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O Minuto da Terra precisa de você! - Duration: 1:32.
For more infomation >> O Minuto da Terra precisa de você! - Duration: 1:32. -------------------------------------------
أغنية شارة فيروزة مع الكلمات - Duration: 1:39.
For more infomation >> أغنية شارة فيروزة مع الكلمات - Duration: 1:39. -------------------------------------------
#ModacıKardeşlerMutfakta2 | Kolay Tarif | - Duration: 12:23.
For more infomation >> #ModacıKardeşlerMutfakta2 | Kolay Tarif | - Duration: 12:23. -------------------------------------------
Générateurs D'ozone Air Ou De L'eau - Duration: 1:45.
For more infomation >> Générateurs D'ozone Air Ou De L'eau - Duration: 1:45. -------------------------------------------
КАК ПОХУДЕТЬ К ЛЕТУ БЕЗ ДИЕТ И СПОРТА ✈ Египет ☀ Отдых в Египте 🌴 Путешествие - Duration: 12:48.
For more infomation >> КАК ПОХУДЕТЬ К ЛЕТУ БЕЗ ДИЕТ И СПОРТА ✈ Египет ☀ Отдых в Египте 🌴 Путешествие - Duration: 12:48. -------------------------------------------
Castlevania: Legacy of Darkness | Nintendo 64 Review - Duration: 13:09.
Hey, what's up? Wes here, thanks a lot for tuning in.
So, I recently played through Castlevania 64 after not touching it for eighteen years,
basically because I completely despised it, and it was actually the subject of my latest
episode of 'I Haven't Played This Game in Years'.
In fact, it seems like I just reviewed it yesterday….
"The camera will even turn on you in mid-jump.
C'mon! Gimmie a fuckin' break!"
"Oh, good lord!"
"Let's be honest here.
A game that's challenging because of broken cameras and terrible jumping mechanics is
not a good game.
These faults stick out horribly like a gangrenous thumb, and arguably ruins the entire experience."
Anyway, Castlevania 64, back in the day is the reason why I completely avoided Legacy of
Darkness like it were church, and I actually enjoyed Castlevania 64 a lot more this time
around, so it encouraged me to pick up Legacy of Darkness—and I got a helluva deal on
it, too.
So, is it as good as Castlevania 64?
Is it better?
Is it worse?
How does it hold up?
Let's take a look.
Castlevania: Legacy of Darkness was released in North America on November 30th, 1999—only
ten short months after the original Castlevania was for the Nintendo 64.
Legacy of Darkness resembles more of what the developers at Konami had originally envisioned
with Castlevania 64—including a campaign starring a man-wolf named Cornell, which was
scrapped from the initial game to avoid release delays.
Cornell arrives at his hometown only to find it engulfed in flames, and his adoptive sister,
Ada, kidnapped, in order to be used as a sacrifice to resurrect Dracula.
Cornell retrieves her pendant, and using his wolf abilities, tracks Ada by her scent.
Cornell's adventure takes place eight years before Reinhardt Schneider and Carrie Fernandez's,
and serves as a prequel to Castlevania 64.
The quest begins with Cornell embarking on a haunted ship en route to Wallachia, where
we reach familiar ground in a remade setting of Castlevania 64's first stage.
Legacy of Darkness utilizes Nintendo's Expansion Pak, culminating in crisper and sharper visuals,
while at the same time, unfortunately, compromising the game's frame-rate, resulting in some
choppy gameplay.
This bothered the hell out of me initially, but the game does allows you to select high
or low resolution each time you turn the system on.
Playing in low resolution fixes the frame-rate issue, but unfortunately, the fog which plagued
Castlevania 64 is abundantly present here as well, and I decided that the choppy frame-rate
was the lesser of two evils.
Here's a side-by-side comparison.
What do you think?
The forest is aesthetically comparable to its Castlevania 64 counterpart, but that's
where the similarities end.
The layouts are completely different, making it much easier to navigate this time around.
The enemies consist of the same skeletons with additional baddies present, such as fishmen,
and the boss is the same from Castlevania 64 with slightly different attacks.
The next stage is a return to the castle wall where you can, oh my god, adjust the camera!
Hallelujah!
It's amazing how much a difference a somewhat, efficiently functioning camera can make in
a game.
The camera is such a huge improvement over its predecessor; that the difference is night
and day.
