Thứ Năm, 4 tháng 5, 2017

Waching daily May 4 2017

Rick: Hey, I'm Rick Hess, director of education policy studies here at AEI.

Delighted today to have a conversation with my long time friend and colleague, Checker

Finn, about the Every Student Succeeds Act, about school reform, and about places where

school reformers maybe have sometimes stumbled and can do better.

Checker: Well, how long do we have?

Those are big topics.

Rick: Big question.

You know, Checker, let's start with Every Student Succeeds Act.

You've been involved in these questions and these challenges, really, I think you were

you in...were you in graduate school or close to it?

Checker: I was a senior in college when Lyndon Johnson proposed the Elementary and Secondary

Education Act and it inspired me.

It arguably shaped my career direction.

Rick: Now, that's either inspiring or disheartening, a piece of federal...

What about that spoke to you?

What was so significant about it?

Checker: At age 21 or so, I was...I wanted to save the world.

I was a social reformer.

I wanted to end misery, end poverty, end illiteracy, and ignorance.

And Johnson said that better education for poor kids would end poverty, and that struck

me as a very good thing to be part of.

Besides that, I didn't wanna join my father's law firm.

Rick: So when you got inspired, what did you do back in '65?

Checker: Well, two things.

One is I enrolled in the Graduate School of Education immediately, into what became a

MIT program and then a doctorate in education policy.

And the other thing was I started volunteering in the war on poverty in as it happened, Cambridge,

Massachusetts, attempting to help the Community Action Program get organized in the community,

which is another long story, not a lot to do with education, but it was pretty frustrating.

Rick: So, I mean...so from that vantage point, so we have 50 years after the passage of ESEA.

We just saw, you know, President Obama sign the Every Student Succeeds Act.

What are the big similarities or differences as far as these two landmark pieces of legislation?

Checker: Well of course, Every Student Succeeds is about the, I think, seventh iteration of

the Elementary Secondary Education Act, No Child Left Behind, having been the previous

one.

And so there been about 7, and they've every 5, or 6, or 7, or 8, or in this case, 14 years,

Congress gets around to updating it and trying to fix what went wrong the last time around.

So this was a big fix because the last time around we had a whole lot of federal government

dictated requirements laid on states and districts, and that produced not very good results and

a lotta backlash, and a lot of other things contributed to the backlash.

And so Every Student Succeeds is in significant part moving the pendulum back toward where

it was about 20 years ago, which is to give states more say over how they're gonna educate

their disadvantaged kids and a bunch of other things that the federal government had edged

into using NCLB/ESEA as its lever.

Rick: You know, NCLB, No Child Left Behind is hugely unpopular.

Well, what was usually unpopular two years ago?

Checker: Somebody called it a tainted brand, I believe.

Rick: But back in 2001, right, it had close to 400 votes in the House of Representatives.

It had 90 votes in the Senate just like with the SSA, it seemed hugely popular at the time...

Checker: It was, at the time.

Rick: What did NCLB get wrong and how come we didn't see it when it was getting 'em wrong?

Checker: Every single iteration of ESEA has had a somewhat similar history, has been popular

at the time, and didn't get everything right, and led to unintended consequences, and lead

to need for further mid-course corrections, or in this case, some rollbacks, and further

tweaks, and incidentally, additional regulations in other spheres because the political compromises

that have dictated every one of these cycles have included some give and some take from

left and right between sorta state and local freedom, and parent choice on the one hand,

and federal government knows best on the other hand.

But keep in mind as well that the scope of this law has widened from a 30 page statute

in 1965 to about 1,000 today, and it swept up into it all kinds of things that were never

there at the beginning.

I mean, education for English Language Learners, for example, has been added to the elementary

secondary education, and scads of little programs intended to promote this reform, or alter

that behavior, or so forth.

So every one of these has produced unhappiness as well as happiness left and right, and has

produced unintended consequences big time.

I mean, I think the best known example from NCLB was its solemn declaration that every

child in America would be proficient in reading and math by the year 2014.

That was understandable at the time, okay, and produced all kinds of negative consequences.

