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Hollow Knight PL #13 - GRAmy! | Mrok, Król i Nawiedzona - Duration: 42:27.
For more infomation >> Hollow Knight PL #13 - GRAmy! | Mrok, Król i Nawiedzona - Duration: 42:27. -------------------------------------------
Friends forever (Indian Web Series 2017) So1Eo12 | Jessi Bahen Ji | Come - Duration: 8:54.
Mom is in a Cemetery ?
Sir meaning
with my mother's blessing
She was wearing yellow shirt ?
Who wears yellow, right ?
Shirt ?
What Omkara, you don't even know what a shirt is?
Shirt ?
This Omkara who is he waving his hand to ?
Shut Up !
He's alone,
I'll now ask him what is his purpose.
Hide, hide behind me, quick.
I decide who can see me when ?
Hey dog, I know what a shirt is.
Let me go after him.
Oh Mom.
Did you find any grave of our ancestors ?
What the F**K Omkara is doing here ?
Sir, so many times I told you,
don't call me from behind.
I get scared.
Oh Jessi sister ?
What the hell she is doing here ?
Nobody told me about her ?
Why did you send me here ?
Till now I didn't find any grave.
Its okay. If you do not find any ?
one day you too have to come here ?
What ?
Oh no mom,
don't become sentimental ?
I am not talking about you.
You are my mother.
God gives my age to you.
No kid, I pray God take all your enemies.
You are saying right mother.
My enemies should die.
Omkara you such a sucker !
Oh Mom,
Did you hear anything ?
Lets go home.
You are hearing voices.
Oh really ?
Where did we come mom ?
You are right mom. This is not the place to come.
Mom don't turn around.
I don't see anybody.
What the hell ?
I think you are seeing ghost in cemetery ?
Lets go home.
You are right mother.
This was not the right place to come.
I am crazy to get you here.
Where is Bambi ?
Don't know mom.
Mom what happen to you ?
She was talking bad about you.
Really ? What else did she say ?
Listen
You send me to graveyard ?
Good son good.
You are very clever.
No no mom not that way.
Straight to God haan.
No mother, I was saying
you should go out
and have some fresh air.
Who had come now ?
Ohhh! Sandip brother ?
Little brother.
Pardon me.
I am your culprit
Brother what happen ?
It was a mistake.
Its okay. Its okay
Bro you came with this guy ?
Sucker you can see him ?
Yeh sucker, anybody can see this guy !
Don't joke with me ?
tell me how he looks ?
Brother, he...
Yes mom.
You didn't go to California ?
No.
my face is like that what can I do ?
Omkara who were you talking to ?
Mom, i mean this guy.
Come in
Lets go inside.
ok lets go in.
Come in sir come in.
Come in Sandip bro.
Kid what is happening ?
I am doing good you tell ?
Hey Sandip,
you tell me sister and push me so hard ?
Oh friend,
Tell your mother, she thinks I pushed her.
Hey man
you can't tell her you are sitting there ?
Why don't you tell he.
She thinks I pushed her.
This is a limit.
Sandip has not pushed you mom.
This guy sitting in between you.
He did it.
Yeh ..yeh
This guy
he is not visible to everyone.
He is very special.
Its your good luck that you can see him.
Yeh
What do you mean ?
Just show you ?
Kid.
Just tell how many people are sitting on this sofa ?
Three .
Brother, this gentleman and mom.
What ?
Now you two exchange your places.
But bro, how will this help ?
Still there will be three people here.
Yeh sure. You will come to know in a minute.
Sister now tell me how many are there ?
Two ?
Mom, you can't see this bag of sack ?
No.
Listen, the one who is sitting here.
He is death angel.
Yamraj
What have I done to anyone ?
This is all because of you sucker.
Sandip you go now ?
Go to California
Your daughter is alone there.
Brother come here.
Brother why is he not going away ?
Just leave it man.
Forget it man.
Now its fine.
This guy is after my life.
Brother, is he a real death angel ?
Brother where you got stuck up ?
Open the black label bottle.
Now who has come ?
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95% OF PEOPLE DON"T GET THIS MUCH SALT FROM A CAVE - Ark Survival Evolved Moded - Duration: 59:51.
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Мистер Макс превращение. Мульти Раскраска. Собираем пазлы Collect puzzles for children - 32 серия - Duration: 2:18.
For more infomation >> Мистер Макс превращение. Мульти Раскраска. Собираем пазлы Collect puzzles for children - 32 серия - Duration: 2:18. -------------------------------------------
Wasp Deposits Parasitic Larvae Deep Inside Tree Trunk - Duration: 2:53.
The wasp's antennae scan every millimeter of bark.
For a very specific spot.
She's found it.
Now megarhyssa manoevres her ovipositor into position.
But it's much too long.
First it's coiled into a special flexible pouch in her abdomen.
