Thứ Hai, 5 tháng 11, 2018

Waching daily Nov 6 2018

- Hi, my name is Jordan, lower down.

- Kia ora, I'm Kiya.

- Welcome to Level 1 Visual Text

- If you haven't already checked out our strategy videos

for the written text, we recommend you do that,

as a lot of our stylistic and structural exam tips

on how to write an essay are the same across both standards.

In this video we'll be going more into depth about how

to analyze a visual text or a film.

- Yeah so visual text is fundament

about taking an idea from a visual text

and linking everything together to support it.

But it's really important that what your text is about,

is not the plot.

It's the deeper ideas you can extract from it,

using aspects of visual text.

- These aspects could include the director's purpose,

intended audience, the characters, the setting,

the narrative structure or language features of your text.

- Language features of visual text,

cover the same writing techniques as written text,

like metaphors and symbolism,

but also camera-specific features, like cinematography

or mise-en-scene.

You need to include the camera specific ones

in order to get excellence in visual text.

And why is it called language features?

I don't know, something to do with,

like how a film is a language, but I don't get it either.

- On top of mise-en-scene and cinematography,

other language features could include the editing,

the design, the sound and the performance of the actors.

- In order to get excellence,

you need to show that your understanding

of all of this is perceptive.

So let's get into how to do that.

So just like in written text,

Level 1 Visual Text questions are split into two parts,

describe and explain.

And explain means to link in with our perceptive idea

or our idea about society, the human condition

or wider literature.

We want to see you show appreciation for all of this

and link it with our thesis.

If you want more on how to do that,

please check out our written text form.

- To explain how and why our understanding is excellent,

we need to bring in the aspects and link them

with the director's purpose.

To do this we need to explain our aspects,

including the film text techniques

and how they impacted our audience.

And we bring this with why the director wanted it

to impact our audience.

For example, in the movie Schindler's List,

the juxtaposition between the girl's red coat,

compared with the rest of the black and white in the film,

showed us that Spielberg wanted to create hope

for the future generations

by having that red stand-out color.

- So this is very closely linked in with appreciation

of the text, in saying that the aspect, which is the color,

had a really strong effect on the audience

and this is shown in the director's purpose.

Which is saying to bring in,

the director-audience relationship.

And so appreciation means, showing the market

that we understand the importance of the text's ideas

and the director's purpose and it is conveyed

in the relationship between the director and the audience.

Remember, everything in a film is deliberate.

So if you think the author intended something,

even if it's as small as the color of a vase,

and then that aspect made you feel with some sort of way,

then you should be putting that in,

because you are probably right.

- Now let's talk about the main difference

between written and visual text.

In the visual text we have visual language features,

otherwise known as film techniques.

We can split aspects of visual texts into two parts.

The first is ideas and purpose.

The next is visual text language features.

- Ideas and purposes include all this stuff

we've talked about before, like intended audiences,

author's purpose, themes, setting, characters.

However, it's really important to know

that because you're studying film,

you need to be analyzing

the film's specific language features.

These include things that we listed in the introductions.

Let's take a closer look at what they actually are.

- Cinematography includes things like, zooms, camera angles,

color and a whole lot more.

Cinematography is pretty much everything that a camera does.

For example, in a horror movie,

they tend to use things like, quick cuts or shaky cameras

and this builds adrenaline in us as the audience.

If they use that in a movie like Shrek, it'd be weird.

- Mise-en-scene is pretty much everything

that is visible in a shot.

It's a fancy French name for how

and why the director put everything the way it is.

So does the vase in American Beauty convey a false sense

of homeliness?

Who knows, but just write about it.

It's very closely linked in with design,

which is the world of the text.

- Sound is a huge one,

this could include things like, ambience.

For example, a favorite for creepy scenes is footsteps

in a big empty space or phones ringing

in a stressful office environment

that a character doesn't want to be in.

It can also include things like, sound effects or music.

We all know that horror movies would be about 82% less scary

without the music that is in them.

- It is crucial that we don't just chuck in

a random camera angle and just hope

that the marker froths it.

If you say that this is showing the mid-shot,

you need to explain how

and why the director used the mid-shot

for that particular purpose.

Which should be to help the director-audience relationship

in some way.

So does it allow us to see the emotion

of two people at once, you know, something like that.