And ESSA has to some extent, tried to undo those negatives.

Rick: Now, let's talk about the...and it says in 2001, Congress said 100% of kids will be

proficiency in reading and math by 2014.

Well, we talk a lot about moonshots in education and...what's the, I guess, the upside of that's

obvious, "Hey, it's good.

We want all our children to learn."

Checker: High expectations for everybody.

Rick: So what are the downsides and why do we wind up in this funny place?

Checker: Well in that case, I think there were two big downsides.

One was most educators immediately dismissed it as a pipe dream up high in the sky.

We know our kids, 100% of them are not going to be proficient by any reasonable definition

of proficient, by anything like 2014.

So the first was educators said, "Pa, [SP] we can ignore this.

It's not gonna happen."

The other was that States policymakers elected officials wanting to maximize the number of

kids who are deemed to be proficient, tended to define proficiency down and set a low bar

so that more kids would be over it.

Well, politically understandable, but if your big macro problem is kids achieving not enough,

to lower the bar that they have to clear in the name of getting more of them over it is

an unintended consequence that I think is indeed negative.

Rick: So if educators said, "Pa, this isn't serious," how come it's felt like NCLB had

such an impact on school practice?

[inaudible 00:06:35] so much complaint about overtesting?

Checker: Because it hinged everything on test scores and in just two subjects, and it judged

schools according to how many kids basically passed those tests every year in those two

subjects.

That led to a lot of emphasis on test prep and it led to a fair amount of neglect of

other subjects.

And so it both narrowed the curriculum and caused, I'm gonna say, less imaginative teachers

to...and teachers with tougher kids to teach to use more and more of the year just getting

'em ready for the test.

And the tests at that time weren't very good either, so getting 'em ready meant a lotta

drill and kill.

Rick: So how...from where you sit, how does the Every Student Succeeds Act try to improve

upon or fix the things that we may have got wrong in NCLB?

Checker: Mostly by saying, "States, it's up to you.

You define how many kids are gonna be proficient.

You define proficiency.

You define what's the deadline, the timeline for all of this happening, and you figure

out how to do it.

Yes, you'll still have to test every year, and the tests will still have to be in reading

and math, but we're not gonna tell you how many kids have to pass them, and we're not

gonna tell you...we just tell you have to set goals and you have to be measured against

your own goals."

Rick: Now, you're currently vice president of the Maryland State Board of Educations.

Checker: Yes, this is my punishment for having lived this long.

Rick: So you were busy trying to help Maryland transition to these new set of norms and rules.

As...you know, I think many observers say, "Well gosh, can we trust the states to do

this well?

Are state's gonna make sure that every child is actually learning?"

Isn't this why we need Washington to keep a firmer hand?

How are your experiences?

What have been your thinking on that?

Checker: Telling bit of information arose just the other day at a state board meeting,

when we were presented the results of a wide-ranging survey around the state, in which so-called

stakeholders, educators, parents, and others were asked, "Do you believe that 100% proficiency

should be the state's goal?"

And the overwhelming majority said, "No."

And then they asked, "So, if we had to set a percentage of proficient, what should be

the state's goal?"

And the range was basically from 65% to 75% of kids, which is to say apparently the majority

Marylanders participating in this survey would be satisfied if two-thirds or three-quarters

of the kids in Maryland were proficient by some unknown date in the future.

Well, that's problematic in various ways.

If you believe that all kids can learn, that all kids should be held to a high standard,

that everybody should go to college, and a lotta groups do, a lotta people do, then you're

gonna say the stakeholders in Maryland are benighted troglodytes who think that a quarter

of the kids should be dispensed with.

Well, or are they realists who know that pie in the sky isn't...can ever be pie on the

table?

I don't know.

This is something that the state board is struggling with, the bureaucracy is struggling

with, and we are in the middle of trying to figure out the ESSA plan for Maryland.

Rick: Did ESSA get the balance right?

Did ESSA go too far in pushing power to the states, did it not go far enough?

Checker: Well I hear that Rick Hess and a colleague have recently published a book that

is devoted entirely, almost, to this question, of probing ESSA for its strengths and its

weaknesses.