Now the drill is at right angles to the wood.
She can bore straight through the bark.
With hi-tech precision she drills towards the larva of a wood wasp.
The megarhyssa pierces its body and injects her venom.
This won't kill the larva, but paralyzes it – for ever.
She retracts the ovipostor – just a little.
And then lays an egg directly on to the surface of the immobilized wood wasp larva.
Her egg turns into a larva, that will eat the paralyzed host bit by bit...
...until it's ready to emerge.
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Les écailles du Morpho - Duration: 3:44.
For more infomation >> Les écailles du Morpho - Duration: 3:44. -------------------------------------------
SEHBP Review April 2017 Part 2 - Duration: 5:28.
hi this is John DiMartino president of
Liberty benefit advisors specializing in
innovative strategies and collaborative
solutions for the New Jersey public
sector and this is a follow-up to our
last video about the SEHBP update so in
the last update we had mentioned that
claims reserves were at an all-time low
we want to take two seconds to review
with you exactly what that means so
think of claims reserves like a bank
account out of that bank account
anytime somebody gets sick that bank
account pays their medical claims for
them now what happens when that bank
account doesn't have any money is
anybody's guess so here's what's
happened in the public sector claim
should be at about six months worth of
what the total expected claims are a
quick example let's say you have 1
million dollars and expected claims you
might want to keep about five hundred
thousand dollars on hand to pay out
those claims over time however that
hasn't always been the case those claims
reserves have dwindled and we're to the
point now where and right there you can
see that's where the SHBP is two months
worth of claims reserves left and right
here that is the SEHBP with a startling
nine days worth of claims reserves left
the big question that I have to ask and
all of you should be asking as well as
what happens if there's a large claim or
multiple large claims and they need to
dip into that piggy bank and when they
do they don't find any money so what we
expect number one to happen is
potentially a very large increase right
if you need more money in the claimed
reserves charge more money and replenish
that account however that's not always
the case and has always been the case
with the SEHBP it can be kind of tricky
exactly what they do next it wouldn't be
unprecedented for them to do one of the
next two things first thing cut the
benefits this has happened before it
happens in some small way every year
they kind of trim the fat around the
edges but what we're looking at now is
similar to when we moved from the
indemnity plan over to the direct 10
we're looking at gardening with a
chainsaw instead of a pair of scissors
so be on the lookout for a large change
in benefits and the third thing and I'm
even a little worried about saying this
is borrowing from the pension plan but
as all of you are probably way too aware
that's like borrowing from a broken
piggy bank there's not exactly a whole
lot you can reach in and take out now
there are a few things that every
business administrator should be doing
right now first things first review your
budget if you get an increase above and
beyond the twelve to fifteen percent
that you may have budgeted for are you
able to take funds from anywhere else
and reallocate them if you are that may
be a pretty strong strategy if you can't
in your budget is super tight you may
have to be one of the people who needs
to have a SEHBP exit strategy and what
I mean by that is you may want to leave
the SEHBP in order to procure insurance
through the private market that's either
a carrier directly or one of the many
consortiums that exist in the
marketplace and by doing this you would
your timetable be right around the end
of August or early September when the
state plan releases its renewal it's
going to take you about 60 days to get
your claims experience from the SEHBP
and then from there you'll be able to
determine with the help of one of your
broker consultants exactly what your
options are the third thing and by far
one of the most interesting is checking
for SEHBP equivalent language in your
CBA and the reason I bring this up is
everyone's enjoyed seeing the love story
between the Union and the SEHBP unfold
over the years however much like this
love story they're in troubled water it
seems as though they may be tied to a
sinking ship and if that's the case your
negotiations just got a lot easier if
the state plan goes ahead and reduce the
benefits for you there's not a whole lot
you're going to have to do in order to
decrease the tax burden on the taxpayers
in the next year or so now on a more
serious note what we're seeing here is
unprecedented in any market place we're
seeing a failing pension system we're
seeing a state-run consortium that is
almost on its last limb and if we don't
get ahead of this there could be bigger
problems
the line I have the most pride being
able to represent a public sector that
is amongst the best in the nation
routinely ranked 1 or ranked number 2
and my biggest fear is that these
declines in pension and benefits are
going to lead to a brain drain where the
talent seeps out of New Jersey and goes
in some of the states of Pennsylvania or
New York so what we can do is we can
work together to try and decrease the
amount of liability that the taxpayers
have and that the employees have to pay
out of their own pocket for these
benefits so I'm going to be making a lot
more videos similar to this if you'd
like to stay up to date on them you can
subscribe to the YouTube channel you can
always connect with me on Facebook or
LinkedIn or you can visit me at my
website at www.lbanj.com looking forward to
meeting and hearing from all of you take care care
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Ust. Khalid Basalamah Tidak Boleh Shalat di Kuburan Atau Shalat Menghadap Kuburan - Duration: 3:30.
