Chủ Nhật, 5 tháng 3, 2017

Waching daily Mar 5 2017

as an independent journalist under the

Freedom of Information Act I have every

right to investigate report make an

opinion on matters that I safe it as

long as I down inside violence or hatred

upon any personal persons for those of

you watching this video I asked you to

share and mirror this it is the most

important video I've ever made it

probably won't ever make as you know

roughly a month ago I had an order

placed on me to search the silence me

for last month virtually said nothing on

this offense it's just been going around

and read my head that I really need to

speak up on this evidence that I've been

telling people prior to my silencing

that I had I had lots of evidence which

goes against the official story as a

journalist investigator reporter I have

every right as i said at the start to

give my opinion as long as I don't

incite violence so i'm going to go right

from the beginning and I'm going to lead

you to this when i called the big

evidence and you can make up your own

mind from what you're going to see

regards this event generated 20s just

after midday I was making a video on the

for Lord elephant which ended up texting

me like two days to make i can't recall

what I can't recall hair got attention

to this care of it whether it was a

comment because i don't watch that the

TV i didn't take much notice of it

hundred percent are believed it had to

be real asset here in the hell could

stage an event like that in the middle

of the other tonight in the section in

and the rest that follows you could not

possibly stage it so I just went along

with that the day went by I would've

watched the news would have probably

seen that donut can't really recall but

still it had to be real

there's no way no such an event could be

staged according to what what will show

that night I spoke to my son on scarred

you told me he was actually in in that

area at the time of the event during his

lunch break here he didn't really notice

it at any big deal what he was told by

people who set a car hit someone on the

on the paper not opposite side very

understanding and within seconds or

place everywhere and he believed that

the car with round the corners I chased

him and that's how they end up stopping

you

so as far as he was concerned it was

real so I can exercise said i was busy

doing my fort lauderdale video didn't

really take much notice of this thing

yet

I think expect my son that knowledge or

could have been following night account

remember it pointed out something to me

pointed out something very interesting

you said that there's someone there

it's been there for years is a bit of an

icon in the burg straight more he would

have been the first guy that the car

would have hit cause it's just around

the corner from where he would have

turned off from SWAT stand straight made

a left hand turn is virtually right in

the way the car a few yards down

straight ball likes it would have been

the first guy hit so that's interesting

oh but I wonder if he was there on that

day so I left it to my side for the next

day of mandate to go and actually have a

word with this guy it the god talking

about is what if the guy is saying here

the big issue guy itself the magazine

called the big issue so it's back to him

in any Talent asking questions he didn't

speak much but my son got back to me

that that night and this is dead

there's a lot of things this guy said to

me that it just doesn't make sense so

you know it's good chance that you

should talk to it's sort of thing so

well that got me interested in the whole

thing I thought I gotta talk to this

guy's that's when I started getting into

it more started making down at videos i

made a few other videos on its but it

didn't really get into the heavy stuff

is yet so

a range of two people and a condom on

liquor was too been working on this and

the timeout 63 good friend of mine they

live in Jalan which is like 80

kilometers from me

I've never met an anaconda before but I

met de mer I needed to come with making

the city to do a bit of a tool just to

do the tour around with the cast

actually waited and we kinda and always

get in hopefully interview this guy so

the two days later was a Thursday which

was distracted I hot public holiday we

couldn't do it then you said well let's

not forget the next day because half of

melbourne will take a long weekend if

we're going to do a little bit of

footage of now but we want to do it like

a normal day so it turned out we

organized to stay the following tuesday

which was the 31st of January where we

made its way into the street station and

as yes and Rhonda had his camera i don't

really have a different camera like my

cab

that's the work anymore the 1i used to

solve my chem trail videos in I can't be

bothered fixes it

it's a big cumbersome thing anyway I

don't have a decent side camera i'm not

into all that technology stuff that

anaconda was the man who had the two

good camera whatever you and he was the

one filming the whole thing so just want

to point out that this guy is is a good

man is a very good day if we just got

back here this is 1507 this is a cheat

one out there was after the supposed to

count through this collar while Chris

not sure what is this is a guard the

guardian article could be so much in the

guided this is she says it according to

a man of spike just bugger to John

mustachio the car came from slots and

straight down the street and appeared to

try and break at one point its tires

were spitting and it was smoking well so

this is joe other styles just as she was

pretty quickly interview this guy the

story that you're it

i just mentioned here he said he saw the

car coming from SWAT substrate that damn

bird streets

well that's a bit of a fit because he

had his back

yes his back towards the other corner so

he would have not seen any car he would

not have seen any car coming down slices

trade and turning the only time you

would have said as it with pass dude

so anyway but and this is this article

which was just an recently was on on

that day I just say it says in John that

massager and start ourselves the big

issue on bourke street he saw the car

sped past followed by police so he was

there

thank God like I said thank God that he

wasn't hit by the car even though i'm

going to show you they're just doesn't

make sense because he was in the

position where the car was hit one

heading straight on especially when he

had his back sitting on a ice on his

chair with his back to the cast gonna

get a whole body speed and this guy's

only like 30 out of the corner so just

want to put to this video here that I

said during up-to-the-minute selling big

issue

this was uploaded on december twenty

years 2011 so just over five years ago

and I just want to play your little

portion at the end so what's that but in

this video I actually drew John a nice

night and gave it to it that's John hair

God is said to head on its pretty happy

about that

it's a good man John he's a good man

what i want to point out there

notice that is in the direction of

coward of God he at least 45 years but

when you hear him talk 25 years but

sitting in this one position here it's

30 yards back is the swatch the street

corner

sometimes this could be stuck at a few

more faith but that is in direct line if

a guy had a big comic strip so John has

been there for 25 years in that side

position would you believe my quality

being 25 but at least fire because we

could say here this is a video from five

years ago where John sells his big issue

i just kick out the rest of it that is

the way the exciting the cat why the car

with a big going down that directions so

the car would have hit this guy you

wouldn't be the first guy it as a stair

spits arete that's what substrate that

30 ads 25-30 ads maximum to where he's

sitting with his big shoot boxes there

is so that's why i say i'll stop at it

that God would be the first guy hit the

car went down to net cornets LED is that

could even stick out a bit more on other

days who knows but that's where he's

been sitting all these years if you do a

Google search there he is it consumed in

a bit

you always say it's been there for years

it's like an icon so with my son

interviewee but your days after there he

is

why is he gone why my there what's

happened here supper doesn't look right

here today I'm going to show you my

interview which I as joe said every

right to do with anyone as long as I

died inside violence or harass any

personal persons

I used to come here 5 years ago.

Yeah

You been coming here for that long?

In the same spot?

Yeah

Every day?

Yeah

F***ing Hell!

First thing I thought of, mate, last week

with that car coming through here

I thought

You're in his way, you're going to be hit!

Did you see it coming this way?

Yeah

Did you hear?

You were here...

Yeah

(Unintelligible)

All these years you've been over there

So what happened, mate?