It's a very good book and it finds many strengths and many weaknesses in ESSA, some unexpected

constraints that are there on states.

The Maryland State Board just stumbled upon one the other day that we hadn't known was

there.

But also a lotta freedom which incidentally states often find scary, means they suddenly

are in charge of how many kids should be proficient, and how do we explain that to the voters,

and the interest groups, and the factions, and so forth, that are gonna accuse us of

a civil rights violation, for example, if we don't say 100%?

Rick: You know, in the aforementioned book, you wrote a remarkable chapter talking about

these...the evolution of the ESEA over time...

Checker: And my love-hate relationship with it.

Rick: I think it might be interesting for viewers, this love-hate relationship.

Could you explain?

Checker: Well, in the chapter, I explain that in many cases, my heart and my head were going

in opposite directions.

My head was saying that such and such is not going to work and my heart was saying, "God,

I wish it would work."

And the upshot was that sometimes when they tighten the screws on...in the federal law,

I was saying, "Good, that'll make it work because it needs to work, because the kids

deserve it."

And they do.

My head was saying, "This is another exercise in big government futility and there is no

evidence that it's going to work."

And so I guess depending on whether my head was in charge or my heart was in charge on

Wednesday afternoon, would be...would define what I wrote about that particular iteration

of the Elementary and Secondary Education Act.

It was impossible, let me say, to reconcile what I think would be good for kids in America,

if it could happen, with my sense of, what can the federal government make happen?

Rick: And given that tension, are you...do you find yourself pretty much in the same

heart-head tension today that you were when No Child Left Behind was passed, or has it

changed?

Checker: My head has swollen and my heart has shrunk, which is to say I still do believe

that the country needs and would be better off if, but I've seen too many iterations

of unintended consequences of the big government overreached actually causing damage that it

didn't intend to cause.

And I wish I had greater confidence in the field doing right by all kids so that it didn't

need to be prodded by the feds, and measured by the feds, and reported to the feds.

But my head is now telling me that nobody can be entirely trusted, at least in the traditional

system to do right by kids, which is part of what's brought me more and more toward

alternatives to the traditional system and toward empowering parents, as in most cases,

the only ones who really care above all about their kids.

Rick: You know, you wrote a book 30 years ago, give or take, now called "We Must Take

Charge", and one of the themes was that parents and citizens needed to be more assertive when

it came to improving schools.

Over...I mean, over the course of your career, what are the things that stand out in your

mind as far as the shift in that question of empowering parents and the role that parents

play in driving these policies?

Checker: Well, the good news is that what we call school choice in its many forms has

become basically an accepted premise in American education, and we're now arguing about which

kinds of choices for how many kids, in which places, under which rules.

But we no longer take for granted as we did when I was a kid in school in Ohio in the

'50s, that you go to your assigned neighborhood district-operated school, unless you're Catholic

or very rich, which were the only two real exceptions in those days.

Today we kinda take for granted as a society that the government doesn't have the right

to assign you to a school, that your parents should be able to choose schools, and now

we worry about, are the schools they're choosing any good?

Are they...to whom are they accountable?

For what should this range of schools be?

Include private schools, virtual schools, homes schools, other kinds of schools.

So we argue a lot about the fine print, but I think the concept of parent empowerment

to make some choices for their kids is pretty widespread now.

Hey everyone! Thanks for watching part number one of this series

on school reform from ESEA to ESSA.

If you enjoyed what you saw, remember to like the video or leave us a comment.

And if you want to see more, check out part number two.

For more infomation >> Education reform from ESEA to ESSA part 1 - Interview with Checker Finn | VIEWPOINT - Duration: 14:56.

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Taipei Teaser Trailer | World Class List - Duration: 0:31.

I don't think I saw a temple anywhere.

The first thing we did was come to your farm and taste, like, some of the freshest produce I've ever had. [laughs] Yeah.

We then go into the mountains and taste the freshest tea I've ever had.

Must have a tempo.