If you hated the camera in Castlevania 64 like I did, then you'll be absolutely ecstatic
to know that it's been fixed here.
While not perfect by any means, compared to how broken it was before, I can't really
complain.
Many of the stages in Castlevania 64 return in this one, and while some of those have
been completely overhauled—including the Duel Tower, thank god—some remain exactly
the same, such as the Villa.
Since the game takes place eight years prior to that of its predecessor, Legacy of Darkness
requires new puzzles to be solved, and new obstacles to overcome.
While Castlevania 64 consists of ten stages, it would seem extremely cheap if Legacy had
the same amount, with many of them just being rehashes.
Put those concerns at ease, cuz Cornell's campaign is made up of fourteen stages, with
several new and refreshing maps such as The Outer Wall, and the extremely disorienting
Tower of Ruins.
I actually had to draw a map to get through this stage.
Yeah, a map.
When was the last time I had to draw a map for a game?
Sure it looks janky as hell, but hey, I couldn't have made it through this stage without it.
While many of the settings are the same as that of Castlevania 64, the stages are "remixed"
enough to where it feels like completely different levels.
While I do prefer some of the layouts in parts of the original stages versus the new ones,
ultimately the sacrifice of a halfway decent camera from the original annuls the sometimes
less-favorable layouts of the newer stages.
It's really no contest.
For me, gameplay will always supersede somewhat more desirable maps.
Legacy of Darkness, while for the most part is almost a 100% improvement over its predecessor,
for some reason decided to fix one of the few things that Castlevania 64 actually got
right.
In Castlevania 64, the lock-on feature will automatically home in on the nearest enemy,
regardless of which direction you're facing.
Not anymore.
In Legacy, you have to be facing the enemy nearest to you in order to lock-on.
While this isn't that big of a deal, it does soil one of the few pearls that can be
unearthed from a mountain of shit that makes up a majority of Castlevania 64.
Growing up with a father whose favorite hobby was to fix things that weren't broken, I
have a profound disdain for the "If it ain't broke, fix it" mentality.
But hey, that's just me.
One thing that Legacy did get right though, is adding some new music tracks to the game,
including a remixed version of one my all-time favorite Castlevania tunes, "The Sinking
Old Sanctuary", which first appeared in Bloodlines.
The bosses are also changed up from the original, with Cornell at one point confronting his
long-time acquaintance and rival, Ortega.
His boss battle replaces the encounter between Death and Reinhardt on top of the clock tower,
with Ortega transforming into a bloodthirsty chimera.
The Clock Tower is like three times the size of the original, with brand new obstacles
to overcome.
Thankfully, the save crystals in Legacy of Darkness are generously placed throughout
the game, as opposed to Castlevania 64.
Notch one more improvement for Legacy.
Add another with the ability to now power up your sub weapons up to three times stronger
than when initially obtained.
Now that's Castlevania!
And seeing as Cornell is a man-beast, the ability to transform into a wolf using the
L button can also be utilized here.
Now, if I didn't have the instruction manual, I would've never known that this feature
even existed since nowhere in the game does it tell you that you can do this.
Since it completely drains you of your crystals, which is the ammo for your sub-weapons, I
never used it, except for the final boss.
While Konami should have figured out a better way to use what could have otherwise been
a really cool additional gameplay mechanic, taking wolf-form unfortunately is a big swing
and a miss.
But like I said, I may have never known about it to begin with, so it's not really a big
deal at all.
And that's Castlevania Legacy of Darkness.
The game that Castlevania 64 should've been.
If you're only gonna play one of these games, Legacy of Darkness is definitely the way to
go.
Wait!
Where are you going?
There's more.
A shit-ton more.
After completing Legacy of Darkness with Cornell, you then unlock Henry, a child rescued earlier
in Cornell's campaign.
Henry returns as an adult, festooned with armor and packing heat.
How awesome is it running through Wallachia blasting monsters back to hell with a six-shooter?!
Pretty freakin' sweet, let me tell ya. Henry is set on a quest to rescue six children hidden
throughout as many stages, with a time limit of seven days to complete.
The children are cleverly hidden, and each youngling you save unlocks a new feature in
the game, including Reinhardt and Carrie's campaigns.
That's right.
