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Nail Art 2018 ★ Nail Art Video | Nail Art Designs - Duration: 10:41.
nail art or Nail Polish is a very simple concept - designs or art that is used to decorate
the finger or Nail Polish or toe nails.
They are used predominately to enhance an outfit or brighten an everyday
look.
Seen nowadays as more a fashion activity and something that allows for creativity and expression
of one's own style, the nail designs or Nail
Polish and art are considered to be a significant area of fashion and beauty.
Different nail designs and nail art can be found on the latest catwalks of the best designers,
Hollywood stars and celebrities will often showcase the hottest new nail trends on the
red carpets, and of course anyone from their own home can
create nail art or Nail Polish to match their mood, outfit or artistic personality.
History originally saw nail art or Nail Polish as being a show of social class, and the more
extravagant the higher class you were considered.
These days it is available to everyone and has exploded in
popularity, so much so that a documentary NAILgasm, was released to explore the growing
trend of nail art from subculture to high fashion.
In January 2014, Nailpolis: Museum of Nail Art was founded
for nail artists and hobbyists to share their designs.
How To Do Nail Art?
If you want your nails to look their best, copy your favourite star's nails, or just
have a great design idea for them, then there are a few ways to
go about achieving the desired look.
Salons:
The easiest but probably most expensive option is to visit a nail salon or nail bar.
With the increase in nail designs and nail art popularity
nail salons/bars have become common-place in many towns and high streets.
They will have nail technicians that should be capable of creating any designs you wish.
Kits:
Nail art kits are useful for beginners as they give you everything you need to get started.
They will usually contain the top and base coats,
polish and colours, special brushes or dotting tools, different patterns, stickers and pins
for the designs, and possibly sometimes stones, jewels or glitter depending on the kit.
You may even want to get a kit with nail art pens that allow for you to draw directly onto
the nail, getting a totally unique design of your own.
If you're thinking about getting into nail designs, a nail art kit might be the ideal
starting point.
You can buy nail art kits from some of the biggest retailers.
Nail designs or nail art Tutorials:
If you want to avoid the cost of nail salons or are just feeling brave there is a massive
amount of tutorials and guides for all sorts of nail
designs or Nail Polish on the internet.
You can easily do a quick Google and YouTube search for a whole host of other resources.
What You Need
In order to get the desired designs or art and you aren't going to a nail salon, you'll
need the best tools and supplies.
One of the most basic tools for any budding nail artist are brushes.
A set of brushes can be picked up from most places like Amazon for very cheap.
Nail files are also important and you will likely need more than
one.
Your design ideas and what techniques they will require plays a large part in the tools
you might find yourself needing.
Nail stamps and dotting tools may be necessary to create specific designs.
These are just a few of a wide range of tools available for nail designs and art.
Depending on the type of design or pattern you are trying to achieve
you will require specific tools that will enable you to create those specific designs.
Nail Designs
Once you've decided to create your own nail art or Nail Polish , and you've got all the
tools you need to do so, you'll need to decide on a design or Nail Polish .
The range of options available to you is huge and with time you'll
become more familiar with different accessories that can be used
to improve or enhance your nail designs.
Inspiration
There are lots of resources for finding nail design inspiration.
Various nail art books on can be found online that will cater for the nail designs or Nail
Polish you're looking for or level of skill you currently
have.
Alternatively you could attend a class at your local nail salon to get the basics first
or find inspiration from them, not to mention vastly
improving your ability.
And of course the internet is a treasure-trove of information and ideas.
A quick search will find you an endless supply of design ideas and nail art.
The important thing to remember about nail designs and nail nail art is to be creative,
express yourself, and most importantly - have fun!
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How To Record Youtube Videos - Film Day - Duration: 9:26.
Dude are you pumped?
It's Film day!
Day 14 guys.
We're diving right in, we're getting the camera's rolling, what are you going to do, what do
you need to think about to get prepared.
Dude this is so exciting, up to this point, you've done everything that you need really
to get this video pumped out the door.
But one of the things that we're really going to talk about is how are you going to produce
it?
Like, how are you going to film it?
Are you going to film it on your own, are you going to film it with your friend.
We've talked about the equipment but now we have to say, "great!
How are you going to hold it?
How are you going to frame it and what kind of energy are you going to bring in?"
$ main things we're going to talk about today is we're going to talk a bout filming yourself,
selfie style, that's very popular these days.