Yeah, yeah like a dance move. [laughing]

Then the snake blood comes out

and then it's like "Carey! Go for it!" [laughing in background]

For more infomation >> Taipei Teaser Trailer | World Class List - Duration: 0:31.

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Varmilo VA68Mg Magnesium Alloy Mechanical Keyboard - Unboxing & Review - Duration: 14:05.

For more infomation >> Varmilo VA68Mg Magnesium Alloy Mechanical Keyboard - Unboxing & Review - Duration: 14:05.

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ПРИНЦА ФИЛИППА ОШИБОЧНО "ПОХОРОНИЛИ" (04.05.2017) - Duration: 2:07.

For more infomation >> ПРИНЦА ФИЛИППА ОШИБОЧНО "ПОХОРОНИЛИ" (04.05.2017) - Duration: 2:07.

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FREE Aggressive Piano Rap beat Trap Instrumental Hip Hop Hard Dope 808 Trap beat 2017 - Duration: 2:58.

For more infomation >> FREE Aggressive Piano Rap beat Trap Instrumental Hip Hop Hard Dope 808 Trap beat 2017 - Duration: 2:58.

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May the 4th Be with You: Death Star-Inspired Pie | Food Network - Duration: 1:18.

♪♪

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♪♪

♪♪

♪♪

For more infomation >> May the 4th Be with You: Death Star-Inspired Pie | Food Network - Duration: 1:18.

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Thrash - Ojos de luto (Prod. Elm Beats) - Duration: 3:07.

For more infomation >> Thrash - Ojos de luto (Prod. Elm Beats) - Duration: 3:07.

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Trump Gives Paul Ryan Some BAD NEWS – This Is Getting UGLY - Duration: 2:02.

Trump Gives Paul Ryan Some BAD NEWS – This Is Getting UGLY

This week, Speaker of the House Paul Ryan sold out Donald Trump and every other Republican

when he put through a temporary budget that had Democrats cheering and conservatives furious.

Now, Trump is fighting back.

The new budge completely submits to Democrats by funding Planned Parenthood, Obamacare,

sanctuary cities and the EPA until at least November.

It also includes no money for the border wall, which Trump and his supporters want built

as soon as possible.

Afterwards, Trump broke his silence on Twitter to reveal what he really thinks about this

situation.

"The reason for the plan negotiated between the Republicans and Democrats is that we need

60 votes in the Senate which are not there!

We….either elect more Republican Senators in 2018 or change the rules now to 51%.

Our country needs a good 'shutdown' in September to fix mess!" Trump wrote.

Trump is absolutely right that our government needs a shut down!

If the members of the Republican establishment would actually listen to their constituents

for a minute, they would see that conservatives are firmly behind Trump and his budget.

SHARE this story if you are AGAINST Paul Ryan's budget!

For more infomation >> Trump Gives Paul Ryan Some BAD NEWS – This Is Getting UGLY - Duration: 2:02.

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MAINKAN INI DI PEMAKAMANKU - Duration: 0:54.

For more infomation >> MAINKAN INI DI PEMAKAMANKU - Duration: 0:54.

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اذا احد طلب اعلمه كوري | If anyone asked for Korean knowledge - Duration: 0:30.

For more infomation >> اذا احد طلب اعلمه كوري | If anyone asked for Korean knowledge - Duration: 0:30.

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BRUFOLI ADDIO : 3 RIMEDI naturali e veloci! Remove pimples naturally - Duration: 3:19.

Hi Everybody! Walcome to my channel!

today I'm going to show you How to get rid of pimples with 3 natural remedies

there are 3 different at home remedies that you can try and get rid of pimples and acne

You need 1 teaspoon of cinnamon and 1 teaspoon of honey

cinnamon and honey Reduce redness and irritation

you can do this once or twice a week

The second remedy is to use apple vinegar

1 teaspoon of apple vinegar,2 teaspoons of water 1 teaspoon of vitamin E

HE 3 REMEDY IS TO USE ALOE GEL WITH AN ESSENTIAL TEA TREE OIL DROP

For more infomation >> BRUFOLI ADDIO : 3 RIMEDI naturali e veloci! Remove pimples naturally - Duration: 3:19.