Basically the entirety of Castlevania 64 is packed within Legacy of Darkness' tiny cart,
with the original stages replaced with the remixed ones, of course.
Reinhardt's quest throughout the dark caves is present here, now with a boss battle against
against a giant spider.
Carrie's plight through the Waterway is here as well, as is her climb up the Tower
of Science.
And some of our favorites return as well, such as—
Let's not start that shit again!
Castlevania Legacy of Darkness is what Castlevania 64 should've been.
Konami scrapped Cornell and Henry from the original in order to shit out an unpolished
product to appease ravenous fans and critics alike, who had been waiting patiently through
delay after delay to get their hands on Castlevania's first foray into the 3D realm.
In a practice that would become commonplace for Konami in the ensuing years, they screwed
over their loyal fanbase and unloaded a huge dump upon us, and then rectified that mess
with the game that they had originally intended—at full price!
C'mon, Konami!
I would have loved to have seen Konami take full responsibility for this disaster, by
exchanging copies of Castlevania 64 for Legacy of Darkness, plus a small fee of course, to
give the fans what they had truly deserved from the beginning.
Of course, Dracula would've had a better chance with a holiday in the sun than that
ever happening, but what the hell?
I could use yet another reason to resent Konami wholeheartedly.
Meh, whatever.
It's in the past now.
But make no bones about it.
If you only want to experience one Castlevania game on the Nintendo 64, make sure that it's
Legacy of Darkness.
Castlevania: Legacy of Darkness is a great game!
Everything that was wrong with Castlevania 64 was pretty much fixed here.
So, this is definitely the way to go.
If you avoided Legacy of Darkness like I did, because you didn't want to go through another
Castlevania 64, don't worry, this one is WAY better.
Way better.
So, if you've played Castlevania: Legacy of Darkness, what do you think of it?
I highly recommend it.
If you're a Castlevania fan and haven't played it yet, take a look at this one.
It's pretty good.
So anyway, thanks a lot for checking out this review, I hope you enjoyed it.
Until next time, I will catch you all later.
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🌍 Высокодоходное вложение - инвестиции в стиль жизни. Lifestyle. Андрей Ховратов. - Duration: 13:27.
For more infomation >> 🌍 Высокодоходное вложение - инвестиции в стиль жизни. Lifestyle. Андрей Ховратов. - Duration: 13:27. -------------------------------------------
WORKING ON DISNEY'S BEAUTY & THE BEAST 2017: STORYTIME - Duration: 7:20.
It's a cat baking a cake. Hey guys!
CottonBun here. Today I want to talk a
little bit about my experience working
on Disney's Beauty and the Beast as some
of you may know I was lucky enough to
work on the live action version of
beauty the beast and in today's video I
just wanted to talk a little bit about
my experience and what it's like to work
on a movie I thought I'd just go through
some of the questions that I get asked
quite a lot when I'm talking about the film
so if you have any more then just
comment below and I read all the
comments on my videos so I'll make sure
I'll look through them. Okay so the first
thing I get asked a lot and this is
surprising is did you meet the actors
and actresses and this is a bit of an
awkward one because I didn't really meet
them when you're working on the same
film as an actor and actress you're
going to see them quite a lot because
obviously you're helping to bring things
on set or you'll just be walking through the
film studio and you'll see one of the
actors so obviously you'll see them
walking around and stuff but everyone's
at work so it's not really a thing to go
up and just randomly talk to people that
are at work. Generally everyone just lets
everyone else get on with their job and
there's so much to be done so it's not
like the lead actresses and actors
really have time to like stop and have a
conversation with everyone other than the
passing "good morning" or "hi"
I didn't really get to talk to any of the
actors or actresses properly but I did
see them in costume quite often and that
was really nice. What did you work on on
the film it's actually quite weird
talking about it now as I worked on the
movie in 2015 from around February / March
to the summer. I was part of the props
Department and for a major budget movie
like this there's usually two props
departments one is like buying and set
dressing kind of props and the other is
making so I was on the making side of
things and in terms of what I worked on,
the whole props crew
generally comes together to form a big
team so no one's really assigned one
prop that they work on solely throughout
the whole film. You have sculptors model
makers mold makers and painters and
everyone works together to produce
the amazing props that are made. Most of
the time I was working on Maurice's music
boxes so if you've seen the film which
I'm hoping you have you see Belle and her Father
Maurice working on some of his
inventions so I was quite involved in