Last thing is that upside-down triangle structure

and TEXAS are still the ideal ways of writing the essay.

If you want more on that, check out the written text form.

- The most important thing to remember in visual text is

to show the marker that you have an understanding

of the aspects of the text

at a deeper more perceptive level.

- This means bringing perceptive ideas related to society,

the human condition, or wider literature

and proving them using how and why.

It's so important that you show,

that if you break down the question

and create a thesis around it and prove it

throughout the whole incident.

- For visual text especially,

you've got to bring in film techniques

and always link it back to the director's purpose.

This is important so that you can explain

that there's a director-audience relationship going on.

- And the best way of practicing, read exemplars

and do past exams.

And also check out the studytime level one,

English walk-through guide available now,

that will cover everything you needed to know

to get excellence in number one English.

It's supposed to go up, uh, one day shipping.

Uh, who wrote it Kiya?

- Me?

- Yeah, I wrote it.

- Yeah yeah - I wrote it.

- Me. - That's good (laughs)

For more infomation >> Visual Text | NCEA Level 1 English Exam Strategy Video | StudyTime NZ - Duration: 6:03.

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For more infomation >> Diwali Special Jalwa Wali | Dipabali Special Odia Comedy Video || Berhampur Aj.. - Duration: 5:33.

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Abraham Hicks 🙂 Be Satisfied; Now! ~ No ads during video - Duration: 11:11.

so as we've been talking about this vortex we love this analogy because as

you are knowing what you don't want and knowing what you do want and setting

forth all of this we've been saying for years that when you ask it is given and

contrast causes you to ask that's those Rockets going forward and we've been

saying for years that when you ask that source answers and that's source

becoming an immediate vibrational match because source has no resistance to what

you've asked for and then the third part of the three-step process is you have to

become a match you have to allow yourself to be vibrationally up to speed

which means to be vibrationally absent of resistance in order to have the full

manifestation of what you are wanting so now in this leading-edge discussion that