(Unintelligible)

Different now

Different?

Yeah

So they had you move from here to here?

Yeah

****'s son said you were a little bit further there last week

They moved you out?

Really? Who moved you?

You can't talk?

Yeah

But you can't talk?

After five years they moved you out of the way?

Yeah

Maybe they knew the car was going to come?

Yeah

Really?

So why can't you talk?

You didn't see anything maybe? Or did you see nothing or...

Did you see the car come down?

Yeah, I did

And where were you when the car came down?

Here

Right where you are now or further there?

There

There?

So you moved a little back in since?

Yeah

So if you were there and the car came through here...

Yeah

Really?

Yeah

But the day before, you would have been hit by the car if you were here

Yeah

So someone told you to move the day before?

Yeah

But you can't talk

Was it Robert Doyle or someone from the council or police?

You can't talk?

(Unintelligible)

Did you see people being hit by the car?

Yeah

You did?

Yeah

How many were there? Where were they?

Seven

You saw seven people being hit?

Yeah

All right here?

Yeah down there

Down there? The car wasn't over there

Yeah...(unintelligible)

No, he wasn't behind you. The car was down here

You said you saw seven people being hit

Yeah

Did you go and, like, have a look at them? Were they like...

Paper

In the paper?

Yeah

But did you see it with your own eyes?

Yeah, in the paper...

No, did you see it with your own eyes?

No, I see in the paper

Did you see anybody here with your own eyes?

In the paper

I know in the paper, but when it happened did you see...

I didn't see

You didn't see?

No

You didn't go down to have a look at them, you just stayed here. Ok...

So you just believe what the papers say?

Yeah

But you were here. You saw the car. How fast was he going?

How fast?

Hundred...fifty?

150? Kilometers?

Yeah

But the corner is just there?

The corner is 30 yards away

How can he get to 150 kilometers...

Fast. Go fast.

But he can't, he's 30 yards away

He came from down there. 30 yards

You can't get to 150. People say he went 70, 80

That's fast

Yeah, really fast

But in 30 yards to can't get to 80 kilometers per hour.

So were the police chasing him?

Yeah

Really?

How many police?

Twenty? Thirty?

Twenty, thirty?

Yeah

Cars

Are you sure? Up the footpath?

Everywhere

Even down the footpath?

Yeah

How many?

Ten

Ten?

Well we saw on the tv that there were six that followed him through here

Were there three silver cars?

They were everywhere

Yeah but were there three silver cars?

Different cars

Different cars. But the first three silver?

Yeah

They were silver? 100%?

Yeah

You're not telling us (unintelligible), are you?

You're not making this story up?

Were you told to make this story up?

You're laughing! C'mon

You don't believe me? Then...

How can police cars come through here...

I told you, I told you

Alright, thank you, thank you for your time

You don't believe me?

If you don't believe me, don't talk to me

decide yeah it looks like it's going to

go right now underway at school told us

enough to do a three-way awful but you

do understand your long term it will be

hard and you come back here

please tell us about why don't you move

like a whole like you are related to

take me out

thank you good but you're not

you around everybody you are you injured

your goals that only I got you

time for damages religion

2325 education

you're doing great how about a little

everything like this that was it exactly

where you're going to try to the

relation to the side expected so you

heard it and saw it for yourself the big

issue made this little between 5 and 25

years has set the same spot near the

glass windows of that store 30 added

from Swanston Street he was told that

day before the day before to move away

to make a big gap to al-qaeda go through

but he can't tell us who told him was

that the place was that Robert Doyle he

can tell us for the can't talk so if you

put two and two together they had to

move him out of there because too many

people would about why wasn't this guy

killed the first guide that would have

been killed too short so let's move it

better there the day before so he won't

get killed

even though there's no cat goes in there

and no questions will be asked so i have

a question for the near melbourne Robert

Doyle who told this guide to move a day

before the care event after over five

years

this guy's never moved the day before

someone from the cancel and you being

the mayor malbert surely know and mr.

Doyle can you explain to us have a one

in a gazillion chance you just happened

to be in a balcony a balcony where we

never ever see anyone standing on just

happened to be 130 Friday lunchtime just

at the moment when those cars came down

20 30 seconds after the donut of it and

you and the professional cameramen just

happened to be there to film this

you were supposed to be having a press

conference but it was canceled so why

this camera and a wide a right on the

edge of the balcony

why you on the edge of the balcony why

would you have a press conference in

that position when the side much noise

of people traffic sirens would have you

the odds are way too high for this to be

a coincidence and you said you saw the

car player we get to people when in fact

the vision shows nothing of the sort

not one single was reported injured in

the Swanson straight of age and you said

he saw the ball outs and he avoided the

ball outs to go down that paper but

sorry it did not go anywhere near balad

it went straight down the pavement at a

slow pace constantly breaking and making

sure you didn't hit anyone like Moses

parting the Red Sea

so here we see the balcony it is a very

big area is not a small balcony explain

why you and those photographers were

right on the edge here hanging over the

age

why would you make a press conference

hanging over the edge mr. Doyle or if

you weren't making a press conference

what attracted you to be right on the

edge today to film those cars you would

not have known any difference with was

hardly any sirens going please explain

this mr. Doyle as we say the cameraman

hagen / ledge have god's name why did

the gazillion chance they just happen to

film this at that time just want to

point out a few things about this guy

Robert Doyle has been a politician he

was actually later the opposition party

2002 didn't become premier something

about noted here it's very interesting

on 22 Institute 2007 the state

government announced that it would

appoint door as the new chairman of

melbourne health the group that operates

the role Melbourne Hospital where we

heard that before this event leave it at

that

so this Lord Mayor melbourne got the job

in 2008 can you believe it's been

reelected wash is like a law unto

himself he just kept being reelected

he's been in the job seeds to there's

note attending the seven years you but

that why he went the wise

she's doing such a good job is easy so

every Melburnian every Australian

everyone in the world has arrived the

question this guy hair was easy and as

gazillion the one chance on a balcony on

a balcony that day at that time during

lunchtime on a Friday supposedly having

a press conference that we've never

heard before never seen hair was he

possibly there at that time there were

those cameras focused especially Hagen

over the balcony it's such a big area

but they were hanging out of the belt to

the at that precise moment they would

not have known anything the sirens going

off at in the city virtually every

minute there's noise crabs they would

have thought that suspected anything

unless of course they knew prior to this

how did they possibly take those images

right at that moment the cow just let's

watch the street so to 20 seconds 30

seconds earlier at the most and they

just happen to be hanging off the

balcony feeling it going

paschalis straight and then straight

past admitting it shows the big scene

where did the pavement job in flushing

strict Christian is going to be asked

that's not a coincidence people this god

there's more to it than this guy's

telling us we as Albert people when you

like this guy

we paid this guy we have every right to

question it

that's all we ask we ask questions we

want the truth that's all we ask for is

the truth as yet mr. Doyle as yet mr.