those lots of sanding finishing
polishing and towards the end of my time
on the film I was painting some of the
miniatures too so in the film if you see
the music boxes have miniature
elephants and rhinos and
each music box is based on a different
part of the world supposedly where
Maurice travels and is inspired to make
these beautiful music boxes for belle so
each one has a different theme like
Venice and india. The indian one had a tiny
taj mahal on so i was helping to decorate
that and some of it was really intricate
work so i needed to like this giant
magnifying glass. I also helped to paint
a little bit of garderobe the
singing wardrobe and sometimes when a
prop or object is on set and it needs
touching up so someone needs to go and
paint it and I got to do that for
garderobe as well so a few of us
were actually in Belle's bedroom painting
garderobe and I'll was just like this is a
really surreal moment! I was helping out
with some of the character models as
well so before they were animated, the
characters such as Cogsworth, Lumiere and
Frou Frou were all
3D models which the props
Department made so I was helping to
shape polish sand lacquer spray and
generally finished some of the character
models. But the best thing was just getting
to see it all come to life some of my
crew mates were just so talented
they've been making props for years and
just seeing them sculpt the set
pieces and do their work was just
phenomenal. Watching it come
together, everyone worked so hard on this
film they absolutely worked their socks
off but it is strange thinking back to two
years ago now it's kind of weird I can't
remember when but a few months ago we
got given a crew hoodie as well I'll
just show it to you. On some films you
get a small memento for working with the
crew and for beauty and beast we got
this hoodie and I've worn it to death
already so it's a bit worn! But it
has some embroidery on it which is quite
nice and beauty and beast 2015 London
it's also got a logo so you've got
Belle inside the Beast
and then on the front it's got
a little rose. That was
something quite nice to get from the
production. I'm going to keep it forever!
Something I will never forget and
will always stay in my mind is walking
into the ballroom for the first time
because oh my word that was just
- just breathtaking
everything was dusty pink or a
French blue and then there was gold leaf
everywhere yeah I did a lot of gold
leafing on this film which is where you
get small and flakes of gold and you
kind of dab it on to objects to make it
gold pretty much everything was covered
in gold. Here I'll put the photo of the
props Department and you can see me in
the front row there and this was my
family whilst I was on Beauty and the
Beast and I love them all so much
they're all just so immensely talented
my friend Niz took this photo for the
crew so I'll leave her Instagram handle
in the corner you can go check out her
photography she does loads of really
beautiful travel images.
As you can tell by my channel
I am a massive Disney fan. I've always
wanted to work for Disney and to get to
be able to do it in this way was just so
much fun and I'm really happy with how
the final film turned out as well.
That's it guys I hope you liked the
video comment below if you have any more
questions and if you're not already
subscribed then hit that subscribe
button for more Disney related goodness.
Thanks so much for watching - Bye!
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The problem of Big 'R' school reform | IN 60 SECONDS - Duration: 1:22.
Bueller? Bueller?
American education is
rife with grand policy proposals that
have turned into bureaucratic fiascos,
from school turnaround to the Common
Core. This is Big 'R' reform. Big 'R'
reform takes the hot idea of the moment,
invests it with grand enthusiasm, and then
tells doubters and skeptics that they
better get on board or get the heck out
of the way. I first saw this stuff up
close a quarter century ago when I was
teaching high school in Baton Rouge,
Louisiana. At the time, the hot new reform
in the state was a teacher evaluation system.
The idea was laudable: Make sure teachers
are doing their jobs well. The solution: a
checklist with a hundred and thirty odd items that administrators
dragged into classrooms. It was nonsense!
Good schools are intensely human places.
They are formed by thousands of good
judgments on the part of teachers that
they make every day. This is why grand
bureaucratic fixes tend not to make a
big difference for schools.
This is the problem with Big 'R' reform,
and it's why there are better ways to
give our kids schools they deserve.
To learn more about my take on the problem
of Big 'R' reform, check the links in
the description below. Also, let us know
what other topics you'd like AEI
scholars to cover in 60 seconds.
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Composition II: The Viewfinder with Marcin Lewandowski - Duration: 3:17.
For more infomation >> Composition II: The Viewfinder with Marcin Lewandowski - Duration: 3:17. -------------------------------------------
How To Find The Perfect Partner For A Side Project? - Duration: 7:02.