For more infomation >> Ust. Khalid Basalamah Tidak Boleh Shalat di Kuburan Atau Shalat Menghadap Kuburan - Duration: 3:30. -------------------------------------------
Cool Photoshop Effects [Welcome to Digital Art] ep 07 - Duration: 23:48.
Hey guys! How are you doing? Are you practicing enough? ^w^
I hope you do!
Have you ever finished a drawing and then thought
"Ah... I feel like I can make it look better, more vivid, more magic..."
but you don't really know how to do it? ;w;
Fear no more! In today's video I'll show you some of the things I use to make the final edits to my artworks
and make them look even better.
Just so you know it, I usually make the final edits on Photoshop
the one I'm using right now is the CS6 version.
If you don't have Photoshop
for whatever reasons or you have a different version
don't worry about it
There's many programs out there like SAI, Clip Studio, Medibang
and a long etcetera...
that have similar options. You just need to be patient and carefully search for them.
Since every program is different everything is also placed differently.
Okay, for today's demonstration I'll use this picture you're seeing right now.
It's an original character from a deviantART artist called Naomochi
I'll leave you the link to her page in the description box so you can go visit her art too ♥
Now let's start!
Whenever I don't know where to start editing my artwork to make them look better
I start by fixing the colors.
If you're using PS too you'll find all the options we'll use by clicking on this little button at the bottom corner.
You can also find them all by going to Image ---> Adjustments
they're basically all the ones displayed in this list.
But this button is supposed to be more comfortable to use but that's up to you.
So... what can we do to?
To edit the colors we've got several options
I usually start with Color Balance
With this, there should appear some kind of box or window here or somewhere else in the screen.
with the following options.
What do they do?
Let's zoom in a bit more so you can see it better...
Basically we'll tell PS to change the overall colors
to something more red or cyan or magenta or whatever you prefer.
For example, let's say I'm getting the feeling that this picture is too warm
and I wanna change it to some more cold colors.
Then we can just drag the bars to the cyan side and the blue side.
Gonna hide the layer effect so you can see the difference.
These are the normal colors.
And this way they look darker
I mean colder!
Or the other way around; let's say you think your picture is too cold
like it's boring and lacks of life.
Then we can add some more red, yellow and magenta.
See?
Now it looks even warmer! ♥
We've still got other ways to fix the colors.
Instead of using a Color Balance layer
we can make a Levels layer.
This one works in a similar way.
Here you have to choose one of the color channels
Let's try with Red.
And then drag those little triangles at the bottom and move them to another place.
This way we're making it look more blue
If we move the other triangle
we'll be turning the piece into something more yellowish or orangeish
Let's now try on the Green color channel.
Draging this triangle will turn the picture more magenta.
or pinky
If we move the other triangle it will turn more greenish or yellowish.
Same thing happens with the Blue color channel.
There it turns more orangeish
and there it becomes more blueish or purple.
If you choose to edit all the channels at the same time instead
then you'll be playing the light and contrasts of the picture.
Now let's see a 3rd way to edit colors.
--let me delete this --
There, we can use the Intensity option (sorry if it's not the exact name in English).
Let's see what this one does.
I normally just use the top bar
If you play with the Saturation bar, as you can guess, we'll be adding a lot of saturation to the colors.
See? They look a bit radioactive...
And moving it to the other side will turn it grey.
Intensity does a similar effect but it's not as hard as the Saturation bar.
Check this out. Moving the Intensity bar completely to the right
will give more saturation and life to the colors
but not as much as doing it with the Saturation bar.
Check the difference with the normal colors
See? We've just added a bit more life to the overall colors.
And if we move the Intensity bar to the left
everything turns more pastelish, like if it was an old photo.
But as you see, even with the Intensity at its lowerest value
we can still get the idea of the colors underneath
That's the difference with the Saturation bar
since this one will take away the colors completely.
Let's move to the next way to edit the colors
this one it's called Selective Color Correction (or something the like).
-- gonna delete the Intensity layer --
As you can guess by its name, Selective Color Correction will let you correct the colors
individually. Meaning editing each one of them at a time aproximately.
Let's see, when we open this layer the default selected color should be Red
so if I start draging those bars I can tell PS to add, for example, more black to the red tones.
And as you see all the colors that has a big percentage of red have become darker
If I drag the bar to the other side everything will become more pale since we're taking away the black.
Instead of black we can choose to add more yellow or to substract it
See? Taking away some of the yellow percentage will make the image purplish
Let's try with the Magenta bar! If we add more magenta de picture looks super red now
maybe even a bit purplish
And you can do the same to the rest of the colors.
Just choose another one from the list
and edit it to your liking.
Next thing I usually edit along with colors is the light
and the overall contrast of the lights we've got in the picture.