Doyle we have not seen any footage of a

count going down the street

why are you withholding that from the

people security camera today to help the

people that yet whenever it occurs we

never get to see any footage whatsoever

Alice unless its stage for yourself

so mr. Doyle is the elected me as a

trustee of the public of melbourne will

you accept an invitation doesn't have to

be that some concerns city

since just to ask you some simple

questions about why you are there dr.

knew that day why a gazillion the one

chance you have to be on that balcony

when this event happen could can we ask

you questions a bit what you said you

saw what you said you saw and why we

cannot say the camera footage CCTV

footage of the car governor Berg

straight and we don't want to hear this

cock-and-bull story that you can't share

the footage because there's an ongoing

investigation that will go on forever

and ever

if you can show this one straight

footage from day one virtually told

there was still on social media

why Cannot you show the cargo net bourke

street we don't want to see what happens

once the street because we know that was

all staged an official story even tells

us not one single person was injured or

killed on swanston street but if you can

show that while this investigation at

going on Charlie we can say the cargo &

Bourke straight it was just a glitch

just showers that cargo in Edinburgh

straight mr. Doyle and a lot of

questions will be added that it's been

seven weeks Robert Doyle we still have

not seen any footage of a car whether it

be CCTV footage we have not seen a

single footage from thousands of people

who are on both straight on that day not

a single footage posted on social media

we have not seen the dashcam footage of

the place car chase we have not seen the

helicopter footage our sovereignty over

the straight keeping its is on the car

always melbourne here to the strides ask

is for the truth we need to see some

footage of their code and bourke street

just to close their minds off to believe

this event was real so Robert or is up

to you when you make time for an

interview for someone to ask these

questions

For more infomation >> MIRROR (with captioning): Peekay Truth - MUST SEE Interview Exposing Melbourne Hoax - Duration: 26:07.

-------------------------------------------

Worst Game Ever: Revolution 60 (review) - JMAA - Duration: 17:32.

Believe it or not, I was kinda unsure of this new series "Worst Game Ever".

For a long time, I kinda wanted to go back somehow to the game review genre, with a couple

failed attempts, but I now think I can be able to do it properly on my own newest style

of cyberbullying.

And what's a better shitty game proper for cyberbullying its creator than…

Revolution 60.

This gonna be a real load of Brianna Woopie.

(intro music)

Hey gay demons, your dark overlord MOON here, and in case you've been wondering, today's

theme is EQUALITY.

Usually in any videos of mine we cover, like, a lot of men with dicks, but today, we're

going to talk about a woman with a vagina, or what we assume is a woman with a "vagina".

Brianna Wu.

And her own video game "masterpiece" Revolution 60.

This, apparently, has as much of a masterpiece as The Slaughtering Grounds has of a solid

programming.

And, yes, I might not be the perfect game reviewer on this fucking planet, but I can

still make fun of this game and the person behind it.

So, just sit back and contemplate the authentic power… of FEMINISM.

Oooo weee!

[BACKGROUND]

Brianna Wu, the very incarnation of the Creature of the Black Lagoon, is a pretty weird, weird

person.

You might ask yourself why every time she does something outrageous or stupid everyone

starts talking about her on Twitter, and the reason is, because she does truly outrageous

and stupid shit.

Recently she tweeted some stupid shit about how companies can be able to bomb entire cities

dropping rocks from the Moon to the Earth, and lo and behold, everyone was memeing the

fuck out of what she said.

Just think about it: this is the woman who tweets this, while she's actually running

for Congress and self-proclaiming herself as the woman who "fought the alt-right and

won".

Just get this into your head.

If you think this woman isn't capable of making political decisions based on that crazy

and dumb statement she did on Twitter, then you're right.

She IS mentally retarded.

Not only that, but here's a sample of outrageous and stupid shit she did before that that justify

she's completely fucking braindead:

[A display of feminist incompetency]

She wrote in a Wiki article about how Samus Aran was transexual, and to do so, she cited

her own fucking shitty article just to justify it.

Somebody needs to fact-check...

She orchestrated her own harassment online just to play victim and bitch for attention,

and the situation backfired into people pointing out her bullshit.

Someone need acting lessons?

She considers anything that points out her lies and bullshit as legit harassment.

Baby's got a temper!

And when she was making the Revolution 60 game, she further delayed without warning

the game just constantly posting the game was submitted to Steam, while keeping the

first original release date of 2015 in the "official" website.

Keep the updates steamrolling!

[The end]

If you think you're the only one who thinks Brianna is mentally deficient, well, lucky

you, you're not alone.

So, what is this Revolution 60 game all about, you ask?

Well, apparently, Brianna Wu is, or was, the lead of a game company named "Giant Spacekat"

which mainly produces shitty iOS games for smartphones.

"Revolution 60 is a deliberate mixture of two games, Heavy Rain and Mass Effect."

Oh, yeah, sure, let's just piggyback on the success of these two games made by far

more competent game development teams.

BioWare?

PFFT!

More like, "BoreWare"!

I'm gay!

The only apparent problem is that Heavy Rain and Mass Effect at least look like more functional

games than this utter trope of shit.

I was kinda uncertain if I was to get the original version of the game or the more recently

released "Special Edition", which has slight "improvements" if you can call

them like that.

And by "improvements", the lighting makes the game look shittier and the main character,

Holiday, looks like she's gained a couple kilos but still looks like the horseshit female

character stereotype that these fucking femicucks always fucking do.

She better be glad for my money.

She could just spend it on another motorcycle!

"Thank you feminism for making our Revolution 60 designs even better!"

Oh, thanks, feminism!

Feminism is the best!

Feminism is great!

I LOVE feminism!

You know, if it wasn't because of feminism, the main character would look like the same

kind of Taiwanese Barbie doll horseshit character than what it still is right now.

Only with slightly less hip and without that special "tactical armor".

Look, I'm no SJW or some shit like that, I might have done a video on the Gay Oni Journal

series about some shit about boobs and Japan and all that shit, but it is still a very

sexualized character.

Like, you don't realize the character still looks like a fucking Bratz doll.

Isn't that kinda… misogynistic?

[THE ACTUAL GAME]

I really hope that introductory statement has made you clear about how flawed and sexist

her game project and PR are at this point, because now we're getting into the real

meat of the game review.

Let's just talk about the actual game for a while.

I know a lot of you would expect a shitstorm of feminist random horseshit, even if this

lady man's brain doesn't function that well to understand feminism, so the intro to the

game isn't much different.

(game intro)

You can notice this game is practically for babies.

Yeah.

If the spastic mess of an intro didn't convince you of that, it will eventually do, because

90% of the intro you won't understand a thing about what happens in it.

It's just a bunch of random characters doing stupid shit.

Kinda like flinging keys in your face.

(flinging keys)

In this game you play as an assassin named "Holiday" who has pretty much the stupidest

name in the entire game.

And that would not be much different with such ridiculous names like "Chessboard"

or "Plague Leopard", which all look like characters from a shitty fan fiction.