Hey, what's up?
John Sonmez here from simpleprogrammer.com.
I got a question about, "Should I find a side partner for a side project?"
That's a lot different than the question of "Should I find a side partner for a project?"
A side partner is a different thing.
We'll talk about that later.
All right, so the question is—the second question.
This must have been a long email that I cut.
The second question considering side projects, "I was wondering if I should find someone
with whom I could do a project together as I believe that would be more motivating.
However, from my friends and former course mates, no one seems to be too interested.
I was trying online, but most of those communities are quite small, so it's very difficult to
find anybody.
And FounderDating seems to be too serious.
I don't want to create a startup right away.
So I thought maybe your community is large enough, there are like-minded people and you
could set up a forum for us, where we could also be a sort of a "project fair" where we
could discuss ideas, give feedback and find teammates."
So I'm not going to set up a forum right now, but I will consider that.
I think that's a decent idea.
I want to talk about the idea of "Should you find a partner for a side project" and how
you might do that and kind of the value of that.
I'm a big fan of finding a partner for a side project simply because it becomes boring to
do something by yourself and you need that kind of support and community.
I'm very fortunate in that in Simple Programmer I've brought on a partner which is Josh Earl.
He does a lot of the copywriting.
By the time you're watching this video, he might actually be a full partner in the company
where we've got an arrangement together, but I did find that I was locked in an office
by myself all the time just like recording videos and writing blogposts and I was going
a little bit crazy doing that by myself all the time.
It is nice to have someone to bounce ideas off of, to have a mission that you're—it
helped me to take things to the next level to be able to have someone that shares the
vision, that you're charging together towards.
I think that's really important and I feel like I might have given up or maybe not given
up, but I wouldn't have gotten where I am today with Simple Programmer had I not brought
on Josh as a partner.
That's just my experience with that and I've seen so many projects fail and so many people
fail because they lose momentum.
Especially, I can remember when I first started lifting weights, when I first started working
out.
One of the best things that I did was I got a weightlifting partner, and that kept me
motivated and we kept each other motivated because sometimes one of us wouldn't want
to go to the gym, but you got to show up because the other guy is there at 5 AM waiting for
you so you got to go, right?
That's how it works with side projects as well, I think, is that if you can find someone
dedicated.
Now, here's the key and it's the same key that I said with the gym, was that you got
to find someone dedicated that's actually going to follow through and show up, because
a lot of—majority of people if you got a weightlifting partner, they're not going to
be dependable and they're not going to show up.
I found—I've had different weightlifting partners as I've been lifting and I have always
found people that were like as committed as I was that are at least as close to as committed
as I was.
I know they're going to show up and they're not going to flake out on me because they
could actually, by being more of a flake, make me more of a flake and make me miss workouts
and fail.
You got to have someone that's going to back you up that's sort of at that level, and I
think that's where a lot of people that try to bring on partners into side projects fail
is they have these ideas and no one is really committed to it.
You got to be committed to it and you got to find someone else who is committed to it.
If your friends just think, "Oh, it would be kind of cool to make a game," no.
Bullshit.
It wouldn't be kind of cool to make a game like it would be cool if we're going to devote
4 hours every day to making a game and we're both going to commit to this.
That would be cool because then you'll actually make a game and you won't just bullshit all
the time and never accomplish anything, right?
There's a real big value in becoming a finisher.
I did this blogpost a while back on becoming a finisher.
It was a life changer for me.
Read this blogpost but if you start this project, you want to finish it.
I think there's a lot of value in it.
If you can't find a partner for a side project, just do it yourself or start it yourself.
You can always bring someone on later when it has momentum.
I know that one of the things like—very often I will get invited to side projects
that people were "starting," but they had so little momentum that I just didn't trust
that they were actually going to follow through and do something, so I never joined them.
I have actually helped some people with side projects that have already gotten things going
and then I could jump in and help out, and I could see that they're actually dedicated.
That will also help you as well if you're looking for serious partners, is that if you
already have some momentum going.
Yeah, I don't know of any really good sites that—I think the Founder Partner or FounderDating,
I think the problem with that is that most of those people are looking for big funding
startup, venture capital money.
They want to do the big startup thing and that's cool, but it doesn't sound like what
you want to—you just want to do a side project.
Yeah.