Tripod, that's another solo method of making your own videos.
The third way we'll be together with a friend or somebody else that come in and film you
and the fourth we'll be using some professional equipment like a Gimbal.
Awesome.
So just a couple of things, right out of the gate, please listen really hard on this.
Don't film videos like this.
Always, like this.
Keep it horizontal.
I know it's something that you have ever want to tell your teenagers but to the YouTubers
and creators out there, keep it horizontal.
This is filming in 4k either way.
You don't need a 4k vertical video.
Ir's just not going to serve anybody.
Yeah.
You know with YouTube especially, the videos are designed to be watched in this aspect
ratio.
Now, if you do film it this way, you're just going to get really cool big black rectangles
to each side of your videos and it's going to frame you to be a whole lot smaller.
They're going to see a whole lot less of you and you know, unless you're Will Smith and
crazy popular and can actually get away from it.
They don't actually really like it.
Yeah.
It might work really well for platforms like YouTube or Twitter or what's the other one?
Instagram.
It might work well for platform like Facebook, where people are scrolling through their phones
watching because it takes more on this screen.
But for YouTube, people are going to typically watching you know horizontally.
If you;re doing a selfie style, couple of things to make sure if when you do hold it,
don't cut of your eyes, don't cut off your forehead and then don't have it just looking
at your body.
Try to put your face right in the middle of the screen and see if you can keep it there
the entire time so if you're moving around, you just learn how to keep you on the frame.
Also be careful of shaky hand.
If you're doing some of the videos.
And some people might love what you're saying but they're going to hop off because they
don't like that action.
And pay attention to where your eyes are looking.
Don't be looking at yourself on the screen because the viewer is looking at your eyes,
looking somewhere else.
You know they see you looking somewhere else.
They're trying to engage with you.
They are eyeballs or actually looking at you through that little lens right there.
So when you're filming your video, as if you're looking at them and create much better experience.
We know you;re handsome , we know you're beautiful, but guess what?
This isn't like you're check yourself in the mirror time.
This communicate with your pips.
Exactly.
You're not looking at yourself, you're looking at your people, okay?
Now, cool.
So, using a tripod is the next option.
If you're using canon ADD, ADD of if you're using A6500.
Some of those are nice camera you're going to mount them on a tripod and get a nice steady
shot.
Same thing.
You can get a really cheap tripod for smart phone.
If you want to have just a still lens so it's all framed out and you can see yourself.
One of the things I do want to make sure is that if you are filming yourself and you don't
have a buddy helping you, you got to know, I would actually recommend on the ground,
were you're at actually testing how far left can I walk, how far right, how high can I
jump, how low before I actually move out of the frame.
because if you're by yourself and you put all this working and you get post production
to actually get into editing, you're like, "dude, you weirdo!"
You're not even on the shot anymore.
So, be aware of that.
If you jump on amazon for about $10, you can get a bendy tripods for your phone too.
They have little clips and will clip right over your phone and then the feet you can
bend them and wrap them around railings or tree branches.
You take them outside and set them up.
They're very versatile.
And if you have a tripod, you can have the feet around the tripod as well.
I mean if you're filming everything with your phone, there's no reason not to.
There's a lot of tool out there to help you do that.
Selfie sticks, same kid of thing.
Just you know put a little bit more of your body and focus.
Now, you can do all your filming entirely by yourself if you want but sometimes it's
convenient if you get a buddy or friend because selfie, your arm only extends so far, selfie
sticks only extends so far.
And what you're trying to focus on what you;re saying, you're always have to be..You're the
one that's actually duly playing the role of making sure you're framed in, and that
you;re not moving too fast or that you're not getting it shaky.
Sometimes it make sense to have a friend.
Someone like Nate.
Nate, say ho to the camera.
So you know, Nate for example, he's your behind the camera making sure that he's going to
move the camera, that he's going to follow us.
If he wants to keep it really steady, keeps us framed in really well.
He's watching out for all of those things.
He's also looking at the lighting and making sure that if I move to the left, that if I
step out of the shot or the lighting got weird, he could say something.
When you're in production mode, there's a lot of things that you won't find out until
post production.
Unless you're really aware of the process so sometimes having a friend can help out.
And the other thing that friend can do is actually hand hold the camera.
In this case we're using a tripod so it's a locked up shot.
Means it's not moving.
Sometimes that can be very boring.
