Waching daily Feb 1 2018

This shit is a league.

All the underground video people, we ain't go to school for this shit.

So this really like do it yourself.

Shit gonna go around, but niggas know who's really saucing shit up.

So, AWGE is the video department.

You know what I'm saying?

It's a group.

It's a team.

We all got different styles, so it's like, combined, it's crazy.

It's like producers make beats, it's like rappers do features, you know what I'm saying?

It's like I got some sauce, we gonna throw some sauce on you, then it's like that.

It was a last minute gig too.

I think this nigga was going to Africa or some shit like that.

So it was like, yo, pull up to his crib, me and Yoga, then we just brainstormed on the

spot.

Talking back and forth with Ferg how he pictured the video right then.

It was like, "Yeah, I want 100 bikes in Harlem."

It was like, "Yeah, let's do it."

He made like two phone calls.

He called Nigel and his crew.

Then he made a phone call to this guy.

That's RRDBlocks.

He's real famous for doing wheelies and stuff on Instagram and social media, so he's like

a real biker.

Any time he says anything about bikes, his social media rings.

He made a call to him, then everybody pulled up on the block.

This was the Juicy J part, you know what I'm saying?

This is like the sauce right here.

That's where we giving y'all, the intro.

You know what I'm saying?

His album artwork was him tying a durag so it's like symbolic in a sense.

Oh this shit crazy.

This Yams right here.

You know what I'm saying.

Happy Yams Day.

Yeah Yams Day.

It's a celebration.

Oh, yeah this shot right here, let's talk about this shot.

This shot right here is crazy.

That's like, you feel me, different Fergs.

You got different Fergs right here.

George Condo influence.

This is the regular aesthetic.

This how we look at photos, you know what I'm saying?

This how we look at videos, look at photos.

We refer back to the sauce.

We just sprinkle a little bit of sauce on there.

Oh that shit crazy.

That's the YGA sauce right here.

His watch, it's glowing.

It's like 'The Last Dragon' when he like felt the power.

It's like that.

Just put all your energy into that point you wanna make the most popping, prevalent

point of that scene.

Isolate what you trying to isolate, put all your energy into it, and something gonna come up.

This scene right here is in Flatbush.

This is in his hood, this Kirk Knight hood.

Shouts out to DRAM fresh.

That's my guy.

This nigga be lit.

That's when I was on top of the mailbox.

Oh yeah we shot this crazy.

It was like anybody who had a camera, it's like, "Yo, let me see your camera."

We was passing cameras around.

It don't matter what you record on.

You know what I'm saying?

It's how you edit it, so we could've recorded this shit on a phone and still sauce it up,

or shoot with a potato.

Lot of people out there shooting with potatoes.

Wait, hold up.

Stop right there.

Go back.

This camera holder, the D.P. is shooting and he's in the video at the same time.

That's me right there.

That's like half of my body.

That's like breaking the 3rd wall.

He was in the sauce.

In between two worlds.

It's like you're in the middle of the world and the sauce.

This is a run and gun video, you know what I'm saying?

Pull up and shoot.

Waiting for all that logistic shit, it wasn't happening.

That's how we work.

It's just raw.

It's like of course you've got the talent to make it to a certain industry standard

but choosing not to do that says a lot about what you want your product to be instead.

Any video that we work on, they for y'all.

However y'all feel, that's good.

As long as it makes y'all feel something different.

That's art.

Oh nah you can't never get the sauce.

The sauce is out there.

Everybody got the sauce.

It's how you use the sauce. Sauce for everybody. This also, this sauce is for y'all.

This sauce expired.

You might die if you use that.

For more infomation >> The Making Of A$AP Ferg's "Plain Jane" Video With AWGE | Framework - Duration: 4:26.

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video kiné - Duration: 1:56.

For more infomation >> video kiné - Duration: 1:56.

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Pile Burn VIDEO by Jonathan Moor - Duration: 1:57.

When blankets of snow snuff out the threat of wildland fire during the

winter months, wildland firefighters burn slash piles on public lands. Slash

piles are branch and log debris created from logging operations or wildland fire

fuel reduction projects. Public Lands keep America not only beautiful, but also

strong.

(background radio chatter)

For more infomation >> Pile Burn VIDEO by Jonathan Moor - Duration: 1:57.

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Qantas Safety Video 2018 - Duration: 7:07.

For more infomation >> Qantas Safety Video 2018 - Duration: 7:07.

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Just Dance Insiders #1: Meet Matthieu, Video Artist - Duration: 2:50.

Hi, I'm Matthieu, I work on Just Dance and I'm a Video Artist.

Can you explain your job in a few words?

My job on Just Dance is to transform dancers, after shooting,

into video game characters, as you see in the game. And at the same time animate all the background surroundings,

add all the special effects that you can see and give life to the song.

Where can we see your work in the game?

You can clearly see my work in the game

in everything that is animated, everything you can see that's moving with the music,

it'll be my intervention and that of other Video Artists.

We also make the colors of the coach.

We work in partnership with the stylist to choose the right colors,

consistent with the background surroundings of the game.

What has made you the proudest since you joined?

In the game, I think the work that I've done and that made me feel most proud is my first song,

where I was able to work fully on video. It's "Where Have You Been" by Rihanna. An entire volcanic scenery had to be created,

work with tattoos on the dancer, make it very tribal…

I was very proud of the result at the time. Now, I've progressed a lot, but it's something that stays with me

since I started working on the game.

What are the challenges that you encounter?

Every day, we are faced with many constraints or challenges. First the constraints

around the separation of colors of all coaches. We separate everything

to be able to change colors later as we want, add effects on coaches.

So, there are heavy constraints on the costume, like that, for us to work quickly.

Also, the production time which is very limited.

And it is also a big challenge, as we are not able to work on a song for too long,

we really have very defined times and it really is the biggest challenge,

because we always try to go further and to make things even more grandiose,

while staying on time. And that, that's the biggest challenge.

What would be your message to the community?

If I had a message to share with the community, it's:

keep staying vocal on all social media. We read what you have to say.

We always try to go in the direction of what you'd like to see, at least when it comes to visual effects.

We take all comments and we always try to do better, to please you in the end.