we were having just now we're saying to you that when you're up to speed with

who you are you're in the vortex and when you're in the vortex the problem

does not feel like a problem and why does the problem not feel like a problem

when you're in the vortex even before the solution has completely

manifest because when you're in the vortex and therefore up to speed with

the solution and therefore up to speed with all that you are and therefore non

resistant to what you want now you're in the place of allowing the manifestation

now humans have this habit we love you very much of not wanting to feel the

success of something until it manifests it's like show me the money then I'll be

glad show me my lover and then I'll be glad show me the evidence of good things

and then I'll be happy so most people stand outside the vortex most of the

time and let what's happening in their experience dictate where their vibration

is so you let reality train your vibration now we want to say reality is

magnificent the reality that you live because it is the bouncing off place

it's what's putting all of this expansion over there but

you all are so over excited about perusing and documenting and discussing

reality that you hold yourself for inordinate amounts of time in

vibrational concert with from our perspective what was instead of with

what is and the emotion that you feel is because you're not up to speed with who

you are who you are who you are with what is with what is with what is when

you ask for money that money is and when you keep bemoaning the fact that you

don't have it in your bank account you deprive yourself of the vibrational

alignment with the money that is and you don't let it manifest and it would

manifest it would manifest fast if you'd stop doing that thing you're doing that

is keeping you from the discovery of the path to the manifestation of the very

thing that you're asking for that was as clear as we've ever said it did you get

it you are the creator of your reality but even more pointedly you're the

creator of you and the you that is in this vortex now this is where it gets

fun because as we talk about this you you want to talk about the you that you

can see you look around at each other and you say hey you hey you hey you hey

you and we say no you you you you you you you it's this you it's this you it's

this you that we want you to look at that you is old news that you is the

creator of this you but this you in the vortex is who you really are and the

reason that it's so important for you to know it is because this is who you

really are and this is dominantly how you really feel and if you you you and

your physical body you don't let yourself be up to speed with who you

really are you then you feel the discord of that resistance and then you don't

let yourself be you and then you don't feel good this will make a really good

audio won't it a really good audio tape

well at least those listening in won't see his pointing at the floor so you get

that don't you what is the feeling of satisfaction satisfaction is life causes

me and my physical body to expand and I felt the discord of the expansion

briefly but because I care about feeling good I've trained myself to follow the

trail of good feeling thoughts so I reach more optimistically I reach more

hopefully I tell better feelings stories and I trained myself into positive

expectations so I'm following the trail of the new idea and so I feel satisfied

because I'm moving in the direction of Who I am and as I do that the vortex

this powerful Law of Attraction vortex is calling all cooperative components

and because I'm optimistic and hopeful I'm a pretty cooperative component and

so I'm being pulled in the direction of it by this powerful law of attraction

and I'm feeling the satisfaction satisfaction is the opposite of

resistance the feeling of satisfaction is like anti frustration it's like

evidence of going in the direction of Who I am while frustration is evidence

of holding back and not going so satisfaction is the feeling that I'm on

the right track Jerry and Esther will be having a conversation and Esther say Oh

tell me more keep talking about this I like how this feels this is a satisfying

conversation because the conversation is causing her to focus and therefore allow

law of attraction to draw her closer satisfaction is coming into harmony with

who you are and Oh satisfaction can be long before like the day before or the

week before the manifestation but if you're hung up on not feeling satisfied

till you see the manifestation can you see the trouble you caused yourself if

you could be satisfied with the emotion and not need the manifestation outside

the vortex or in your physical reality you see

things you hear them you translate vibration into what you see and what you

hear and what you smell and taste and touch in other words this tactile

experience is pleasing in all of those ways but if you become someone who needs

to be able to see it in here and smell it and taste it and touch it before you

feel satisfaction you're holding your himself way back you're slowing yourself

way down if you can just hear this one little piece where we're encouraging you

to feel the satisfaction. Let's take it further satisfaction and relief are sort

of the same feeling aren't they satisfaction and relief are both

indicators that I've deactivated the resistant part of my vibration and

therefore I'm allowing source to call me to the completion of what completion is

not the right word because there is no ending but to the clicking into place

with what with the manifestation eventually but source isn't giving you

your thrills you're not feeling your emotions because of manifestation you're

feeling your emotions because of vibrational alignment and that's what we

want you to leave this gathering hooked on we want you to leave this gathering

so intent on feeling the satisfaction of vibrational alignment that you could say

and really mean the manifestation is really secondary to me the satisfaction

of getting into the vortex and clicking into Who I am is what rings my bells its

what floats my cork its what I'm into I'm hooked on the vortex I'm hooked on

the emotion of being in the vortex satisfaction is my game Jerry and Esther

were telling the story last night of Jerry had a card that he kept in his

wallet of goals and a friend said do you still keep that card in your wallet he

you're still setting goals in that way and Jerry said no I don't set goals

oh I have a different understanding now everything I want just comes I realized

that I put the stuff in my vortex long ago and now my work is different and we

want to say you have already put all of that into your vortex and now your work

is aligning vibrationally with what you've put there. And when you do

satisfaction is immediate and if you hang around in the realm of satisfaction

for just a little bit of time on any topic in the world positive expectation

satisfaction no evidence to support how good I feel just a feeling

so people say do you set goals yeah have a goal to feel satisfaction oh so you

have goals about things you want and when those things happen you're

satisfied no that's not what I mean my goal is to feel satisfaction whether

anything ever happens or not your friends would think you're nuts

oh well you're just delusional okay whatever it takes just keep yourself

happy just keep yourself happy and we say exactly exactly exactly

exactly keep yourself happy regardless keep yourself happy regardless keep

yourself happy regardless keep yourself feeling good

regardless ignore what is in any aspect that doesn't please you because what is

is old news your manifestation in your physical reality is old news this is

where it's at this is what is this is who you are this is the only place that

satisfaction can occur and what you're going to discover as you hang around

more in the vortex and we'll talk about that all day here today as you get into

the vortex and spend more time there what it begins to happen to you is from

inside the vortex is so easy to make peace with everything that's out there

because it all contributed to you being in the vortex it's like finding yourself

at this incredible destination and now the long road there isn't important

because you're here you see

For more infomation >> Abraham Hicks 🙂 Be Satisfied; Now! ~ No ads during video - Duration: 11:11.

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Vitality by Switch Nutrition - Video Review - Duration: 1:48.

Hey burners, Paul here from Fat Burners Only

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We'll catch next time, cheers!

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