I really like the beginning of
this song because it sounds a
lot like Blade Runner and
that's pretty cool. The sound of
it is very like... It's like a
drawn out brass sound I think.
I would say brass, I'm not
entirely sure. It's just a very
like ethereal, atmospheric
sound to it.
I actually use a lot images in
the verses and the lyrics
of the song.
So the first verse, if I would
say... the first verse would be
based on alcohol, right? I use a
lot of words that deal with the
liquid aspect of it and how it
kind of slurs your
sense of perception.
In verse two, it is more about
some kind of smoking substance.
There's a lot of imagery about
like vapor, smoke,
whatever describes that
kind of feeling.
Cut.
Reset on that one. That one it
looked like you were looking
down the lens. Were you
looking above or...?
I was trying to look at that,
but it's pretty close to the...
Let's go even higher.
The fact that we were doing
something a little bit with
Alice in Wonderland, that
there's that obvious theme and
reference and allusion to and
then trying to adapt them
to the new age and just do
doing something with them.
So being able to take
something like Alice in
Wonderland and incorporate
that into this and throw a
little twist into it was
pretty fun.
This is...
Get out of the way.
Oh are you doing a thing?
No.
Alright, this is Abigail.
Hello.
She's the Alice.
Sup.
Hi. Sorry, I'm like a
mess right now.
Do you go by Abby or Abigail?
I go by bagel.
So my character's always sort
of like a tempting, mysterious
figure that can't really be
figured out. And he was talking
about how it represents when
you go through hard times,
you kind of lose yourself and
I really connected with that.
Kay, let's reset.
Anything on the... any notes?
No, I like that one.
You like that one?
Yeah I like that one, too.
Yeah I like that.
We wanted her to be a guide,
right? Because the guy, the
main character who is me, is
the one going through the
lyrics pretty much. He's going
through the journey of having
lost himself, and then trying to
go deep, find it, bring it back,
and be able to move on or
something. The idea just
started blossoming from a
simple concept of just like a
bedroom scene into like noir
like 1950's old America and
just like psychedelic imagery.
It just evolved and then we're
like, you know what?
Why don't we just go
as big as we can?
Everything that we have looks
as good if not better than what
I imagined while we were
talking about it. I'm super
happy with the black light stuff
That's going to look amazing.
This underwater stuff is going
to be cool, and what we have
in the room looks great.
I did another production
actually where I met our DP on
this that was like a period
piece and it has a very similar
feel. That project had a very
large budget and this project
had a decent size budget.
And they look pretty similar
and it's amazing that we
actually pulled that off.
The black light we were
originally going to have all the
invisible ink writing on the
wall, like all over the wall.
Just crazy writing. And we
ended up changing that to
just on him.
I was just waiting outside the
motel room, you know, taking
care of my own business and I
got a call from Jake, the
director, and he's like, hey we
need you to come in here
put some orange stuff on your
lips and kiss John on the
cheek. And I said huh? He goes
We need you to kiss John on
the cheek.
And I said, is that real?
And he goes, yeah we need
you to kiss John on the cheek.
Alright.
So I went in there and the
black light's on and it all
looked real cool. And they
handed me this thing, and I
put it all over my lips.
It turned out I asked later.
Literally anybody could've
done that.
They were like, somebody
needs to kiss John on the
cheek and nobody said
anything so then the director
was just like, hey let me just
get Alex to do it. And for some
reason I never asked any
questions about it, so I guess
I'm the only one that was man
enough to do it.
Beautiful. Okay I'm going to cut
for a second. When you do the
ruffles, make your dress go off
more to the side. If you can.
Kay, ready?
Yup.
Ripples. Speeding.
Action.
I wasn't expecting the pool
stuff to be as hard as it was.
It was definitely very difficult
because I've always been like a
strong swimmer my whole life,
but being underwater and
having to like...
A lot of things with acting is
you do breathing exercises.
And you can't really do
breathing exercises
underwater cause I'm not a
fish so...
Once I kind of centered myself
and was able to like change
my method of how I center
myself like in the moment of
doing it, but afterwards I think
it went really well, but yeah.
Lots of factors that you don't
think about when you're
in the water.
We were definitely going to
have more underwater scenes
and it's just difficult to get
good quality shots underwater
so we simplified it a little bit
The best part of working on
this was definitely renting a
1960's Chrysler Newport and
driving it all the
way through LA.
If you want to go and get high
with me. Just kidding I don't
smoke the devil's lettuce.
I tried to get on the freeway
with it, and it almost stalled on
me like right there. I tried to
speed up onto the on ramp
and it was like
POP POP POP
And I was like AHHH
And then it kicked back in
and it went.
The car?
Honestly, I think we were just
watching this Netflix show
called Peaky Blinders.
And then it just...
We just wanted to do stuff like
old school, and then some
people in our crew really like
cars back in the day. Some of
us like the fashion and then, I
think vintage is like so trendy
in a way and then everyone
had their own favorite thing
from that past and we just
combined it all together and
then tried to make it like
one cohesive look.
I feel like its...
I've always said with acting
and like streaming on Twitch
and gaming, like I've always
wanted to be a person that
like connects with others. Like
I want people to feel like
they're not alone, because for
so much of my life I felt like I
was very alone in my feelings
and I didn't know anyone that
related. So when videos like
this are made... like it doesn't
seem like a big deal when
you're here doing it, but when
it gets released and there's
that one person that's thinking
to themselves, I've been
through this and it is hard to
separate my emotions from
who I am as a person and it's
easy to let that like suck me in
and overpower me, but I
overcame that.
And it's good, you know?
Reaching out to people.
You're trying to find yourself.
You pretty much lost who you
are as a being, maybe through
some trauma. Maybe through
hardship, heartbreak,
whatever the problem might
be and it's very common for a
lot of people to turn to
substances and endless
pointless relationships, but
sometimes there is one
person, the guide, that pulls
you down so deep that you
actually find yourself through
them. Maybe how you were
before. And find out who you
are and just come back to the
surface. That's what this
song is about.
The best part about working
on this project was making a
product that our client and
artist, Jonathan, was happy
with. You know, my job as
director to see that the
client's happy. That's great
because that means I did a
good job and I can feel
confident about it.
So that's huge.
The problem...
Is it good there or
is it perfect there?
It's good there.
Just good?
No, you said just good.
It's perfect. Sorry, perfect.
Perfect.
We did compromise here and
there, but some of the major
stuff we were able to just
knock out. That surprised me.
When the car rolled in, that
surprised me in a good way.
How the wardrobe fit. How the
room looked. Just like having
the pieces come together
just from little scattered
thoughts and just putting it
into the camera.
I think just the first reveal
for me was...
I think that had the
biggest reaction from me.
And how do you feel now
that it's done?
Like a weight has been lifted.
Stressing about everything
pulling together especially
cause we had to film it in like
one day.
But damn.
We did it.
That's good.
That's crazy.
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