-- zooming out a little bit --
To edit the lights I use the Light/Contrast layer option.
There we can tell PS to add more brightness to the picture
and more contrast, or even both things at the same time.
On the opposite if you think your artwork is too pale, with too much bright colors
and what you wish is to turn this light a bit down
just drag the Brightness bar to the left to make it darker.
You can also play with the Contrast bar to make the colors not hurt your eyes too much.
Also pay attention to this little box under the bars that says "Use Legacy" or a similar word.
I have it uncheched at the moment so let's click to see what happens.
The bright/contrast effect is a bit different now.
I don't know exactly how to explain the difference (you all know I'm bad at some explanations xD)
Just test it on your own and you'll see the light effects are a bit different this way.
What's next? Uhm...
Ah by the way! Using the Levels option you can also edit the contrast a little bit
specially if you edit the colors through the RGB channel.
There's also 2 other cool options called Curves and Exposition you can use to play with the color contrast
but I don't really use them because I still don't understand how they work very well
Basically you add or substract points to create a curve that will affect the brightness and contrast of the picture
keep trying and the overall looking changes
As I said I don't quite understand this option so I rarely use it xD
but maybe you'll understand it better than me!
Aside from all these options to edit the colors and lights
we can also play with the layer propierties.
Just double-click on the layer
Reminder: I'm using Photoshop for this sample! I don't know how this works on other programs.
There we've got a bunch of effects we can add to what's already drawn on the layer we've selected.
I like to use the Stroke one a lot
as you see it does add an extra outline to the layer
We can also play with its width, opacity, color
--let's try some other colors--
I usually keep it white to create some kind of separation between the character and the colors from the background
that way the character pops a bit more so it becomes the center of attention of the piece.
Sometimes I also like to use the Drop Shadow effect
Name is pretty self-explanatory; it will create a shadow effect under the layer.
We can play with the distance of that shadow,
that way you can decide if you want the shadow to look very far or very near to what's on the layer.
You can also play with the Spread bar
--uhm, let me zoom in so you can see it better --
Playing with the Spread bar will make the shadow have blurrier edges or more defined edges.
We can also play with the Size bar
The bigger the Size of the shadow is
the blurrier it will become.
So let's say you want a pretty big shadow but with hard edges
that's when the Spread option comes in handy!
Keep playing with the distance ~~
And play with the Angle of the shadow as well!
There the light angle would be at the top left so the shadows fall to the bottom right of the picture.
And we can rotate it
til we've got something that fits the illustration.
Of course we can also change the shadow's color
Let's change it from black to purple for example.
We can also change the Blending mode of the shadow, it is set as Multiply by default.
Uhm... you can't tell the difference now but...
Let's imagine we've got some pattern or drawing behind the character (yup, random weird strokes xD)
If the shadow effect is set as Multiply
will let you see what's underneath the shadow.
But if I set the blending mode to Normal and full opacity
you cannot see anymore what's under the shadow effect.
So you should keep the Shadow effect always set as Multiply but who knows?
You can try other modes as well and eventually find a cool effect!
Another cool effect I like to use is called Outer Glow.
-- Uhm, it'll be difficult for you guys to see it now... --
--let's put some darker color on the background... --
There we go. As the name says this option will add an extra glow effect around what's in the layer
It's set as Screen blending mode by default
But again you can freely change it to Normal or another mode, change it's opacity
I don't have a specific rule, I just go with what I need on every illustration
It's similar to the Shadow effect, we can make the size bigger through the Size bar
and play with the Spread bar to keep the edgies more refined or blurrier.
I'd recommend playing with both things at the same time.
Like... making the size of the glow super small
but then the edges very defined to make it look almost like the Stroke effect.
Just play and combine them :)
As you see there's still a lot of effects on the list
The ones I've explained are just my favorites
Feel free to try to rest on your own and discover what they do! ^w^
Oh but we're not done yet! I've still got another trick hidden ~~
You'll see it's super easy.
-- let me change this layer to white... --
--there you'll see it better --
The trick is as follows:
Duplicate the layer of the character
Character/object or whatever thing to where you want to put this effect I'm going to show you.
Though I mostly use it on the characters.
As I was saying: Duplicate the layer then go to Filter --> Blur ---> Gaussian Blur
Other kinds of blur may work as well, I just prefer using this one
Now...
Here you can see a little preview of the blur quantity we'll be adding
The thing is to make blurry enough so it's not nitid
but not too much that can't even tell what's in the drawing.
See? Now there's too much blur I can't even understand the picture.
So the thing is to make a bit blurry
How much exactly?? That will only depend on your personal preference.
The guideline would be as I said; make it blurry but keep the picture a bit recognizable.
Then hit the OK button
And we've got this. I know I know! We cannot leave the picture like that!
There we can do 2 things.