A locked up shot can make a video very long.
We hope you're not bored right now because this is a locked up shot.
This is a locked up shot which is good on purpose but if you sometimes handhold the
shot, it give's a little bit of motion but it makes people work a little bit harder to
watch, you don't want a super shaky shot.
But sometimes just a little bit motion actually engages and takes something that would have
felt it normally and makes it quite a little bit quicker.
Yeah.
Which really brings us to the fourth option because if you're actually holding the camera,
guess what they can do, they can follow you around.
You can get mobile, you can go indoors, outdoors.
Consider your lighting when you are on the move but basically that just give you the
ability to pace and move around.
And like Grant said, it'll make the video more interesting.
So you got 4 really different options that we talked about today as far as how are you
really going to produce this, so you got to make sure you're camera's rolling, you got
to make sure your audio on then you got to make sure you're set up production going with
lighting.
But once you have all of that, there's one final thing we really got to jam on today.
And that's the energy that you bring into the videos.
The energy that you bring is so key to the video that you produce and I want to be really
clear for just a moment here that I have the ability to break massive amounts of authentic
energy with the accent that wasn't even mine.
But that is very entertaining, right?
That is very energetic.
Or without any energy or like literally if I just ran into you and I as talking the camera
the way I talk to you it's like, " so how's your weekend man?"
Yeah that was alright.
"Dude, how's Janea and kids?"
Doing alright.
Got to treat them all?Yeah.
It's good man, it's good.
If you were to talk with your normal voice to the people in YouTube, it would be really
boring and people just click off.
So we want you to be authentic but you have got to put energy into what you are doing
and that's the one thing that you control.
So, just be very aware of like actually shoot some video of yourself and then go back and
watch it be like..
First of all, no one wants like hearing yourself in camera when you're actually brand new at
the deal, some of..
Your voice sounds different to you.
Yeah you watch yourself like, "the parts are the wrong side of the head, it's suppose to
be on this side and it's like, everything is reversed backwards and it's a little weird
at first but I think it's a good idea to show some of that initial footage to some people
and get a chance.
Part of this personal brand is play with who you want to be.
And there's a part of my nature that's very naturally introvert.
And I remember one time ago.
Yeah, I know but when I get on stage, when I start interacting with people.
I start networking or doing business, I learned that being introvert or shy or hold back,
it's not really conducive strategy for you know the objective that I'm going for.
I just want you to know that no matter what you decided about yourself or your personality
or who you are.
I want you to know that everyone that approaches us, you're like 99 % of people I've believed
getting in the game.
You're going to show up shyer than you would act than you really should.
You're going to show up more reserved than you should.
So let yourself develop this personality.
This how do I take my natural who I am and infuse some energy that bumps up the game
so that I can actually get used to actually in communicating with you in the manner that
really connects with you.
Years ago, I spent millions of dollars on radio and what I did, like I would go to the
studio and they're like, "Kris understand, they can't see you.
So we need you to be projecting and playing with your voice at a whole new level.
And I kid you not I get in the studio and by the end, there were only satisfied and
say, "Alright, everybody, we're going to be talking about..." and it sounded wild but
when you actually heard on the radio, it was like, " that was still under par compared
to what their doing on radio."
Well dude, we're getting here on video, of course we want to get your authentic, natural
self.
You got to have to amplify that energy so that they can really feel you and connect
and engage with you.
Yeah, and that's really something I know it's about myself is whatever energy level you
think you're doing, when it comes through on video, it way, way, way less.
So it's actually an amazing self critiquing process.
So you have to feel like you're on stage doing a presentation just for the video to see normal.
Which could be weird if you have no audience.
It's like i'ts going to be me and the piece of equipment and hot the record button.
It's like, "waaaaah!".
That's right, but that's it in a nutshell.
Bring the energy and it's going to come through time.
You know, you're going to practice, you're going to see how it looks in the final product
and you're going to make tweaks.
Just get started.
Don't wait.
Just go.
Guys, your homework assignment for today is to go ahead and make your video.
Wooh!
Oh my gosh this is exciting!
It doesn't have to be your best, don't caught up in the details.
Do your best to get through some of the things that we've talked about and go back review.
This is self critiquing experience that's really for your benefit.
So go do it.
Don't wait, just go do it.
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Coco Movie Miguel's Coloring Video for Kids - Duration: 3:10.
