowest tier already.

You get some of the extra information

that's connected to these lessons.

And with this lesson, that's going to be

how to comp through Lady bird, a whole chorus of Lady bird,

using this principle.

But you can check that out on Patreon.

That's about it for this week.

Thank you for watching and untill next week.

For more infomation >> Melodic Comping - Stronger than voice leading! - Jazz Guitar Lesson - Duration: 10:49.

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Trump Defends Scumbag Bill O'Reilly: He Didn't Do Anything Wrong! - Duration: 4:25.

While most people in the United States have begun to realize that Bill O'Reilly is quite

the scumbag, he at least has one person willing to come to his defense, and that person, not

ironically, is President Donald Trump.

According to an interview that Donald Trump did, he said that, "Look, I know Bill.

I know Bill O'Reilly.

He is a good guy.

I do not believe that he did anything wrong.

He probably didn't do anything wrong."

This is obviously in response to the numerous sexual harassment accusations against Bill

O'Reilly that had been filed by several different women.

So far, the network has, I believe, settled a couple of different cases, about three of

them, for about $5 million.

They're paying millions of dollars to women who've been sexually harassed by Bill O'Reilly,

and that's just in recent years.

The network is also facing sexual harassment allegations against other people at the network.

They're now facing racial discrimination accusations from people, facing lawsuits for that.

Let's not forget the big one here.

We have been talking about Bill O'Reilly and his sexual harassment, I guess tendencies

would be the word, since at least the year 2005.

For 12 years now, we have known that Bill O'Reilly cannot control himself around women.

We have known that Bill O'Reilly puts women into a hostile environment where it is unsafe

for them.

Furthermore, we have learned that Fox News knows about this, and still does nothing to

protect these women.

Yeah, it makes perfect sense for a guy like Donald Trump, who is literally the same kind

of person as Bill O'Reilly, to come out there to his defense.

I mean we all heard the audio of Donald Trump from the campaign talking about what he likes

to do to women.

Yeah, of course he's going to defend Bill O'Reilly.

No, in Trump's mind, he didn't do anything wrong because, to Donald Trump, sexual harassment,

sexual assault is perfectly fine.

There's nothing wrong with that.

Fox News needs to understand that right now they have lost several dozen advertisers from

the Bill O'Reilly program.

The advertisers are the clients.

Not the people, the clients.

Not the viewers, the clients.

What Fox has to understand now is that they can continue to run this jackass on television

with no advertisers, losing money on his multimillion-dollar a year contract, and face the possibility

of women coming forward and actually suing the network for putting them into this hostile

environment, knowing about Bill O'Reilly's sexual harassment history, and still putting

women in that kind of position, or they can finally pull the trigger and get rid of Bill

O'Reilly from that network for good.

It's time for him to retire.

It's time for him to go away.

The only people that currently have that power are the executives at Fox News.

They could end this today, if they chose to, but just like it happened in 2005, they assumed

that the public's going to forget, that the story's eventually going to go blow over,

advertisers are going to come back, Bill O'Reilly is going to be back on top.

Unfortunately, they're probably right in this instance because, again, we've been talking

about these allegations, these cases against Bill for 12 years, and, so far, Fox has failed

to protect the women working at their network from this sexual predator.

There's no reason to believe that anything has changed at that network, and that they're

willing to get rid of Bill O'Reilly in order to protect these women.

For more infomation >> Trump Defends Scumbag Bill O'Reilly: He Didn't Do Anything Wrong! - Duration: 4:25.

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ECCO FINALMENTE XBOX SCORPIO! MEGLIO DI PS4 PRO MA... I GIOCHI? FA SCHIFO? FAIL MICROSOFT? - ITA - Duration: 4:49.

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Украина официально разрешила Самойловой въезд (06.04.2017) - Duration: 1:05.

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OMG !! Bollywood Celebrities Same Age 2017 - Duration: 3:02.

OMG !! Bollywood Celebrities Same Age 2017

For more infomation >> OMG !! Bollywood Celebrities Same Age 2017 - Duration: 3:02.

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Everything and the Kitchen Sink - Duration: 10:18.

Today on Wobblycogs Workshop I'm making a custom cabinet for my workshop sink.

I would love to be spontaneous but it's just not in me so like most of my projects this

one started life being designed to death in SketchUp.

With my trusty tape measure in hand it was time to measure (twice) mark and cut all the

pieces.

You remember that old saying, measure twice cut once.

Well it's an old saying for a reason.

My SketchUp plan used the nominal timber size of 50mm but my timber is actually 45mm so

the whole thing will end up being be 5mm shorter and the face frame will be set back 5mm.

Not the greatest of starts.

Everything was accurately the wrong size so I decided to just use relative dimensioning

to correct the frame.

Time to put the now slightly smaller pieces together for a test fit.

I do love my two Bessey clamps, shame they are so expensive.

While designing this frame I considered a few different ways to make the joints, I must

have been thinking about pizza at the time though.

Due to the plumbing behind and to the side of the sink the two sides of the frame aren't

the same.

The left hand side includes a short cantilevered section which is needed to support the type

of sink I'm using.

Here you can see the frames of the two sides on top of each other.

Note that left side is smaller front to back and shorter.

In the next shot the frames are standing in roughly their finished location.

I reworked the plumbing for the washing machine so the right hand frame could go back against

the wall.

I'm using what is known as a sit on sink.

This design of sink completely replaces the section of work surface where it's installed

which makes it a great choice for a workshop where it's likely to see heavy duty.

The two short edges of the sink need to be completely supported though so here I'm cutting

out a piece of ply that will span the gap from the left frame to the wall.

Next I worked on cutting and fitting the rails that will determine the width of the unit.

Since the unit is not symmetrical I cut one to the exact required length and then used

that to determine the length of the others.

Then it was just a matter of fitting more domino's.

The back top rail supports the overhang so I need to treat it differently.

I start by marking the domino location and then chop out the area where the ply goes

using the front rail as a reference for length.

I temporarily fitted the left leg to the rest of the frame and then it was time for the

first test fitting of the sink.

The front of the bowl interfered with the front rail a little but I expected that and

it was close enough for me to proceed with the glue up.

I'm not going to fit it just yet but while the cabinet is easy to move around I'm going

to cut a side panel for it from some old plywood I had in the shop.

The cabinet will eventually be painted so surface blemishes aren't terribly important.

The sink is designed to sit on a regular kitchen cabinet which has sides that are maybe 15mm

thick so the sides of my frame interfere with the bowl of the sink.

Now that the frame is all glued together it's a fairly simple job of just cutting out sections

that clash.

Here you can see a temporary side I've fitted until it's time to fit the real one.

I don't want to fit the real side just yet as I'd have to cut a hole in it for the washing

machine which isn't staying in the workshop.

The cabinet is a long way from finished but I'm going to leave it there for now as it

does what I need.

In a future episode I'll fit shelves, a kick board and a face frame before giving it a

lick of paint.

Thanks for watching and I hope to see you all again later.

For more infomation >> Everything and the Kitchen Sink - Duration: 10:18.

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【RETRO GAMING [1]】Phoenix Wright --- Ace Attorney - Duration: 3:24:06.

For more infomation >> 【RETRO GAMING [1]】Phoenix Wright --- Ace Attorney - Duration: 3:24:06.

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How to Make Rose Flower - very Easily with Paper || Flower making Tutorial || Paper Craft Flower - Duration: 8:55.

How to Make Rose Flower - very Easily with Paper || Flower making Tutorial || Paper Craft Flower

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