1 - Put the blurry layer under the original layer
And you'll see we've created some blurry extra edges
similar to the outer glow or the shadow effect.
But it's a bit different since this extra edges have the same color as the layer of the character
because we used the same layers.
In case you cannot tell the difference yet let me hide and unhide the effect.
It's a very subtle change.
2 - keep the blurry layer at the top of the original layer
but now lower its opacity
-- gonna try with 30% --
Pay attention, I'm gonna hide and unhide it for you
See? We've created kind of a dreamy effect this way.
No need to stop here tho!
After lowering the opacity we can also play with the layer mode
We can try with Overlay
There... It kind of gives more life to the picture.
Or Soft light mode
Or Hard light
Or Darker color
See the difference?
Or Lighter color
See?
Always remember to play with the layer's opacity too to make the picture look exactly how you want it to look.
Also you don't need to stick to just one of those modes!
You can duplicate the layer, make it blurry, set it as lighter color
And then do the same but now choose a different mode like Overlay for example
that way you can mix different effects at the same time.
After all these explanations I'd like to add just a couple of things.
1 - You don't really need to use all these effects always.
I usually only use a few of them
So I test some of them and I only keep the ones I like the most
or the ones I think that fits with the kind of picture I want to achieve.
And 2:
There's a whole lot of more effects and tricks you can do
don't be scared to play with every tool, blending mode and effects you may find.
Experimentation is the key to learn new stuff.
If you have any other cool tricks or effects feel free to leave it in the comments section!
It's really interesting to see how other people work on their art and it's a great chance to learn from each other.
As usual, remember that you can help me release tutorials more often by supporting me on PATREON
Take a look at the website and you'll see what exclusive rewards you can get each month
in exchange for your kindness ♥
//winks at you all
Keep watching to see the edit/final touches of this illustration!
Hope you like it and see you on the next video!
Bye bye! ♥
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After $1 Million Gift, Dow Asks White House To Ignore Science - Duration: 3:22.
A few weeks ago the Environmental Protection Agency announced that it was going to go ahead
and allow companies to use a pesticide known as chlorpyrifos, which is manufactured mostly
by Dow Chemical.
Now this move came after decades of arguments within the agency after looking at information
showing that this pesticide was harmful to animals, was harmful to the environment, and
it was harmful to human beings.
Basically, any living thing, plant, animal, human, whatever that came in contact with
this stuff, suffered very serious, negative side effects.
But here's the thing.
Dow Chemical, a few months ago, during Trump's inauguration, gave one million dollars to
the Donald Trump Inaugural Fund.
They helped plan the party.
On top of that, the president and CEO of Dow Chemical is actually one of Donald Trump's
closest advisors.
Of course, the EPA is going to go ahead and throw away decades worth of science to promote
Donald Trump's friend, who gives him lots of money.
Here's the thing.
Of the 1800 different animal species that this pesticide was tested on, every single
one of them showed negative detrimental side effects, showing that this thing causes tumors,
causes cancers, causes abnormal growth.
Every single one.
In the human studies that were conducted, children exposed to even a tiny amount of
chlorpyrifos were shown to have abnormal brain development afterwards.
Essentially, this stuff screws with brain development in children and ruins their entire
lives.
All it took, after decades of science showing this, was one million dollars.
I mean Dow Chemical is a multi-billion dollar company.
They only had to spend one million to buy Donald Trump and Scott Pruitt, the head of
the EPA?
What a bargain, right?
Because now this chemical is going to be sprayed on all of us by the gallon.
This is going to cause enormous side effects in the human population, in the environment,
in animals, in anything that comes in contact with it.
Dow Chemical knew that and now they're asking the EPA to, "Please go ahead and set those
studies aside.
Ignore them, because we, Dow Chemical, think that they're flawed.
Not that they are, but we think they are, and we're giving you money.
We're in the President's ear every day, and we're going to get this shit approved so we
can start dumping it from coast to coast in the United States."
That's how democracy works folks.
You got a million dollars?
Hey, great.
Give it to a politician, and you can start dumping poison on everyone
in this country.
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Let's Talk | S-Town Podcast - Duration: 8:24.
Hi everyone. I'm Rincey and this is Rincey Reads.
Today I'm going to be
talking about S-town. This is a podcast
that was recently put out by the same
people who put together like This
American Life and serial. I'll have a link
to it down below in case you guys are
interested. I listened to it a couple of
weeks ago and I've been thinking about
it basically ever since. I have a lot of
thoughts and a lot of feelings and they
are complicated. So let's just get into it.
Oh before I get started, I'm just
going to say that if you haven't
listened to s town in its entirety,
there will be spoilers for the entire
thing here because I think a lot of what
I want to talk about also happens in
like the last couple of episodes. So if
you don't want to be spoiled on S-town,
I recommend like turning this off, coming
back to it when you have finished. Or if
you don't plan on finishing or you don't
care if you get spoiled, you can continue watching.