Coco Movie Miguel's Coloring Video for Kids
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Be a Game Changer Web Video with Sam Wyche - Duration: 1:31.
My name is Sam Wyche.
I've been a football player, an assistant coach,
a head coach, and a broadcaster for over 30 years.
About year ago, at age 71, I received a heart transplant.
When I went in the hospital, the doctors told me
I had less than a week to live.
My life was saved on the last day
that I was supposed to be on this planet.
And now I know what a miracle feels like.
Someone saved my life.
I don't know who that person was.
They changed my outlook on life,
they changed my appreciation of every second of every day.
After the transplant was over and I came to,
I realized that I had a new mission in life,
and that was that I wanted to encourage others
to be an organ, eye, and tissue donor.
Having a new heart's given me time
to spend more time with my loved ones,
spend more time traveling to see them play ball
and watching them grow up,
and also talking to other people
about being donors themselves.
The most common thing I hear when I ask people
why they haven't signed up is,
I don't know, I just haven't thought about it.
Well, why don't you think about it?
Think about the life you might save
or the life you might enhance.
People tell me all the time, I'm too old.
You're never too old to sign up.
Over 130 million people have already signed up
to be an organ and tissue donor.
Men, women, young, old, and you can be a part of that.
You can be the hero, you can save somebody's life.
My name is Sam Wyche, and my second chance of life
was made possible by an organ donor.
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'80s Video Game Music and the Power of Chiptune - Duration: 8:12.
During the golden age of video game arcades, chip-tune, or 8-bit music, became a staple
of gaming culture.
The peak of chip-tune took place in the 1980s, with people around the world humming their
favorite video game tunes in their heads as they forked over all of their change to play
at their favorite arcades.
Before the days of orchestral soundtracks and AAA budgets, 8-bit was king.
8-bit music is named after the 8-bit sound processors that were used by the consoles
of the day, like the Commodore 64 or Atari 2600.
What makes it so interesting is that 8-bit songs were made by the computers themselves,
rather than recording a song and placing it into the game.
The result was some of the quirkiest and most memorable synthesized electronic music ever
made, even though the computer chips used were only able to use a few different sounds
and could only play a handful of notes at once.
This was also before the days of huge AAA dev teams so the small group of programmers
that were in charge of making the game had to pull double duty and create the music for
their games too.
Considering how limited 8-bit was in terms of technology and staffing, it's pretty
amazing to consider how iconic it became.
8-bit tunes are beautifully simplistic, in that they don't include a mind-boggling
number of sounds or complex organization.
Most video game songs of the 80's were so catchy because they were repetitive.
Players heard the same thing over and over again because space was devoted to the actual
game itself instead of the music.
The result was hundreds of earworms that invaded arcades across the world and left gamers with
unforgettable songs in their heads that made them fall in love more deeply with the games
they played.
Another mark of chiptune is speed.
You will be hard-pressed to find an 8-bit song from an 80s game that plays at anything
lower than 100 beats per minute.
That's okay though, because it was before the age of cinematics and most games were
built around a fast-paced gameplay loop rather than elaborate cut scenes.
Space Invaders, Pacman, and the like all revolved around twitchy movements and quick thinking,
so the uber-fast songs that accompanied them were a perfect fit.
Overall, 8-bit songs were a result of technological constraints but it somehow worked.
The simplistic nature, high speed, and high-energy pitch of video game songs turned into a cultural
phenomenon and it's amazing to think such basic music laid the foundation for the popularity
of the genre today.
(Show Hotline Miami) Taking modern songs and applying the 8-bit affect to them is one of
the trendiest and quirkiest things that many YouTubers and artists do until this day and
it can't be understated how important the music was to the growth of gaming as a whole.
Indie games still keep the retro vibe alive by employing 8-bit stylings to their soundtracks
and many devs still rely on the small-work high-reward opportunity that 8-bit offers.
Jack Good, one of the senior artists at Bossa Studios still finds inspiration in retro gaming
music.
He stated that "I find listening to songs from games love gets me pumped about what
I'm working on," "A possible reason is just the tempo of 8-bit soundtracks is really
nice to work to.
As they tend to have to loop and don't have a sense of what the player is doing at any
one moment, they usually have a similar energy level throughout and can't crescendo.
"It kind of keeps you on the edge of your seat, and I find this keeps me focused on
whatever I'm working on."
It's quite clear that 8-bit music's impact is still felt in the gaming community but
let's place it within the broader context of the evolution of video game music.