I would say that either it will be helpful if you can find a partner, but either find
a partner that's going to be committed or just do it yourself.
Whatever you do, don't get flaked.
If you bring flakes on, it's going to make you flake and the whole thing is going to
be bad and it's just going to be a waste of your time and frustration.
I've done it too many times.
So there.
I hope that helps you and I hope you're able to find a partner.
If you want to coordinate on this video and find some partners for some side projects,
leave some comments below.
You know you guys can coordinate and I'll help facilitate that as I can.
Maybe I'll do a forum or something.
I mean if you really want that like thumbs up this video and leave a comment and say,
"Damn it, John.
Make a damn forum."
We'll see.
I can't make any promises, but if I get enough momentum then maybe I'll do it.
All right.
If you like this video, if you haven't subscribed already, click that Subscribe button below.
You might not be able to find a co-founder or a partner for your side project, but you
could find a lot of like-minded people here at Simple Programmer.
A lot of people just like you that are motivated that want to improve their lives and want
to improve their careers, and don't want to be mediocre.
Join if you haven't already.
Click that Subscribe button and I'll talk to you next time.
Take care.
-------------------------------------------
CÓMO SALÍ DEL ARMARIO 👬 - LukenVlog - Duration: 7:21.
For more infomation >> CÓMO SALÍ DEL ARMARIO 👬 - LukenVlog - Duration: 7:21. -------------------------------------------
Роберт Адамс. Сатсанг - Роберт, а вы действительно джняни? (Аудиокнига Nikosho) - Duration: 41:34.
For more infomation >> Роберт Адамс. Сатсанг - Роберт, а вы действительно джняни? (Аудиокнига Nikosho) - Duration: 41:34. -------------------------------------------
Perspective and Representation Re: Rosianna Halse Rojas - Duration: 12:18.
Hey everyone! So before you ask, yes I did
get on the Less Than Famous panel, and
yes I am extremely excited to be going
to VidCon, but I'm going to be doing a
big life update video later on - in a few
days or maybe next week, because there are
just like a million and one things going
on in my life, and I feel like I could
share those things with you. But this
video is a response to Rosianna's video
about colonialism and Partition and gaps
in education. In her video, Rosianna talks
about Partition, which is in 1947 when
India and Pakistan split into two
different countries. Before, they were
both called India and they were both
under the British Empire. So on August
fifteenth and sixteenth, at they split
into two countries. August fifteenth is
India's Independence Day, and August
sixteenth is Pakistan's Independence Day.
And that created a lot of strife and a
lot of pain for a lot of people. It split
families up, and all of a sudden in one
country was one religion majority and
the other was a different religion
majority and that created a lot of pain
for a lot of people. But I honestly
cannot speak on the partition very well
so I'm going to focus on the other
aspect of Rosianna's video which is
the fact that she only learned about the
Partition very recently - and how much
pain it caused very recently.
I'm gonna start this off with the story.
So, a few weeks ago I was on the phone
with my mom, and we were talking about
Gandhiji and Indian history and
revolution and all that stuff. And I
happened to mention the rebellion that
happened in 1857 of Indian soldiers
against the British government that was
ruling over them. And when I talked about
it I called it the Sepoy Mutiny, because
that's what I learned about it in school.
I had an American public school
education and in World History class,
there was a paragraph about the Sepoy
Mutiny in 1857. um And my mom called it
the first revolution. She called it
the first Indian Revolution against the
British government. She had a very
different spin on it because she learned
about it in India. Yes she had a slightly
British-tinged education and she went to
an English-speaking school, but still she
was learning about it in independent
India and she was learning about it with
Indian teachers so their perspective was
a lot more personal and a lot more
knowledgeable about the whole event. I
ended up really learning about it
through pop culture - Indian pop culture,
to be specific. And Rosianna touches on a
very interesting phenomenon in this
video of schools only touching on very
specific points in history and for me it
was World War II and the Civil War and
the American Revolution, basically. And
America's involvement and all the three
of those things. That is what my history
classes kept going back to. And for
Rosianna, one of these three things was
the Victorian era, but it wasn't the
Victorian era of the rest of the world
it was very specifically the Victorian
era of Great Britain, of the English
people - and Scottish and Welsh and Irish
probably - but primarily the English
people in the Victorian era. And honestly,
England really benefited from the
Victorian era. They were ruling the world
quite literally. That saying "the Sun never
sets in the British Empire?" That came
from the Victorian era, and India was
considered
the crown jewel of the Victorian Empire.