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ДРАКОНЬЕ КЛАДБИЩЕ!?? : Trine (часть 3) - Duration: 28:11.

For more infomation >> ДРАКОНЬЕ КЛАДБИЩЕ!?? : Trine (часть 3) - Duration: 28:11.

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Τεθωρακισμένο Smartphone! Ulefone Armor |Thes Unboxing Gr + Eng Subs - Duration: 9:33.

Welcome to another Thes Unboxing! I am John and behind the camera is Aliki

For anyone who is new here don't forget to subscribe and press the bell

So you get notifications when there is a new video

Today as you saw in the title we are going to show you an Ulefone Armor

which as you understand from its name it's a sturdy phone

Let's check the box

The box has a design like carbon with a shield at the top

Let's check what's inside the box

The phone

A quick guide in English

Another guide in English and some other languages like Italian, French etc.

The cable to charge your phone

Micro USB

A cable for the hands-free,

which looks like 3.5mm, but it's bigger than the normal

So we won't be able to use normal hands-free unless we use this cable

A screwdriver

A European type charger,

5v 1a

This is the Armor phone

This phone has certification ip68

What does that mean?

It's a way to measure water/dust resistance

Generally anything above ip65 is water resistant

This means that water can drop on it and it will be ok

But at ip65 you can't submerge it in water

This one is ip68

At ip66 and above it means you can put it in water, it's waterproof

This phone can go underwater up to 1.5m for 30 minutes

This is what Ulefone is saying and they have a certificate for that

The phone isn't very heavy

It weights around as much as a Caterpillar phone if anyone has ever held that one

But I think this one is a bit sturdier

On top, there is the power button

and a cap that you can remove with some effort

It's like that so it will be waterproof

Under the cap there is a Micro USB slot and the 3.5mm jack for the headphones

Which as you can see, is a little bit indented, hence why there's the cable, so you can connect your headphones

On the left side, there are the volume buttons

On the right, there is a dedicated button for the camera,

and a SOS button

If you press the SOS button for 5 seconds it will send our GPS coordinates as well as a SOS message

so someone can come and help us

They have this feature because it's designed to be very sturdy,

makes sense when you are hiking in the wilderness, climbing unfamiliar territory or something similar.

You can just press the SOS button and have someone come to help you

On the bottom of the screen, there are 3 buttons. Return, home, settings

On the bottom, it has a place which you can use to tie up the phone

On the back of the phone there is a camera which is 13mp,

a led flash, the speaker and a microphone

Everything is waterproof for up to 1.5m of water for 30 minutes

On the front there is a 5MP camera and a speaker, waterproof as well

Let's open it up so we can see where we put the sim cards, since it's dual sim dual standby

That's why it has a screw driver

Here it has rubber so water won't go inside

Here we can put 2 sim cards and a Micro-SD card

This phone can have 2 sim cards and a Mirco-SD at the same time

It has a 4.7inch screen HD resolution(1280x720)

3GB RAM, 8 Core Mediatech 6753 CPU clocked at 1.3gHz

It has 2 cameras, one 5mp front facing camera, and one 13 rear facing camera

It has GPS, Bluetooth, 4g, gorilla glass 3 which will protect it from hits

It's ip68 so it can withstand dust as well

It has Android Marshmallow 6.0, slightly modified

Battery is 3500mAh which with the Mediatech CPU, can last for a long time

All around the phone, it has rubber so it won't slide

On the back, it has a grained texture, made out of plastic So it won't slip off the hand

Let's test the camera as well

I am not that impressed by the camera, even though it's a lot clearer than most phones

For 13mp I was expecting something better

I expected better, since the conditions over here are optimal for taking photos

It costs around 200 euros

You can get it from electronicline.gr The link is in the description box below

This was the phone An Armored phone

We hope you liked it If you liked it don't forget to press Like and Share

We are going to see you in our next video Until then, Ciao!

For more infomation >> Τεθωρακισμένο Smartphone! Ulefone Armor |Thes Unboxing Gr + Eng Subs - Duration: 9:33.