In the fist video of this series I discussed how much video game soundtracks have grown
as a genre and how it is finding its way into the orchestral season with the inclusion of
Uematsu's work in symphony halls around the world.
Well, that wouldn't have been possible without the groundwork that was produced by chiptune
a few decades ago.
John Wall, music composer of splinter cell, mass effect, and call of duty fame, traces
his current work back to his love for the music he heard growing up in the 80s.
He says that "Playing all those arcade games, I never even paid attention to the music,
It just sounded like sounds to me.
However, you know all the tunes.
It's so funny.
The bleeps and bloops, they kind of invade your brain."
For Wall, the music was a part of the experience.
Games didn't take themselves too seriously during those days but without him experiencing
the music and games that he did while he was younger, he likely never would have crafted
the masterpieces that he did with the soundtracks he later produced.
It was chiptune that planted the seed.
Another interesting thing to consider about 8-bit music is its psychological effect on
gamers.
Nowadays its pretty obvious that music is supposed to change our response to what we're
playing.
Just consider all of the trailers that you watched at this year's e3.
They're mostly cinematic experiences that overly-dramatic and use over-the-top music
to make their games feel like some video game equivalent of a Michael Bay film.
Surprisingly, video game music of the 1980s had a similar effect.
According to Video game composer Tommy Tallarico, "If you remember in Space Invaders, you know,
as the ships started to come down, the aliens, and as they got closer and closer, the sound
got faster and faster.
Now, what the game programmers did was that they took the person's heart rate, and as
they're getting closer and closer, people would start to panic.
Now they'd do the same studies without the sound, and the people wouldn't panic as much.
And it goes to show and prove how significant audio and music are."
What Tallarico shows us is that retro video game music, while being limited by hardware,
was still a huge part of making players *feel* something.
This is an underappreciated aspect of 8-bit songs that are normally just thought of as
a silly happy-go-lucky melody to hmmm along to while you shot lasers at something or jumped
on a koopa troopa.
Something about the excitement of chiptune and the style that it created was enjoyable,
and people were absorbed in the games they played because of it, whether they knew it
or not.
Chiptune wasn't just a presence in the 80s though.
It lived on and influenced music that followed it for many years.
One example is comes in the form of the timbaland plagiarism controversy.
The 2007 pop song "Do It" by Nelly Furtado actually features elements plagiarized from
a song called "Acidjazzed Evening", which is a track composed by a Finnish chiptune
artist.
Timbaland, the song's producer, admitted to "sampling" the artist's work, but did not
believe his usage constituted "stealing."
He even called the allegations "ridiculous".
Although users had noted the similarities between the two tracks on Finnish demoscene
forums a few months prior, the Timbaland plagiarism controversy only attracted mainstream attention
in January 2007, when internet users posted videos to YouTube going after Timbaland for
his plagiarism.
There was also a rap song made during the early 2000s by the cocoa brovaz that used
the Mario soundtrack, but before you rush to the defense of your favorite denim clad
plumbers consider this…
The underworld theme from Super Mario Bros. is actually taken directly from a 1979 song
called "Lets not talk about it."
The roots of chiptune run deep and far.
The legend of Zelda, Mario, final fantasy, metal gear, Metroid, and countless others
all have incredible 8-bit soundtracks and it's always fun to go back and enjoy the
nostalgia but it's important to understand the role of 8-bit in the evolution of video
game music history.
Game developers were to able to do so much with so very little to work with.
Their hardware wasn't capable of creating complicated music or orchestral renditions,
so they took something simple and made it incredible.
Without the ingenuity and creativity of the teams that incorporated 8-bit into their work,
gaming might not have even became as popular as it did or it might have taken several more
years for it to become a part of popular culture.
The golden age of arcades was due, in large part, to the music that accompanied all of
our beloved retro games, so let's take a step back to truly appreciate chiptune and
the path that it paved for our favorite pastime.
This video is part of my larger series about the evolution of video game soundtracks.
If you're interested be sure to watch the first video in the series that discusses the
current state of the genre and if you want to see more then be on the lookout for my
next video that will focus on music of the 90s and the transition to modern soundtracks.
If you liked this video be sure to share it and as always…
I'll see you guys on the next one.
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2a video lezione - Duration: 22:37.
For more infomation >> 2a video lezione - Duration: 22:37. -------------------------------------------
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