And when I say India, I mean India and
Pakistan and Bangladesh because they
were all considered one country at that
point. When she learned about the
Victorian era she learned about Queen
Victoria and all of her children who
eventually created World War I, but
that's what she learned about she
learned a very Eurocentric and UK
centric version of the story when the
entire world was being affected by it.
And obviously every single part of the
world has a different perspective on
this. So it makes total sense that
Rosianna would not have learned about an
Indian's experience in India of the
Victorian era, and it makes sense that
she didn't learn about their Partition
because after World War Two, England
itself was trying to put itself back
together. And the partition happened in
1947 right after World War Two, for that
very reason, actually. But when I watched
the video, I couldn't help but be a
little bit angry because I know about
the partition, and not because of my
school education, but because I've
researched it myself. Whenever we had an
independent project to do in school I
purposely made it about India because I
wanted to learn so much more about it.
And I wanted to learn about the
partition and what caused it and why it
happened um and I still don't have a
definitive answer. Everyone you ask
has a different answer. Many people
say Gandhi uh created Partition and is
the reason why partition happened. Many
people say it was certain leaders in the
Muslim community who wanted their own
country and wanted to have a
muslim-majority country, um and many many
people say it was the British government
that was governing over them until
independence. It's a very difficult event
to unpack, and I felt angry because I had
attempted to unpack it and I had learned
about it and I knew about the pain and
it felt ridiculous to me that someone
would not be fascinated by and interested
in this subject the way I was.
But as she was talking I realized she
had never even heard of the word
partition, really, with the capital P in
terms of 1947 August. She had zero basis
for it. My grandparents lived through the
Partition. They saw violence they saw
everything that happened, and I had every
reason to be interested in this topic
because i had the basis for knowledge to
be curious. And it's a total shame that
not everyone has that basis for
knowledge, because everyone deserves the
chance to be curious about it and
everyone deserves the chance to research
it for themselves and find their own
answers and come to their own
conclusions about something. And I had
the resources to do that because I knew
about this subject. This is why
perspective matters so much and this is
why I brought up the fact that my mom
and I were talking about this rebellion
that happened in 1857 in two completely
different ways. It's because perspectives
are completely different in different
parts of the world and perspectives are
different depending on what happened to
you personally and perspective -
perspectives are different based on what
is in your textbooks, because I read the
word "mutiny" while my mother reads the
words "war for independence," and that gives
us two completely different tales of the
same thing. It's like how in the North of
the United States, the Civil War is
talked about in one way while in the South, it's talked about in a completely
completely different way. It's very
difficult to divorce yourself from your
perspective when you're teaching someone
else about something. It's very, very
difficult and that shows through in
curriculums and in syllabi, and it's the
reason why I think representation is so
important. It's because if you grew up
the way Rosianna did - in a British
education system and you ended up living
there for the rest of your life and your
kids went to the same schools and
learned the same
things you would never think that the
world worked any differently than the
way the history book taught it. But
luckily we have this beautiful thing
called the internet, and we have
resources that our parents and our
grandparents could have only dreamed of
having. We have voices being heard that
were never ever heard before and were
never thought to be heard because people
didn't know that their voices existed a
lot of the time. People didn't realize
that other perspectives existed. And I
think that's what Rosianna is grappling
with in this. It's the realization that
her education, while excellent, wasn't
enough and wasn't the only perspective
out there, and that the other
perspectives that are out there and the
other truths that exist are so much
bigger than one could have ever imagined.