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Creamy cheese chicken breast - Creativaincucina recipe - Duration: 1:15.

Cheese chicken breast cream

Add a pinch of salt to the flour

jumbled up

dip the slices of chicken breast in flour

Melt 25 g of butter

Put the chicken breast slices

cook a few minutes per side

Add half a glass of milk

Let it bake until the milk is absorbed

Lay a slice of cooked ham on each chicken slice

the melted cheese slices divided in half

For more infomation >> Creamy cheese chicken breast - Creativaincucina recipe - Duration: 1:15.

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Most likely to tag ♥ MiCely Belle - Duration: 9:11.

For more infomation >> Most likely to tag ♥ MiCely Belle - Duration: 9:11.

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Aprender as cores com carro e dinossauro | Video infantil | Carros desenhos | dinossauro desenho. - Duration: 17:09.

For more infomation >> Aprender as cores com carro e dinossauro | Video infantil | Carros desenhos | dinossauro desenho. - Duration: 17:09.

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ACTING LIKE TOURISTS IN PARIS ft. MY MOM ♥ - Angelina & Louvre - Duration: 5:38.

My mom came visit me during her holidays and because it was a very sunny day went to the Jardin des Tuileries in Paris to take a walk

As we were a little hungry so we decided to go eat in one of my favorite restaurant ever called " Angelina "

It is a very famous place amoung tourists due the luxurious aspect of the service and the place but it is actually not really expensive and it's cool because I am poor

As you may see I'm a big lover of " red fruits " so I took a raspberry ice cream with real blackberries & meringues

I also took a raspberry macaron

My mom took a hot chocolate and one lemon and chocolate cake and of course water

They also have a boulangerie pâtisseries corner

You can also buy chocolate cookies and all that kind of stuff

And actually my mom bought some

Because why not

After going to the disney store we actually walk again through all the Champs élysées

and here is my attempt to take some good images but i'm still not good with my camera

Last stop, as we were already acting like tourists we decided to get into the Ferris wheel

The view of Paris at sunset was really amazing

look at ma choose bra

and here ends the first day

Back to the Tuileries but this time we decided to go visit the Louvre

as a french person I actually went there once, so it was my second time there

Inside the Louvre you are able to see all kind of arts

it's really impressing because

all those things you have to study when you're in High School or in Middle School

and that you see all those paintings in your study book and you see them in real life

it is really amazing to me idk for you bur for me it's just really amazing idk

Those two weeks with my mom were really fun and I hope to be able to go to more places to film more

if you want me to go somewhere here in france just let me know in the comments !

And maybe when I will have money I'll go there

I hope you enjoyed this kinda vlog type of video !

See you soon

For more infomation >> ACTING LIKE TOURISTS IN PARIS ft. MY MOM ♥ - Angelina & Louvre - Duration: 5:38.

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Conceptual Photographer Jason McGroarty Part 1: Out of the Darkroom with Ruth Medjber - Duration: 9:08.

Hello and welcome

to Out of the Darkroom

on AdoramaTV.

I'm Ruth Medjber

and joining me on today's show

is conceptual photographer

Jason McGroarty.

Jason thank you so much

for coming on

the show today. You're welcome

I'm really sad you

didn't bring your cat though,

I know yeah well

she's too sick,

she can't travel you see.

Awe.

Tell me a little bit

about Hummus will you?

Well we got Hummus when she was quite

young she was a kitten and then she

started to get really unhealthy,

she started to get really skinny

and so we brought

her to the vet

and found out that

she had feline leukemia

which is fine, it's manageable

it's grand, you know, she's up now she

might get lucky, she's a bit sick

at the minute

and so we started taking care of her.

Looking after she's got a little bit

chubby, she got a little bit skinny

and has been

this constant revolve ever since.

Awe, so you're just looking

after her.

People watching the show might be

like why are they talking about his cat

on a photography show,

but it's because you do this really,

amazing series of photographs

of your cat.

I do, yes.