So like I said, my thoughts on S-Town are
really complicated. It's one of those
podcasts that by the time I was done
with it made me feel really uncomfortable.
And I've been thinking
about this a lot in terms of the
podcasts that have been coming out
recently. Let me just say I listened to
both seasons of Serial and the first
season of Serial made me slightly
uncomfortable as well. I think it was
less the podcast though and more the way
people were talking about the podcast.
The first season of Serial dealt with
the death of a young woman and someone
who is currently in jail for that
crime and the way people talked about it
was just so like dismissive of it.
And the way that we talk about these
podcasts, we talk about them as forms of
entertainment but because these are
actual people with actual situations,
it's not just entertainment. I feel the
same way about like the news and I feel
the same way about like reality
television. Like we create these things
that are meant to be entertaining on a
certain level but they involve real
people and real situations and their real
lives and we turn these people into like
caricatures almost and we take away all
of the complexities and the nuances that
might belong in them and we make them
into stereotypes and we sort of like
gawk at them from a distance. and it makes, again,
it just makes me really uncomfortable.
So I started listening to this podcast
because they pitched it as a true-crime
podcast in the beginning. They talked
about how this guy contacted them from
the small town in Alabama and there was
some like corruption and crime that was
happening in there. And so I was
interested in that because that's a idea
and story that I'm always really
interested in. This ideas like corruption
happening amongst officials and police
officers and things like that and trying
to uncover the truth and bring some
justice about. By the end of the eight
episodes, it was seven or eight episodes
I can't remember now. I think it was seven.
It turns into something completely
different. And in the beginning I was ok
with it because I like sort of character
driven stories in my books and in my
television shows and all this stuff.
I like stuff that focuses on the
complexity of people and it seemed like
S town was going to make that turn after
the major death happens and after they
realized that like this murder wasn't
really a murder and things like that.
I thought that they were going to talk
about the complexities of just
small-town life and the people that live
in this town. But it turned into
something else. The fact that this
journalist Brian felt comfortable
delving into the sexual orientation of a
man who had recently passed away and
hadn't necessarily provided
information about that aspect of his
life was really uncomfortable for me.
The fact that they set up a lot of questions
that didn't provide a lot of answers but
I think left room for the listener to
make judgments on them. I also think it's
really uncomfortable to look at people
who live in these sort of small southern
American towns and especially if someone
who like lives in Chicago, I live in the
north, I live in literally like the exact
opposite of what those towns are, it felt
very easy for it to turn into like
making those small towns into a zoo and
making those people into like the
animals at a zoo who are meant to
entertain me and provide me with some giddiness
before moving on with my life and I
can sort of like cast my judgment upon
them because they aren't alike to me and
they think a different way and act a
different way. And yeah it was weird. um
but I also couldn't stop listening to it
which i think is probably mostly on me.
But it was a really compelling podcast.
But i think what made me the most
disappointed was the fact that they
created like these seven episodes in
total and just drop them all at once.
So they didn't have to deal with the
real-time aspect or the real-time
reactions while making the podcast like
Serial had to deal with especially in
their first season. You know there was
real information that was coming out
while they were creating all of these
episodes and they had to adjust episodes
in order to accommodate for that new
information and all of this stuff.
This was clearly different in that they just
dropped the episodes so they knew
exactly what they were putting out and
they knew what the full arc was going to e
And so the fact that they chose this
arc to tell felt a little bit weird
because there are so many like gray
areas that they go into. And they
acknowledge it at a certain point and
they come up with their own
justifications but I don't think their
justifications are right or I just don't
agree with them at all. There was a
really great article on Vox that someone
shared with me and so I'm going to link
it down below and they talk about this
really well as well. It basically says
like s town is a great podcast but that
doesn't mean that it should have been made.
I've been think about this a lot
because there's this podcast, I had
uncomfortable feelings about Serial and
then there was like what I think is the
pinnacle of uncomfortable podcast which
is the missing richard simmons podcast.
Where this guy without any prompting,
without any sort of encouragement for
Richard Simmons, just goes looking for
him. And I think that in this age that
we're living in, we believe that anyone's
lives are somehow belong to us. Like we
don't have any right to delve into
anyone's private life without their
consent or their rights and so things
like missing Richard Simmons where he's
trying to search out for this man who
doesn't want to be found or purposely
like removed himself from the public
life for a reason, made me really, really
uncomfortable. And I think that this s town
podcast kind of did the same thing where
they started delving into parts of
John's private life that he didn't
necessarily want or we don't know if he
wanted out there. And because he's passed
away there's no way to really reconcile
with that and i think that i don't know
maybe i just give too much reverence to
people who passed away but at a certain point
I'm just like, they're not alive anymore
to give their wishes so how are we
supposed to handle that. I would
always edge as a side of caution. But
anyways those are by just complicated
thoughts on s town. It was great
storytelling but I also kind of don't
know if it should have been made just
like the Vox I article said. So let me
know what you guys think down below.