And this is why I think representation
is so important. We need to show all of
these perspectives and as much of the
media as we can, so that no one can ever
say that they didn't know something
existed. No one can ever be truly
ignorant about something, or if they are,
it's because they choose not to research
it. But, at least they are given the
chance to be curious about it. Not
everyone needs to be an expert in
everything. I don't think that's helpful,
and I don't think expecting that of
other people is realistic in the
slightest. But if every - if as many
perspectives as humanly possible were
represented in as much of the media as
possible, we could learn so much and we
could give so many people the chance to
be curious about things they never knew
they could be curious about. Yeah, I think
that is it. [laughs] I still haven't fully
completely formed my thoughts on this I
have been grappling with this video and
my response to it for two weeks, and
still haven't completely finished my
thoughts, which is why this is so
unscripted and so full of "ums," um but
uh, that is it for this video. I hope you
got something out of it, and I hope it
was helpful. I don't know how much sense
it made, but um hopefully it made sense
to you. But yeah of course, check out
Rosianna's video, which is very
interesting and research the Partition
if you would like. um And I have a couple
of films that I know of that are really
great introductions, like very light
gentle introductions into the Partition
and things like that, so if you want
recommendations let me know and then I
will give them to you. Otherwise, that is
it for this video um thank you to
Rosianna for inspiring this video and
just being overall wonderful. She's doing
Space Camp right now, which is kind of
her version of making really really
really regular videos, and like videos
very often in kind of a confined space
of time. um And it's amazing and I love
it so thank you Rosianna for being
wonderful, and thank you all so much for
watching. um Links to everything in the
description, and I will see you guys next
time. Bye!
hmm that was hard I was hard but I did
it I did it I did it yeah!
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Kol Bozuk Olmasa Önceki Maçı Da Kazanırdım - Duration: 9:45.
For more infomation >> Kol Bozuk Olmasa Önceki Maçı Da Kazanırdım - Duration: 9:45. -------------------------------------------
Full Look One Stroke Roses🌹🌹 - Duration: 18:01.
For more infomation >> Full Look One Stroke Roses🌹🌹 - Duration: 18:01. -------------------------------------------
Meine erste Runde auf der Nordschleife, Nürburgring | 4K - Duration: 13:08.
Hey everyone! Welcome to my new video!
I'm at the Nürburgring and a little bit excited
because it's the first time that I'm gonna drive on the racetrack
but not with this car, that is a little bit too boring
it's another car which is much better that I will show you later on
I'm here today to meet Misha
Hello!
Misha will show me how to drive on the Nürburgring
with a real race car!
Exactly! With a real race car!
and...
I hope you won't be scared when I drive?
No no!
okay...
Please tell me: Which car will I drive today?
VW!
VW!
Not a Golf
okay
Not an UP
okay
So what's left then?
Actually this one is a VW too isn't it?
Yes it has the same technology
Actually I drive the same car, but only a little smaller
and with 4 doors
It's a Polo!
That was the Polo!
A Polo!
Yes!
Because Players Only Live Once
Yes, that is my Motto!
Yes, Polo... Players Only Live Once
An authentic Polo, no GTI
No GTI!
1.0 Blue Motion
Slow Motion...
It's much better than such a GT3 isn't it?
Okay, let's do it, high 5!
Okay, here is the super mega ultra race car:
Yes it is really a Polo
and I'm speaking my last prayer right now...
I would overestimate my skills
we drove lot's of curvey roads in Italy
I was driving very fast there and sometimes I said:
okay, relax now that was a bit too fast
When you are charged with adrenaline then it can become dangerous
And I think the GT3 would have been too fast for mere here
How did I perform?
good!
really?
yeah really!
Did I scare you?
No I wasn't scared!
When you have to evalute my first time driving skills from 1 - 10 how do I perform?
When 10 is the best, then 8!
oh okay, 8!
7,5 to 8
that's a big compliment for me!
Regarding it was the first time, it's an 8!
yes, very cool!
That was a great experience for me!
good!
It was a lot of fun for me!
And I want to recommend to everyone that you should try this too
but not with a fast car
try it with a normal car first
Don't overestimate your driving skill!
If there wasn't Misha telling me where to brake and how fast to go...
then I propably would have ended up with an accident or so
maybe!
thank you Misha!
It was a lot of fun!
That was our day on the Nordschleife
It was pretty exciting with Misha and the Polo!
Now we are going to have some lunch
to calm down a little bit
to chill and relax
Netflix!
So, thank you very much for watching!
Please do not forget to subscribe to my channel
and of course Misha's or a.k.a. Boosted Boris' channel too!
See you next time!
Ciai! (?!?)
Ciai??
-------------------------------------------
3 Simple Life Hacks EVER - Duration: 3:35.
Thanks for watching! Please LIKE SHARE COMMENT and SUBSCRIBE! You're AWESOME!
Thanks for watching! Please LIKE SHARE COMMENT and SUBSCRIBE! You're AWESOME!
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