I had done, I'd dabbled in fashion photography,

and I really kind of struggled,

I don't really take photos of people quite well

you know it was an area

that I struggled with

and I'm the worst, at like,

interacting with people,

so I decided, I came back

I had done about three or four different

photo shoots at one stage

and I came back I was exhausted.

I put my gear down

and my partner at the time, was like,

there's got to be a better way, you know

if you want to just

develop your portfolio?

and out walked Hummus

and so we decided right,

we'll give it a whirl

so I threw up like

this old backdrop

on top of my

kitchen counter

threw up a couple of little

pieces ripped apart an old shirt

and threw it around her

and decided then

we'll take some portraits.

So we got like bold lighting,

set it up, took a few photos of her.

They're terrible photographs

but that was the foundation.

The magic was created

Yes that was it.

So we used like these old

hippie rags that we'd thrown on her

and we put like a little bead

on top of her head

and she's just sat there

the whole time.

But how did you get your cat to sit

still for a picture?

Copious amounts of treats.

Is it? Is it treats or like cat nap?

Yes ,she's chill anyway

because like I said with leukemia

she's always at the vets.

She's the best cat.

She'll sit there no problem

at the vets.

Chill out, and then once,

we actually,

it's gotten to a stage now

where I'll set up the studio

and you'll hear,

she'll come running out

and she'll jump up.

She knows? Yeah.

See I didn't realize that you

you started off

doing fashion photography.

Were you, did you study photography

or is it something that you were

self-taught and fell into yourself?

Yeah, I kind of,

beforehand when I was younger

I used to dabble around in like ink

and stencil work

and yeah loads of

different forms of art,

and I went for a very brief

amount of time to college

to do art design in Londonderry.

Two days. Yeah,

and it was kind of,

they handed me a camera

for my first module

and I took a few photos

and was like, yep, perfect.

This is great.

That's all I need.

Yes I think I'll take a run at it myself

and so I dropped out, I was like

mwaa, you know "formal education"

jumped into it

and I had no camera I started off

with absolutely nothing.

It's a good start.

Yeah and a friend

asked me to do a portrait

and I went down took a portrait

and then as a consequence

I got a lend of this old

you know the Nikon F4 series?

Yes

Which was like the foundation

for the modern SLR

that we have now

and I started playing around on that

it was a clunky thing, it was horrible

and it was work. I love it. Really?

Yeah I do. It's so noisy.

Yeah, it's magic

with like purple film

and things and so I went

and I would go out at night

because I was working at the time.

I'd go out at night with a notebook, you know,

write down stats; blah blah blah.

Write it all down

and come back develop them

check them out and then I got way

to into it and then I got a camera

for my birthday

and haven't looked back since

So it's not just Hummus the amazing

cat that you shoot,

you also do some

pretty cool Fine Art series like really

conceptual stuff right?

Yeah.

Tell us a little bit

about the Totem series if you will?

Yeah, Totem, I mean I've always,

I'm from Donegal

it's saturated in nature

and wildlife,

and a lot of my work

is based around like nature and wildlife.

You wouldn't see a lot of people

in my work,

that's why I like it

and it was

kind of based around the idea

that the wildlife

is starting to breach

the barriers of the city

and so I decided

yeah, I must do a project

to kind of,

create that awareness.

And what a project you did,

I mean some really amazing

characters in there

Yeah. I need to know.

I need to know how it's done?

The fox is not brought

into a casino, yeah

everyone wants to know is it brought

into the casino?

It's impossible even trying to get a photo

in a casino.

So it's not like a dead fox

taxidermy or anything?

Its wildlife photography

so it's like a three step process

and trying to get as much right as

I can possibly get right in camera

at the time so that it minimizes

the amount of Photoshop

that I do afterwards.

So I would take the shots

of the casino first.

I would know

all the main lighting sources.

So from the slot machine is the

main source of light

and then I would wait

and there's, my grandfather feeds

wild fox

at his home. Handy. Yeah

There's foxes everywhere

up in that part of the town,

So I sat waited for the sunlight to be

at the right angle

snap took about 10 - 15 shots

and then went back to the same

place made a 3D representatives

of the fox, out of like clothes

just anything to mimic the form.

So you get the shadow then is it?