I know a lot of people really enjoyed it
because again like I said it's really,
really well done. It's really compelling
but doesn't make it right. So it's one of
those things I've been like literally
wrestling with and thinking about
constantly since I've listened to it.
I also listened to it all in one day so I
think that was part of the problem for
me at least as well. Like I just dove in
and listened to all seven episodes almost
straight and at the end of it I was just
like ah man I don't know that was
something I should have done. I think
that if there was more space between the
podcast episodes like if I had to wait a
week, I think there would have been a
point where I stopped listening. But
I didn't and this is where we are now. So
Again let me know down below with you
guys out of Serial, and I will -- not serial,
s town -- and I will talk to you guys next time. Bye.
-------------------------------------------
NIOBONEWS - A SONY MAIS RÁPIDA! - Duration: 5:36.
For more infomation >> NIOBONEWS - A SONY MAIS RÁPIDA! - Duration: 5:36. -------------------------------------------
How Far I'll Go - Disney's Moana | Ukulele Cover by Asia Anastasia - Duration: 3:22.
♪(ukulele playing)♪
I've been staring at the edge of the water
Long as I can remember
Never really knowing why
I wish I could be the perfect daughter
But I come back to the water
No matter how hard I try
Every turn I take, every trail I track
Every path I make, every road leads back
To the place I know where I cannot go
Where I long to be
See the line where the sky meets the sea?
It calls me
And no one knows
How far it goes
If the wind in my sail on the sea stays behind me
One day I'll know
If I go there's just no telling how far I'll go
♪(ukulele playing)♪
Mmmm
I know everybody on this island, seems so happy, on this island
Everything is by design
I know everybody on this island has a role, on this island
So maybe I can roll with mine
I can lead with pride, I can make us strong
I'll be satisfied if I play along
But the voice inside sings a different song
What is wrong with me?
See the light where it shines on the sea?
It's blinding
But no one knows
How deep it goes
And it seems like it's calling out to me
So come find me
And let me know
What's beyond that line, will I cross that line?
See the line where the sky meets the sea?
It calls me
And no one knows
How far it goes
If the wind in my sail on the sea stays behind me
One day I'll know
How far I'll go
♪(ukulele cover)♪
-------------------------------------------
Little Big Shots - He's Going to Be a Major Star (Sneak Peek) - Duration: 6:05.
-♪♪ And I'm telling you ♪♪
♪♪ I'm not going ♪♪
♪♪ Your the best friend I'll ever know ♪♪
♪♪ There's now way I could ever, ever go ♪♪
♪♪ No, no, there's no way ♪♪
♪♪ No, no, no way I'm leaving without you ♪♪
♪♪ I'm not leaving without you ♪♪
♪♪ I don't want to be free ♪♪
♪♪ I'm staying ♪♪
♪♪ I'm staying ♪♪
♪♪ And you, and you, and you, you're gonna love me ♪♪
♪♪ Oh, whoa, yeah ♪♪
♪♪ You're gonna love me ♪♪
♪♪ Yes, you are ♪♪
♪♪ And I'm telling you ♪♪
♪♪ I'm not going ♪♪
-Sing, boy.
-♪♪ Even though the rough times are showing ♪♪
♪♪ You see, there's just no way ♪♪
♪♪ There's no way ♪♪
♪♪ We're part of the same place ♪♪
♪♪ We're part of the same time ♪♪
♪♪ We both share the same blood ♪♪
♪♪ We both have the same mind ♪♪
♪♪ And time and time, we have so much to share ♪♪
♪♪ No, no, no, no way ♪♪
♪♪ I'm not waking up tomorrow morning ♪♪
♪♪ And finding that there's nobody there ♪♪
♪♪ Darling, there's no way ♪♪
♪♪ No, no, no, no way I'm living without you ♪♪
♪♪ I'm not living without you ♪♪
♪♪ I don't want to be free ♪♪
♪♪ I'm staying ♪♪
♪♪ I'm staying ♪♪
♪♪ And you, and you, and you, you're gonna love me ♪♪
♪♪ Oh, whoa, yeah ♪♪
♪♪ You're gonna love me ♪♪
♪♪ Yes, you are ♪♪
[ Applause ]
♪♪ Love me ♪♪
♪♪ Love me ♪♪
♪♪ Love me ♪♪
♪♪ L-o-o-o-o-o-o-o-o-ove ♪♪
♪♪ Your gonna l-o-o-o-o-o-o-o-o-o-o-o-o-ve ♪♪
♪♪ M-e-e-e-e-e-e-e-e-e ♪♪
[ Cheers and applause ] Thank you!
-Ladies and gentlemen, show your love!