Oh, why is she called "Holiday", you ask?

Well, she has Christmas colors!

Hurr durr!

Speaking of shitty fan fiction aesthetics, I don't seem to understand what's the

thing with the tribal designs everywhere, as tattoos, in spaceships, in soldier armor…

Let's be real.

Tribal designs are a shitty design.

The only people who would use a tribal design is pretty much the basic bros who have no

idea of what to tattoo themselves.

And fucking teenage kids.

On the subject of ugly designs, look at all these fucking colors!

It's so beautiful, isn't it?

So beautiful it makes your eyes bleed!

And the Special Edition only makes it worse.

Do I really need to bring up that Sailor Moon meme again?

We don't really need more chinless people like Leafy.

You might remember the Video Brinquedo animated movies, those like "Little Cars" or "Who's

Up" or "Ratatoing" or shit like that, right?

Well, this game probably has might taken inspiration from there, at least from the original version

of the game.

Wait a second… is that Unreal Tournament 3 health spawn pad?

That's a rare prop right there!

If the ugly as fuck graphics didn't convince you this is a weak game, don't worry.

I'd like to introduce you to the basic mechanics of the game, which range from typing words

in the keyboard to horseshit quicktime events.

(QTE gameplay)

Oh, it's so challenging to type down the word "Snipe" in the keyboard.

Never seen such a level of challenge since Typing of the Dead.

Either that, or it is smashing the fucking spacebar like a mong or pressing up and down

at the same time.

Yeah, take that, Heavy Rain!

This is REAL gameplay!

It's so cinematic!

Aside of that, you got the tedious, annoying combat sections.

If you're a masochist, this would be your jam, because most of the time is just slowly

moving through a grid taking cheap attacks and wishing this madness is over by just trying

so hard to work around with the unresponsive controls.

(Combat gameplay)

Oh, no!

I've been suddenly cornered by an ENTIRE ROW of toxic gas!

Better hope I can just get out of there!

If it wasn't because the toxic gas takes ages to disappear.

Most of the time even, you can't predict where these blast attacks from grenades and

shit are going to land on the grid, so most of the time you'll have to die a lot like

a fucking retard, wasting syringes like a moron.

This is the kind of shit that doesn't make me want to play again, because most of the

time, every 1 or 2 cinematics I will have to encounter a row of 2 combat sections like

this.

(End of combat)

I'm not sure the combat follows the story in some way, I don't know about the story,

most of the lore is covered in the loading screens, it doesn't really introduce you

well to the characters, but it doesn't really help much that the voice acting ranges from

mediocre to just completely laughable.

(Holiday) "If only we knew someone that had built the station!"

(Holiday) "Perhaps this impossible mystery could be answered."

I'm acting!

The awful script forces me to act like this!

Oooo weee!

Or if it isn't the awful dead voice acting, just spew out a bunch of random science fiction

mumbo jumbo like a fucking retard!

(Amelia's space mumbo jumbo)

Brianna, you're a real smart person.

I would like to know if you actually dropped from school or not, because those are really

big made up words.

Go back to Wattpad, Brianna.

Maybe Fanfiction.org isn't made for you.

(Holiday) "C'mon, or you're gonna be toasty"

Toasty?

(Holiday) "... you're gonna be toasty."

(Mortal Kombat "toasty" sound effect)

Yeah, I'm also pretty much as perplex as you.

My brain became toasty when I heard that.

(Holiday) "What I'm going to tell her fiance?"

(Amelia) "Maybe he's not so into personality."

Oh, yeah, he isn't very much into personality.

Because, get it?

He's a WHITE CISGENDER MAN!

White cis men are just sexist!

They don't want personality!

They just want to grab 'em by the pussy!

Is it a coincidence that most of the enemies in this game are white cisgender men?

(Holiday) "Did you miss me?"

(Holiday) "I just assumed you could handle amateur hour."

I don't seem to understand your alien language, Brianna, but maybe probably, if I were you,

I'd just consider myself an "amateur hour" if I wrote all this shit.

The odds of this game writing a good story are just practically null when every character

is at least at start obsessed with the odds of "winning a mission".

(the odds intensify)

The odds of me being considered a harasser of Brianna Wu are just skyrocketing.

Leaving the awful story aside, I look back at the Steam Store page, and I realize how

these 4 hours of animation have PROFESSIONAL voice acting and music!

("professional" music)

You like this professional music?

You're gonna hear it for repeated sections of the game and it sounds like my early music

works from 2009.

Even my early music works from 2009 are more competent than this, and that kinda says a

lot.

Also the music is STOLEN?

Yeah, apparently the Giant Spacekat team is so incompetent they just used royalty free

music without giving credit or asking for permission.

And best of all, one of the tracks is the one Brianna Wu claims she made it herself!

Please, just stop using these "point and click" kind of "exploration" thing,

point and click adventure games are basically dead now, and doing this for the sake of "exploration"

just makes it even shittier.

This game can't even manage to have a solid framerate.

I have to say that I'm really glad I'm never going to touch this game ever again.

Because thanks to TheCrazyEven, now I know this game cannot be even completed properly

without going completely insane.

(Final boss horseshit QTE section from TheCrazyEven's video)

Ah, forget about creating a solid game that actually works, we don't need that, we don't

even need that because, hey, guess what, FEMINISM!

OOOO WEEE, WE'RE WOMEN!

[CONCLUSIONS]

In conclusion, regardless of the gender of the entire dev team, this game is a weak fucking

mess.

And I have quite a bit of stuff to tell Brianna Wu.

Brianna, you're not going to be a successful game developer, neither a successful Congresswoman.

Everything you do is a trainwreck and is just causing a catastrophe on social media, and

no shit why your stupid shit about moon rocks ended up trending on Twitter.

I know it's more of a controversial game than it is a shitty game, but, let's admit,

it's still a shit game.

If you wanted to do something proactive for feminism, maybe all you needed to do is to

go shirtless, pull your tits out and write down your chest something in the lines of

"Free the Nipple" or some shit like that, that would be pretty much more proactive than

just making a horseshit game with horseshit "progressive" characteristics that, in

the end, just do nothing.

Because this kind of shit is trivializing the real problems of sexism and racism for

the petty bullshit no one cares about, just because you and your kind worry too much about

shit like, "THIS GAME CHARACTER IS TOO SEXUALIZED, CHANGE IT PLEASE!" and that's funny to

hear since Wu herself has made pretty misogynistic characters herself.

I've seen so many fucking developers and publishers pander to this politically correct

horseshit, believe me, and I'm glad this kind of shit will not always succeed, because

even myself as a "proud" member of the LGBT community, I think your game is an embarrassment.

It is a weak game with a weak story, weak gameplay, weak graphics and weak aesthetics,

made by a very, very weak person named Brianna Wu.

I'll see you in the Moon…

Oooo weee!

Next up on the Worst Game Ever…

Ride to Hell: Retribution.

Oh boy, this is definitely going to be a Ride to Hell!