Yeah. Wow okay.

and I'd slice the three

together so it's there's no heavy, heavy

Photoshop it's just a nice net,

going together,

three images,

sliced together

and it makes the image then.

Are all the animals

in that series then,

are they are they

all your own photographs?

Yeah, yeah they're shot in different

locations I mean,

I would shoot

ones in Donegal,

others maybe in a zoo

because there's no

bears roaming around.

Yeah.

You're not exactly going

to see a Russian bear

standing around.

Wildlife Russian bear

coming up the streets

of Donegal.

Where did you photograph the owl?

They would be in,

like different sanctuaries.

and things so yeah.

So you go and visit sanctuaries?

Yeah, I mean there's falconry

and everything up in Donegal,

so it's easy to find someone.

At the moment I'm working

on a couple of different projects

where I've come back

to the house

and there has been dead animals

all over my house,

you know from, I've gutted fish

you know. Ohh!

Catching fish and sourcing them.

For a photo project?

Yeah and I would eat them afterwards

it's all ethically done.

But you have a series

A Place To Go, Please

Yeah. Right?

And that's just,

you've created these fantastical

worlds, that are so,

it's so cool to look at you know

obviously completely fake,

because you put a whole world

in a teacup or in a coffee cup

or in,

you know you've put Moscow

into a shot glass

and things like that. Yes. It's just,

it's really fantastical

that must be so much

fun to just create right?

Yeah, yeah

absolutely I think the biggest

thing that makes them network

together and makes it,

if you see,

an image that has been Photoshopped

and you say that's

Photoshopped straight away.

The biggest giveaway

is the lighting,

you know

if the lighting doesn't make sense

and it's never going

to blend well so just getting your

lighting, everything right is fantastic

and for A Place to Go series

because outside photography

it's like a natural

soft box in Ireland anyway as well,

so taking any image is going to slice

together pretty easily with it

so I had ended up putting them in,

I wanted to sum up

in A Place to Go,

I wanted to sum up essentially

the whole city into one drink

and the most associated drink that

I have ever come across,

do you know, which was

London in a teacup,

you know and what did

we get we get?

We got a pint. Yeah.

I know, I'm sorry.

They're really cool. Yeah, just

removes you away

because I mean you've been

adopted.

Let us just use

that word adopted by the Fine Art

Photography community right?

I have yeah

and they've taken you as one of your own

and gone we love him. Yeah.

I don't know how

I got into it really,

it was an amalgamation

of different events

I started doing a couple

of different exhibitions

I'd done one solo exhibition

and thought great, you know

I love doing the

whole exhibition side of things.

Yeah I can see

because you're like your resume

online is just like, whoa exhibitions,

Yeah,

it went, it skyrocketed over the past

couple of years

and then I started

applying for, people told me I should

apply for maybe like at an arts grant

or an awards, send my name

in for a competition

and I started getting

notoriety from that.

I got Fine Art Photographer of the year,

Conceptual Photographer the year,

those guys would

contact me say hey

do you want to do an exhibition?

You know, it would be nice

to see your work on the wall

I said yep absolutely let's do it

and then from there on it just

kind of snowballed, and it went crazy, yeah

Brilliant so is that something that you'd

recommend then so like people watching

this and want to get into more of the

Art side of the world of Fine Art

Photography is to get into it by

applying for awards or competitions?

I think you, most importantly is just

work on your work

you know make sure

that what you're doing

is something

unique, you know,

because it's a

dog-eat-dog world photography.

I love this insight

it's brilliant,

listen thank you

for sharing all this with me now

but if will you stick with me

and we are,

we are going to talk about the gear

and particularly the gear that you use

and the constructs

that you put Hummus

into and things like that.

Yes. Cool all right

thanks, Jason, cheers!

That's all we have time for

for this episode.

but Jason's going to be joining

me again soon

and we're going to chat about

the techniques he uses in his work.

If you'd like to brush up

on your own photography skills,

then check out

the Adorama Learning Center

and if you'd like to see more videos

then subscribe to our channel.

Thanks

and we'll see you again soon.

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