Reuben!
Did you see this boy?!
[ Cheers and applause ]
Did you hear this boy?!
Put your hands together for 11-year-old Reuben.
[ Cheers and applause ]
Come on, man. Come down here with me.
This little dude right here.
Man, sit down.
How you doing, man? -Great.
-Where did you get that voice?
-My mom has sort of a voice.
-Sort of a voice?
[ Laughter ]
You got the accent, everything, boy.
The money we fitting to make. Listen.
[ Laughter ]
So, where you from?
-Wales, which is in the U.K.
-So, when you got the call initially from us
to come to the USA, what did you think about that?
-Well, at first, I thought it was a bit of spam.
-What is that? Like, trash or something?
Okay.
I don't really know nothing about that.
I'm 59 years old. Spam is a can...
[ Laughter ]
...with fake meat in it.
And it got a key on it.
And it got a key on it.
And you put the key on it, and you turn it.
And you eat this fake meat.
Now, I want to tell you something.
He is completely undiscovered.
We found this kid, and we called his mother.
Is your mother here?
-There she is. -There she is.
Hi, Mom. How are you?
[ Applause ]
How long has he been singing?
-Forever. -Forever?
Did you know he was a great singer?
-I knew he could sing.
-You knew he could sing.
So, your mother, she bought you a karaoke machine?
Is that what the story is?
-Pretty much.
And I sang in the living room,
and my sister, over there, would lock the door
so she couldn't hear me any longer.
[ Laughter ]
-This started with a karaoke machine?
-Yep.
-You know how many parents in here are fitting
to go out and buy a karaoke machine?
"Sing, just try it!"
[ Laughter ]
Who's some of your favorite singers?
-Etta James, Beyoncé, yeah.
-Is singing an outlet for you?
-Yes, because I've always been bullied
for doing what I want to do.
And I always feel like singing,
expressing through the lyrics and the song.
[ Applause ]
-Let me tell you something.
I think what's gonna happen after this,
a lot of people are gonna see you,
and, man, you all's phone is gonna be ringing.
You're gonna be a major star. You're gonna be a major star.
Folks, give it up for the sensational Reuben!
[ Cheers and applause ]
-------------------------------------------
The 100 Season 4 "Fight to Live or Fight to Die?" Promo (HD) - Duration: 1:01.
The radiation is going to be here in six days.
Anyone who is not in this bunker will be dead.
Your time is running out, and I'm not talking about the radiation.
There was no hope, now there's hope.
(cheering)
There is room for 1200 people in here.
This doesn't have to turn into a war.
It's already a war.
If I die, I die.
At least I go down fighting.
That bunker will be safe.
Every time we think that, something bad happens.
Make no mistake, you choose to stay, and you're choosing death.
It's time to go.
I'm not going.
May the best warrior win.
Together we have struggled, and together we will rise.
I want the human race to survive.
Are you really willing to die when there's a way to live?
That's just it, we don't think it's a way to live.
-------------------------------------------
Les ZONES MORTES - Sois pas si bêêête #29 - Duration: 2:33.
For more infomation >> Les ZONES MORTES - Sois pas si bêêête #29 - Duration: 2:33. -------------------------------------------
You Won't Believe Who Donated $5 Million To Donald Trump's Inauguration - Duration: 4:22.
You Won't Believe Who Donated $5 Million To Donald Trump's Inauguration
Sheldon Adelson donated $5 million to Donald Trump�s inaugural committee, making it the
single largest donation ever made to an incoming president�s inauguration.
The 83-year-old casino owner and billionaire � who endorsed Trump for president last
May � wrote a whopping seven-figure check, the New York Times reported Wednesday.
Trump�s inaugural committee raised $106.7 million, shattering fundraising records and
doubling the $53 million Barack Obama raised in 2009.
The January ceremony included dozens of events over a six-day period.
(RELATED: Trump�s Inauguration Committee Raised A Record $106 Million)
Adelson wasn�t the only casino magnate who donated to the committee.
Phil Ruffin and Steve Wynn also gave nearly $2 million combined.
Sponsored Links by
In his endorsement in the Washington Post, Adelson said he was endorsing Trump not because
he agreed with him on every issue, but because America couldn�t allow �a third term�
of Barack Obama �in the name of Hillary Clinton.�
Do You Have A Favorable Or Unfavorable Opinion Of Sheldon Adelson?
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�I�ve spent time talking to Donald Trump,� Adelson said.
�Do I agree with him on every issue?
No.
But it�s unlikely that any American agrees with his or her preferred candidate on every
issue.�
�You may not like Trump�s style or what he says on Twitter, but this country needs
strong executive leadership more today than at almost any point in its history.
The world is less secure than ever, and our allies have lost confidence in our ability
to lead.
The economy is not growing the way it should.
The middle class is finding it harder and harder to get by.�
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