Better wish this game could have the Retribution enough to excuse its shittiness.

Thanks for watching this video!

If you like what you see, and want to join the Gay Demon forces of Hell, please subscribe

to see more!

I'll see you next time!

Hail Gay Satan!

For more infomation >> Worst Game Ever: Revolution 60 (review) - JMAA - Duration: 17:32.

-------------------------------------------

Aquarela | Instrumental para Casamento | Toquinho - Duration: 1:05.

For more infomation >> Aquarela | Instrumental para Casamento | Toquinho - Duration: 1:05.

-------------------------------------------

Trolagem - Chamei um Amigo Pra Mão E Olha No que Deu - Duration: 2:02.

For more infomation >> Trolagem - Chamei um Amigo Pra Mão E Olha No que Deu - Duration: 2:02.

-------------------------------------------

Photoshop Tutorial: How to Create a Glass Block, Mosaic Portrait - Duration: 10:17.

Hi. This is Marty from Blue Lightning TV.

I'm going to show you how to transform a photo of a face into a gorgeous glass block, mosaic portrait.

And how to quickly replace the face without having to redo the effects.

I provided this mosaic pattern, so you can follow along.

Its link is located in my video's description below or project files.

Open a photo of someone's face that you'd like to use for this project.

I downloaded this one from Shutterstock.

To place it onto the mosaic pattern, make sure your Move Tool is selected and drag your

photo onto the tab of the mosaic grid.

Without releasing your mouse or pen, drag it down onto the grid and release.

To resize and reposition it, open your Transform Tool by pressing Ctrl or Cmd + T.

To see The Transform's entire bounding box, press Ctrl or Cmd + 0.

Go to a corner and when you see a diagonal, double-arrow, press and hold Alt or Option

+ Shift as you drag it in or out.

To reposition it, go inside the bounding box and drag the image.

I'll undo the Transform by clicking this icon.

When you're happy with its size and position over the grid, accept the Transform by clicking

the check-mark at the top or by pressing Enter or Return twice.

Click the lock icon to unlock the background.

Drag it above your photo.

Make a copy of it by pressing Ctrl or Cmd + J.

Go to Filter and Filter Gallery.

Open the Artistic folder and click "Plastic Wrap".

Make the Highlight: 20, the Detail: 1 and the Smoothness: 15.

Then, click OK.

Change the Blend Mode to "Linear Burn" and reduce its opacity to 80%.

Make the original grid layer active and change its Blend Mode to "Soft Light".

To temporarily hide all the layers except the original grid, Alt-click or Option-click

the eyeball icon next tot he original grid.

Open the Channels panel.

If you don't see it, go to Window and Channels.

Ctrl-click or Cmd-click the thumbnail of the RGB channel to make a selection of the grid.

Open back your Layers panel and press the "Delete" key on your keyboard to delete the

white areas of your image leaving just the black grid.

To deselect it, press Ctrl or Cmd + D.

Make the two other layers visible

and double-click the middle layer to open its Layer Style window.

Click "Bevel & Emboss".

The Style is Outer Bevel, the Technique is Smooth and the Depth is 100%.

The Direction is Up, the Size is 10 pixels and soften it 16 pixels.

The Angle is 131 degrees and the Altitude is 42 degrees.

The Highlight Mode is Linear Dodge and has an opacity of 50%.

The Shadow Mode is Multiply and its opacity is 20%. Click Inner Glow.

The color is black.

The Blend Mode is Multiply and the Opacity is 100%.

The Source is Edge, the Choke is 0 and the Size is 5 pixels.

Then, click OK.

Let's brighten our image a bit.

Make your subject active and click the Adjustment Layer icon.

Click "Levels".

Drag the Input Highlight slider to the left a little to brighten your overall image.

Next, we'll begin the process of repositioning your subject within the glass blocks.

Make your subject active.

We're going to drag it onto the Folder icon, which places our subject inside a folder.

Make the subject active and click the icon at the upper, right of the Layers panel.

Click "Convert to Smart Object".

This will allow us to replace the photo with another without having to redo any of the effects.

We're going to make copies of our subject.

Each copy will be associated with a specific glass block.

I'll press Ctrl or Cmd + J 16 times to make 16 copies of my subject. If I need more, I'll make more.

Make "Layer 0" active.

We'll be adding layer masks next to our subjects, so let's widen the Layers panel,

so we can see the Layer Masks better.

To do this, go to the edge of the panel and when you see a horizontal, double-arrow, drag

it to the left approximately this much.

Open your Magic Wand Tool

and make the Tolerance 20.

Make sure "Contiguous" is checked. This will confine the selections that we make to each individual glass block.

Make sure "Samle All Layers" is unchecked.

The glass blocks that we click on will only be the ones that show our subject through them.

We'll ignore the other glass blocks like these.

I'll click inside this glass block to make a selection of its shape.

Make the top subject active and click the Layer Mask icon to make a layer mask of the selection.

Click the chain-link icon to unlink the layer and the layer mask.

Doing this allows us to resize and/or reposition either of them independently from the other.

Make the grid lines layer active

and click inside another glass block that shows your subject through it.

Click the next subject layer to make it active and, as before, click the Layer Mask icon

to make a layer mask of the selection.

Click off the chain-link and make the grid lines layer active.

Click inside another glass block that shows your subject through it and continue these

steps until you've created layer masks of all the glass blocks that show your subject

through them.

Make sure you click off all of their chain-links.

Click the thumbnail of the top subject to make it active and reposition it.

You can always reposition it again if you want.

Make the next subject active and again, drag it to a new position.

Continue to reposition your subject in each of the glass blocks until you like the overall result.

To replace your photo with another, double-click any subject layer to open the Smart Object's source image.

Open another photo of someone.To place it onto the source image, drag it onto the tab

of the source image and without releasing your mouse or pen, drag it down and release.

We'll size the new photo to the original photo.

To see the original photo through the new one, drag the opacity slider to the left.

Position it, so the face lines up.

If you need to resize it, use your Transform Tool.

Increase the opacity back to 100%.

If there are areas on the sides that need filling in, we'll use Content Aware Fill.

First, open your Rectangular Marquee Tool

and drag a rectangular selection over the area you want to fill in.

Go to Edit and Fill.

Choose "Content-Aware" and click OK.

Then, deselect it.

Close the tab and when you see this message, click "Yes" to replace your photo.

Open your glass block document.

Your Smart Object updated itself with your new photo.

This is Marty from Blue Lightning TV.

Thanks for watching!

For more infomation >> Photoshop Tutorial: How to Create a Glass Block, Mosaic Portrait - Duration: 10:17.

-------------------------------------------

💬 Логопед для детей. Речевое развитие детей и причины обратиться к логопеду. ОН КЛИНИК - Duration: 2:42.

For more infomation >> 💬 Логопед для детей. Речевое развитие детей и причины обратиться к логопеду. ОН КЛИНИК - Duration: 2:42.

-------------------------------------------

FX Makeup: The Chelsea Smile - Duration: 10:26.

hi my name is Linda that welcome to our

youtube channel today we're going to

make at Chelsea smile i made half a

Chelsea smile because i wanted to show

some extra stuff you could do with your

teeth and mouth to make this look extra

convincing but of course you need to do

both sides to make a real Chelsea Smile

well if you wanna know how i made this

please keep watching and I'll show you

in the coming video

I've shown you a lot of basic tips on

want to do with your Sculpt Gel in our

previous video so if you are new with

Sculpt Gel please watch this one too as i

show you some tips before where I

started a today I'm going to start with

the Sculpt Gel that i have put in a

little cup and i'm going to mix these to

create this Sculpt Gel to work with here

is our mix Sculpt Gel and of course my

stainless-steel spatula and we are going

to just ask the Sculpt Gel to the skin

I think I've got enough on this side and

i will start sculpting it before it sets

and i'm stuck with it how it looks right

now

like it like this right now and this is

the moment where we're going to sculpt

the smile in it I will do this with the

pointy side of the spatula

I'm going to let it set so we can

continue with colouring it and there is

the ProColing Bruise and little brush

to color the wound you need to set the

Sculpt Gel with powder but you also need to

set the ProColoring Bruise with powder

and I thought well let's colour it first

and then just test the entire wound at

once in self powdering it's coloring it

powdering it again and yes we are going

to color the wound now. I will start off by

using the light red color

something like that is my coloring so

now i'm going to set the wound with

regular setting powder and a powder

brush and I'm gonna gently powder

what i have created

and now i need to color the edges again

to match them to my skin tone I will do

this just by using my own foundation and

some powder

and then it is time for blood that I have

chosen coagulated blood gel by Mehron

when you open this blood gel you will

see there is a applicator in there to

get the blood on your wound

you could also use a brush to apply it

to your skin but i like this stick to

apply it will because it saves me

cleaning brushes

after i have applied the blood i will get

my spatula to get the blood in place as

it is so thick you will be able to put

it on but not really do it like you

would like to have it so with the

spatula you can just

so that is one side of my face finished

with the wound and I could do two things

now I could make the other side to show

you once again how to do it but you

already saw me doing this side but I could

also give you some nice tips some nice

products show you some stuff to make it

extra cool to make a Chelsea smile and

first thing I have got is Mehron Tooth FX

in the color red as someone would cut me

open from my mouth till my cheek and

there will be a lot of blood so not only

will my outside be red and bloody also

my insight would be so my teeth my tongue

my there will be blood everywhere and

and with the effects you can color your

teeth red and that's what I'm going to

show you now

so that was me not doing it exactly how

it should be

usually when you use Tooth FX you dry

your teeth completely and then at the

Tooth FX because that way it will

stick better to your teeth and as you

saw I just went in and added it. Well this

is my bottle of Tooth FX so it's cool

for me to just use the applicator that's

in it when you use it on many people

because you're an artist

please use a q-tip to apply to the teeth

and don't use the applicator that in the

bottle because of course it's not that

hygienic. Well my teeth are a bit

red and it adds to the wound I have I

think I need a bit more and i will do

this the official way I will dry off my

teeth and just add it.

you can only do this on natural teeth. If

someone's got prosthetic teeth you

cannot put Tooth FX on there because these are

porous and the color will soak into the

teeth and you won't be able to get them off

again so be sure to check that all teeth

are natural before adding tooth fx

well the second thing I would like to

show you if Mouth Stain and this is

not to color your piece but to color the

inside of your mouth

I love love love this product it's one

of the red and will of course make

everything bloody red but there is a

black one as well and especially with

making zombies or horror creatures

it is amazing to make the inside of the

mouth of black well when you open it up

you just stick out your tongue and at

the drops a few drops is enough it

doesn't taste very nice but the effect

is amazing so that's what counts

and as you can see the inside of my

mouth now is red and also is our that

rest up here and well now this seems a

little off for color but i'm going to

add a little bit of mouth blood

I've got a dark variation from Maekup

for television and film and be sure to

use of blood that can go in your mouth for

this because not all blood our suitable for

that

this mouth blood tastes very minty so it

isn't really bad to add it to a wound

and there is my finished wound as you

can see adding the stuff to my mouth

makes it extra realistic convincing

scary and and this of course you can do

to the other side as well when I thought

it would be fun to show you the mouth

stuff. I hope you like this video if

you did don't forget to give two thumbs

up and subscribe to our YouTube channel

in the link below we will be back of

course with another how to use a product

kind of tutorial and I hope to see you

then bye bye

For more infomation >> FX Makeup: The Chelsea Smile - Duration: 10:26.

-------------------------------------------

Future Snags the No. 1 & 2 Spot on Billboard 200 Following 'HNDRXX' - Duration: 1:21.

Hey guys for Complex News, I'm Natasha Martinez.

The numbers are in and Future outdid Prince, grabbing the number 1 and 2 spots on the Billboard

200 following HNDRXX being the number one album this week.

Future pulled it off with 121,000 equivalent album units, of which 48,000 were physical

units according to data Billboard obtained from Neilson Music.

Last week his self titled FUTURE project was number one, and many wondered if he could

pull off 2 albums atop the 200 chart in back-to-back weeks while also occupying both of the top

spots on the chat.

"It's a rare feat for an act to score both the Nos. 1 and 2 albums at the same time.

The last act to do so was Prince, following his death last year, when, on the May 7-dated

chart, he re-entered the list at No. 1 with The Very Best of Prince and at No. 2 with

the Purple Rain soundtrack."

Earlier in the week Future sent out a simple tweet thanking the fans for his number one

and two spots, even though there were three purchasing days left in the week against Country's

Little Big Town who was in the number one spot.

Prior to the late Prince, the last artist to claim the top two chart spots was Nelly.

The St. Louis rapper accomplished the achievement when his albums Sweat and Suit topped the

charts in October of 2004.

That's your news for now, for more of today's trending stories subscribe to Complex on YouTube

today.

For more infomation >> Future Snags the No. 1 & 2 Spot on Billboard 200 Following 'HNDRXX' - Duration: 1:21.

-------------------------------------------

GPS Master Clock Systems - Accurate Synchronized Time - Duration: 3:01.

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out of every day, it is warehousing

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system is that the clocks automatically

adjust for daylight savings time.

This is critical for a maintenance-free

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Our clocks receive time update every day

this guarantees that the time displayed

will be a hundred percent accurate 365

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wall without any maintenance concerns.

Our battery-operated clocks have

extended battery life 2 D-cell batteries

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systems you can enjoy the benefits of

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They trust our clock systems. Get

started today.

For more infomation >> GPS Master Clock Systems - Accurate Synchronized Time - Duration: 3:01.

-------------------------------------------

2016 10 David Young Interview - Duration: 21:30.

>> Susan: Hello everyone this is Susan Gerbic from the GSOW Guerrilla Skepticism on Wikipedia

project.

Today I'm speaking with my friend David Young who is sitting at home on a not so beautiful

morning in Hong Kong.

>> David: Good morning, Susan.

>> Susan: I met David October 2015, which is a year ago, actually, when I was invited

by Michael Bigelow and the Hong Kong skeptics to visit and talk with them at the end of

my Australian tour, and I had such a great time.

David gave me his spare room and I stayed in his beautiful apartment with him and his

wife Mary Ellen and David took me all over Hong Kong and one day in China, and that was

quite an experience.

And I have numerous videos and they're going to be in the show notes for anyone who is

curious.

And I have also interviewed David and Michael here on Skepticality about what's going on

at the Hong Kong Skeptics, so that will also be in the show notes as well as a reminder.

David why don't you tell everybody a little bit about yourself?

>> David: OK.

Well, I guess the thing that people want to know is my relationship with skepticism.

The joke I like to make is that I'm not a scientist, but that's only a recent discovery.

I grew up thinking that I did know something about science until one day I realised, during

a casual conversation with someone, that I honestly didn't know the difference between

virus and bacteria, and I didn't really know what antibiotics were and how they worked.

And so I made a little bit deeper dive into those topics, and at the same time, this was

when iPods were new and exciting.

I was given a gift of an iPod and I was looking for content to fill it up and so those two

events in my life collided, and the next thing I know I started listening to Skepticality,

Skeptoid, Skeptics Guide to the Universe, and all kinds of other science podcasts and

just fell in love.

I'll tell you what happened.

I "found my people", as they say.

I didn't know I was a skeptic until I started listening to those podcasts, and then I realised,

"Wow, this is how I think.

I'm a skeptic."

>> Susan: Wow that is so awesome.

That's kind of how I fell into it too.

I attended a conference and the people I met, I just felt a connection, and they were all

very different.

I'm also not a scientist and I don't know if I could easily explain the difference between

bacteria or virus....

and so today I wanted to talk to you about a topic that's not really talked about, at

least not a lot.

And you have done, recently, an interview that I found very moving and emotional with

a friend of yours there in Hong Kong.

You guys sat down and had a beer together and recorded, I don't know, 45 minutes or

something and he's a Christian - I guess he's a ex-pastor - and you two - you being an atheist

- had a very interesting conversation about death and dying.

And I would like - you know I'm not going to go into detail here on Skepticality just

because of time sake - but I'm going to hopefully send everyone over to that interview 'cause

it's really well done, if they want to know more details and things like that but... so...

>> David: Let me handle the tough language, Susan.

Let me handle the tough parts.

I think, you know, what you're alluding to here is the fact that I'm terminally ill.

And that that's a recent diagnosis as well, just within the last month - last eight months.

I was diagnosed with the Amyotrophic Lateral Sclerosis which, of course, is an untreatable,

incurable disease that in almost all cases is terminal.

Of course the most famous person within our community that has ALS is Stephen Hawking.

And he has a very very rare form of self-limiting ALS and so my days are now numbered.

My perspective on the world is not unique, but it's rare.

So that interview that I did with Steve Hackman was to talk about those issues.

But you wanted to talk specifically about what I think is an excellent article written

on the Skeptoid website from some months back.

>> Susan: Yeah.

Now Brian Dunning is a friend of mine, but before I became a friend of his, this is an

older episode - I think it's from 2010...

>> David: 2008

>> Susan: Eight?

Oh, we're going way back.

But...

So, Brian Dunning, a long time ago, you know, he's known for his analysis of the paranormal

and, you know, fringe fringe paranormal things - UFOs and that kind of thing - but he wrote

a very excellent episode called "Despicable Vulture Scumbags" and it stuck with me.

>> David: I love this article.

I wouldn't be surprised that I heard this podcast was originally broadcast, because

that's right around when I started listening to skeptical podcasts.

February 26, 2008.

It's actually podcast number 89.

So people will want to look it up, I'm sure you'll put it in your show notes.

But in this particular case, someone writes to Brian who has a friend who has been diagnosed

with Amyotrophic Lateral Sclerosis as well.

And Brian gives him some advice and cuts and pastes some advice from what I think are other

clever people as well about how to deal with less-than-questionable treatments for people

who are terminally ill.

This situation scares people and if they don't have a worldview or a world philosophy in

place prior to this diagnosis or prior to an event like this in their life they may

reach out to almost anything and I can understand why they would.

I said to you, I think, pre-interview here, Susan, I was insulated from these things by

the fact that I did have a background in skepticism and so if I were to read a description of

a product that includes the words, you know, like "healing energy" or "neurolinguistic

power" or something along those lines I'd immediately see that as quackery.

But I wouldn't have, maybe 10 years ago.

I wouldn't have.

And so that's the power of skepticism.

That's the power of the movement, in how much it edcuates people.

Specifically, one of the things that I tell people about alternative medicine is one,

it has to be free and two, it has to be harmless - meaning no side effects whatsoever.

The reason I always stress the free one is because you definitely do not want your provider

to be economically motivated.

The joke we - of course we are from Hong Kong, right?

- so acupuncture here is huge.

And the joke here is always, "How does an acupuncturist determine the course of treatment?"

You know, how many appointments might you need, how long we you have to take treatment?

And we always say, "well, that totally depends on your budget".

>> Susan: Same with a chiropractor.

>> David: Exactly, exactly, same with a chiropractor because acupuncturists can't tell you in advance

how long you might have to take the treatment but if you can afford it you should take it

every week.

You definitely don't want your quack provider to be economically motivated.

So the moment it is expensive, or even if there's a small charge, you gotta pay attention

to that.

And then the second one is there absolutely, positively, can be no side effects.

If there are any side effects whatsoever - if you are actually taking something orally or

injecting something or anything that even takes up your time, if it's not additionally

making you feel comfortable and providing some hope and support to those around you

then just stay away from it.

One of the lines in this article just says, "I wouldn't spend one minute trying to find

the un-findable or trying to discover the un-discoverable" but it's not good use of

your time.

And if I could speak to hope, it's the most dangerous thing of all.

When you are definitely terminally ill, if you can't accept that, get some help accepting

it.

There's no point in fighting it indefinitely.

My disease is much, much different than cancer.

With cancer these days there is hope.

With a lot of other diseases these days there's hope.

For me I know there's not, and so I have to do, now, what everyone in this movement talks

about: living life to the fullest every day because it's the one life we have.

I just happened have a different lens and it really helps me focus.

And this, the final paragraph here in Brian's article says you have obligations to those

people around you.

And you do.

I find myself in a situation where I don't want to preach too much here, Susan, so cut

me off if I go too long.

>> Susan: No, you're great.

>> David: There's... and I would appreciate it if people listen to the other podcast.

There's an extraordinary importance here for balancing selfishness with selflessness.

It's... you are unique in that particular experience, but you are not alone.

This is a shared event in the lives of many people and, as the one who's got the diagnosis,

you have to be really aware of that.

I like some advice that I got from a counsellor recently who told me I had a superpower and

that I had to use it wisely and I kind of agreed with him.

So I really appreciated you sending me this article because I agree with what Brian says

here, wholeheartedly.

And I'd recommend anyone who finds themselves in this situation - and when I say "in this

situation" I mean either it's happening to you or you know somebody it's happening to

- read this article, because it's worth it.

>> Susan: Well I agree wholeheartedly.

The thing I wanted to also mention is, I mean, I know what I went through was nothing compared

what you're going through but it is a life-changing event when you find out that you have some

sort of diagnoses.

I came on Skepticality and announced that I had breast cancer in 2013 and I had a make

a decision: did I want to be public about it, did I want to keep it kind of on the low-down,

you know just kinda hide the fact that I was could be bald and that kind of thing?

And I thought about it for a while and I decided that I wanted to just come all the way out

not just a little bit out and I did that because of what Brian's saying here, and I remember

reading this article and I mean listening to the Skeptoid episode and thinking about

this whenever I found that I had cancer, is that people are around you and they're watching

and they're going through it themselves or they're going to be going through it themselves.

I mean, we're all terminal.

Obviously.

I mean I can easily die before you and there's nothing, you know we don't have, we don't

know, you know what's going to happen next.

So I thought about this and I said I'm going to come all the way out and I'm going to let

people kind of experience it with me if they want, and learn.

And I kind of felt like we had a responsibility as being public skeptics - you and I - in

a way to just, I don't even know how best to say it, but to just let people go through

it and see see that we're doing this without having to go and, you know, get homeopathy

or naturopathy, or whatever.

>> David: I agree agree and here's what I would say, is that you and I are very public

people.

We spend a lot of our time in front of others talking, convincing, pitching.

But that doesn't mean that it's right for everyone to come out.

You know, one of the things that I stress is that people intensify when they find themselves

in situations like this.

There are already existing personalities.

I don't find the people have massive changes in their personality - in fact what happens

is they become more of themselves and if people are private they should remain private and

if people are public then maybe they can do something for others.

But that doesn't mean that every aspect of your life would be public.

I'm very public about my skepticism and the other things that I run here in Hong Kong,

but I'm not public about my family life; I'm not public about other aspects of my life.

So everybody has to make their own decision.

You and I are being open about this and I honestly am hoping that this has a positive

effect on people's lives and that they get something from it, but at the same time I'm

not saying that being public is right for anyone else.

I just know that it's right for me.

It's helping me to deal with it, and it's one last thing I can do.

That's the way I feel about it - one last thing I can do.

>> Susan: And as I was saying - yeah, I would definitely agree

But I'd also say that, you know, we need to be there and set an example - at least that's

how I feel - so that our children and the others watching us can learn.

You know, they can be sitting on the couch moaning and groaning about how awful their

life is and why were they dealt this horrible blow, when I think that there's still so much

we can do.

>> David: I agree, except that I would say whether you're public about it or private

you're still an example to others.

How you handle it is entirely - people have to preserve their own dignity and the dignity

of those who are close to them.

I went through this process and so trying to suddenly be somebody else - probably not

a good strategy, right, as you're going out the door.

>> Susan: I totally agree.

>> David: But of course, look, we both know that this movement of skepticism is just filled

with people who give of themselves to others.

There are very few, if any, people getting rich off skepticism.

>> Susan: Nobody that I know.

>> David: Exactly, and yet thousands of us flock to it every year, and contribute what

we can.

This is a selfless movement, it truly is.

>> Susan: You know, I have some really great memories of Hong Kong and China with you and

Michael.

I had such a fabulous time, and I really appreciate all that you guys did.

>> David: We enjoyed having you.

Very early on and in my space within the skeptical movement, when I looked at conferences in

the United States, I eagerly wanted to attend so badly because there weren't a lot of skeptics

here in Hong Kong, or at least I hadn't yet found my people, so to speak.

But I quickly realised that if I was to take the budget and spend it on myself and go to

Las Vegas or go to New York, or go to California, go to these great conferences, I could do

a lot more by bringing someone from the West to here.

And it would cost me the same, right?

And so that's what I did.

So we continue to bring people over, and then everyone here can meet that person and speak

to that person, and I know people really enjoyed you being here, really enjoyed talking to

you, and our other guests as well.

And so now's my chance to give a plug, right?

I can do that?

OK?

So ...

>> Susan: You're on Skepticality, one of the biggest skeptical podcasts there is.

>> David: So the Hong Kong Society for Science and Skepticism is bringing Jerry Coyne to

Hong Kong.

He's coming here, two weeks from today actually he arrives.

And he'll be here for about two weeks and he's actually gonna speak at the Hong Kong

Literary Festival and we're really really excited about that.

And, again, you know we - look, there is definitely a narcissism or a selfishness involved in

this.

Like I said, it's a balance.

We get the opportunity to spend day after day in close proximity to a guy like Jerry

Coyne, and someone like Susan Gerbic, or Rebecca Watson, as we've done in the past and possibly

in the future others.

So that's what we benefit from, but then we share him here in this city with the hundreds

of other skeptics that are now members of our group and we're pretty excited about doing

it that way for us.

Do I still go to my favourite conferences?

Whenever I can.

But I definitely like bringing people here and we enjoyed having you.

>> Susan: And I have lots of videos as I said and photos in the show notes for you also.

What do you foresee for the skeptic community?

>> David: As a whole?

>> Susan: Yeah, do you think there's something working on... where should we go from here?

>> David: I don't think I'm that profound.

I think what I'd like to say is that, I think what will make the skeptical movement successful

is what makes every successful movement successful, and that is those of us who are leaders and

who are prominent and who are promoting.

We have to keep in mind that we're not doing this for ourselves.

Right?

We've got to continue to be as selfless as possible.

Now, having said that, I don't want my leaders to be void of a desire to - that drives them,

that the people who are taking over my skeptical organisation here in Hong Kong, I tell them

"you absolutely have to want to do this for yourself".

But wanting to do it for yourself, should be driven by wanting to do it for others.

If you don't have that drive within you, and at the same time be able to give as much as

you can of yourself to others, then this movement will fail.

As soon as demagogues and megalomaniacs and narcissistic dicks get in charge of anything

it gets driven into the ditch.

G.O.P.

So the, I think the skeptical movement is on the right track.

I find more and more people involved of that philosophy than any other philosophy.

I think about how much people have sacrificed in terms of time or treasure - you know, "time,

talent, and treasure"?

I think those are the terms the Catholic Church likes to use when they talk about development.

So many people in this moment have given so much of their time, talent, and treasure,

and that's what we'll need to keep doing for this to work.

Thank you for what you contribute.

Thank you to all your listeners for what they contribute.

Don't be afraid to give of yourself to others as much as possible.

We have an important message.

Skepticism is access to science for the nonscientist.

It changed my life and insulated me from a lot of what could have been serious bullshit.

So thank you to everyone who is already involved and keep it up.

For more infomation >> 2016 10 David Young Interview - Duration: 21:30.

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